1,373 research outputs found
Dank
No full textWissensformationen sind immer auch Bildformationen. Naturwissenschaftliche Erkenntnisprozesse gehören daher einer kulturellen Praxis an, die Sehtraditionen und Wissenstraditionen gleichermaßen umfasst. Die in diesem Band versammelten Aufsätze untersuchen naturwissenschaftliche und künstlerische Visualisierungen in den Übergangszonen zwischen Kunst und Wissenschaft und verbinden auf diese Weise wissenschaftsgeschichtliche und bildwissenschaftliche Fragestellungen. Die Themen reichen von der Mikroskopie in populärwissenschaftlichen Büchern des 17. und 18. Jahrhunderts und der Debatte um die Geisterfotografie im ausgehenden 19. Jahrhundert bis hin zu Visualisierungen des Tabakmosaikvirus in der Gegenwart.Knowledge formations are always also image information. Scientific processes of knowledge therefore belong to a cultural practice that encompasses both visual and knowledge traditions. The essays collected in this volume examine scientific and artistic visualizations in the transitional zones between art and science and thus combine historical and pictorial issues. The topics range from microscopy in popular science books of the 17th and 18th centuries and the debate about ghost photography in the late 19th century to visualizations of the tobacco mosaic virus in the present
Kunst von Frauen'. Zur Geschichte einer Forschungsfrage
No full textAnja Zimmermann “Women’s Art”: On the History of a Research QuestionSince its beginnings, art history has had a surprisingly strong interest in “women’s art”. From Vasari through the establishment of the academic discipline of “art history” in the nineteenth century up to today’s coffee-table books, female artists have always seemed to require some extra explanation. The article argues that this research was inspired less by a genuine interest in the creative power of actual female artists than the attempt to establish a rigid canon that excludes women. The text focuses on the specific effects of art historical writing on the development of an art historical canon in general
Bild, Wissenschaft, Geschlecht
Full text linkAnja Zimmermann: Image, Science, Gender This paper considers the increasing interest in science visualisation in recent years. The mutation of art history to disciplines such as visual culture (or iconic criticism and iconographic research) raises the problem of the constant recourse to anthropological research traditions, which disregard already established differentiations. The contribution of gender to a visual culture perspective amounts to a deepening differentiation, whereas in turn questions raised by visual culture can enrich the application of gender studies in art history with fresh subjects and new evaluative possibilities. Against the implicitly totalising claim of visual culture, this paper sets a critical gender perspective on visual culture intent on taking into account categories of difference that otherwise risk being lost in the quest for an “anthropology of the image.”
sj-docx-1-pss-10.1177_09567976231194590 – Supplemental material for Online Interaction Turns the Congeniality Bias Into an Uncongeniality Bias
No full textSupplemental material, sj-docx-1-pss-10.1177_09567976231194590 for Online Interaction Turns the Congeniality Bias Into an Uncongeniality Bias by Jürgen Buder, Anja Zimmermann, Brett Buttliere, Lisa Rabl, Moritz Vogel and Markus Huff in Psychological Science</p
Medien und Metaphern des Schwarzweiß – Geschichte, Geschlecht und Bilderpolitik bei Kara Walker – mit einem kurzen Ausflug zu Cindy Sherman und Zwelethu Mthethwa
Full text linkAnja Zimmermann Media and Metaphors of Black-and-white. History, Gender and Visual Politics in the Work of Kara Walker, Cindy Sherman, and Zwelethu MthethwaArtistic techniques of black-and-white are loaded with cultural meaning. In part referring to color and contrast, black-and-white also always connotes racial difference. The article explores this intertwined relationship of certain artistic strategies and their cultural effects. Concentrating on the work of the American artist Kara Walker, who uses silhouettes in her work, the aim is to show how this and other related techniques are used to thwart prevailing notions of gender and race. Having created a fiercely debated body of work that has been called sexist and racist by a number of critics, Kara Walker is an example of the ambiguous effects of invoking pertinent stereotypes.Another focal point is the possible consequences for analyzing artwork that does not overtly deal with race but which nevertheless – e.g. by using black-and-white techniques –should be read in this context. Cindy Sherman is a case in point, as her work deals with representations of white femininity, but was received merely as a comment on postmodern debates about gender
Sichtbarkeit und Medium : Austausch, Verknüpfung und Differenz naturwissenschaftlicher und ästhetischer Bildstrategien
Full text linkWissensformationen sind immer auch Bildformationen. Naturwissenschaftliche Erkenntnisprozesse gehören daher einer kulturellen Praxis an, die Sehtraditionen und Wissenstraditionen gleichermaßen umfasst. Die in diesem Band versammelten Aufsätze untersuchen naturwissenschaftliche und künstlerische Visualisierungen in den Übergangszonen zwischen Kunst und Wissenschaft und verbinden auf diese Weise wissenschaftsgeschichtliche und bildwissenschaftliche Fragestellungen. Die Themen reichen von der Mikroskopie in populärwissenschaftlichen Büchern des 17. und 18. Jahrhunderts und der Debatte um die Geisterfotografie im ausgehenden 19. Jahrhundert bis hin zu Visualisierungen des Tabakmosaikvirus in der Gegenwart.Knowledge formations are always also image information. Scientific processes of knowledge therefore belong to a cultural practice that encompasses both visual and knowledge traditions. The essays collected in this volume examine scientific and artistic visualizations in the transitional zones between art and science and thus combine historical and pictorial issues. The topics range from microscopy in popular science books of the 17th and 18th centuries and the debate about ghost photography in the late 19th century to visualizations of the tobacco mosaic virus in the present
Storying Otherwise. Visuelle Narrative der Wissenschaftskommunikation zu Gender und Diversität
Full text linkZimmermann A, Ebeling S, eds. Storying Otherwise. Visuelle Narrative der Wissenschaftskommunikation zu Gender und Diversität. FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur. 2023;72
Einleitung // Geschlecht und Diversität neu erzählen
Full text linkEbeling S, Zimmermann A. Einleitung // Geschlecht und Diversität neu erzählen. FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur. Storying Otherwise. Visuelle Narrative der Wissenschaftskommunikation zu Gender und Diversität . 2023;72
- …
