1,720,978 research outputs found
Intorno a Rossini: sondaggi sulla percezione della centralità del compositore, in Gioachino Rossini 1792-1992. Il testo e la scena. Convegno internazionale di studi, Pesaro 1992, a cura di P. Fabbri, Pesaro, Fondazione Rossini.
No full textEdizione critica delle opere di Vincenzo Bellini
No full textVarata nel 2000, la Edizione critica delle opere di V. Bellini ha pianificato di pubblicare l'opera omnia del compositore catanese in sedici tomi (molti dei quali completi di volumetto di Commento critico, a parte) nell'arco di 25-30 anni. Oltre a Roccatagliati, ne sono alla direzione Fabrizio Della Seta (Università di Pavia) e Luca Zoppelli (Université Miséricorde de Fribourg, CH). I volumi usciti finora sono cinque
La musicologia europea oggi: quale identità?
No full textRelazione di base e interventi alla Tavola rotonda, Bologna, 20 novembre 2004, VIII colloquio di musicologia de "Il saggiatore musicale. Relazione di base di Fabrizio Della Seta, coordinatore della tavola rotonda, alle pp. 317-32
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Editorische Probleme des vertonten Textes in Anton Weberns George-Vertonungen: Beispiele zur aktuellen Arbeit an der Anton Webern Gesamtausgabe
Full text linkIn his songs composed on poems by Stefan George Anton Webern first adopted spelling peculiarities in these texts in the manuscripts prior to publication. Later and particularly in prints the spelling was normalized by Webern or with his agreement. The projected historical-critical edition of early versions and the unpublished songs during Webern’s lifetime within the Anton Webern Gesamtausgabe (Basel) faces specific problems in this context due to the inconsistent and sometimes ambiguous adoption of the characteristics in George’s spelling in the sources. In some cases even deciphering the reading of a single capital or lowercase letter would be an interpretation or would have to be based on interpretations of other passages in the same or other songs
Schweizer Jahrbuch fuer Musikwissenschaft- Annales Suisses de Musicologie-Annuario Svizzero di Musicologia
Full text link- …
