2,056 research outputs found
Gregor WEBER & Martin ZIMMERMANN (Ed.), Propaganda - Selbstdarstellung - Repräsentation im römischen Kaiserreich des 1. Jhs. n. Chr.
No full textGregor WEBER & Martin ZIMMERMANN (Ed.), Propaganda - Selbstdarstellung - Repräsentation im römischen Kaiserreich des 1. Jhs. n. Chr.. In: L'antiquité classique, Tome 74, 2005. pp. 536-537
Gregor WEBER & Martin ZIMMERMANN (Ed.), Propaganda - Selbstdarstellung - Repräsentation im römischen Kaiserreich des 1. Jhs. n. Chr.
No full textGregor WEBER & Martin ZIMMERMANN (Ed.), Propaganda - Selbstdarstellung - Repräsentation im römischen Kaiserreich des 1. Jhs. n. Chr.. In: L'antiquité classique, Tome 74, 2005. pp. 536-537
The piano music by Čestmír Gregor
No full textIn my thesis, I introduce a complete list of piano works by Cestmír Gregor, a contemporary Czech composer of modern classical music. 1 have tried to define his compositional techniques and sources of inspiration by analysing the individual pieces of music. I have found that the major features of the author's highly unique style are polyphonic thinking, the development of motives from small nuclei, expressive themes, plastic tunes, inventive work with rhythm, and the absence of a tonal centre which he compensates for by distinctive melodies . The author finds his inspiration in folklore, especially Moravian (Leoš Janácek), the works of Czech interwar avantgarde (Pavel Borkovec) and in jazz (Jaroslav Ježek). His music reflects the emotional states of a man living in the twenty-first century whose life style is predominantly determined by an urban environment. Gregor does not use any of the Musica Nova theories, instead he founded his own music language. The basis for his compositions is communicative music, which follows the patterns of human perceptive psychology. Gregor's concertant compositions are typical for a new instrument stylization and nontraditional attitudes towards instrument virtuosity (playing with a palm, elbow; an unconventional fingering). His piano sonatas and concerts enable the..
Čestmír Gregor: The Piano Compositions of the Composer
No full textIn my thesis, I introduce a complete list of piano works by Čestmír Gregor, a contemporary Czech composer of modern classical music. 1 have tried to define his compositional techniques and sources of inspiration by analysing the individual pieces of music. I have found that the major features of the author's highly unique style are polyphonic thinking, the development of motives from small nuclei, expressive themes, plastic tunes, inventive work with rhythm, and the absence of a tonal centre which he compensates for by distinctive melodies . The author finds his inspiration in folklore, especially Moravian (Leoš Janáček), the works of Czech interwar avantgardě (Pavel Borkovec) and in jazz (Jaroslav Ježek). His music reflects the emotional states of a man living in the twenty-first century whose life style is predominantly determined by an urban environment. Gregor does not use any of the Musica Nova theories, instead he founded his own music language. The basis for his compositions is communicative music, which follows the patterns of human perceptive psychology. Gregor's concertant compositions are typical for a new instrument stylization and nontraditional attitudes towards instrument virtuosity (playing with a palm, elbow; an unconventional fingering). His piano sonatas and concerts enable the..
Special Issue: Norm Contestation and its Effects: Challenges to the Responsibility to Protect and the Responsibility to Prosecute edited by Gregor P. Hofmann and Lisbeth Zimmermann
No full textSpecial Issue: Norm Contestation and its Effects: Challenges to the Responsibility to Protect and the Responsibility to Prosecute edited by Gregor P. Hofmann and Lisbeth Zimmermann
No full textGregor Piatigorsky
No full textIn this Master disertation, the author talks about the life and career of a legendary virtuoso cellist Gregor Piatigorsky. Gregor Piatigorsky is one of the most important figures in the history of cello. Piatigorsky has not only achieved an incredible solo career, but as a teacher he also raised a large number of great cellists and cello teachers of today. Among his most famous pupil are Mischa Maisky, Steven Isserlis or Raphael Wallfish. Disertation also includes authors own experience with teaching of Laurence Lesser, who was an assistant of Piatigorsky for almost 7 years, and whose style of teaching is nearly the same as Piatigorsky's
Palaeogeographical evolution of the Lower Jurassic: high-resolution biostratigraphy and sequence stratigraphy in the Central European Basin
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