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Shui zheng fu liao shui
No full text[1]. 紙醉金迷 -- 2. 一夕殷勤 -- 3. 此間樂 -- 4. 誰征服了誰.張恨水作.Zhang Henshui zuo.[1]. Zhi zui jin mi -- 2. Yi xi yin qin -- 3. Ci jian le -- 4. Shui zheng fu liao shui
A study on Pan Yue's "Rhapsody on a Westward Journey" (Xi-zheng Fu)
Get PDFThough there are little points of similarity between a historical description and a literary work, they are to be distinguished. Why a literary work is to be a literary work? Pan Yue's "Rhapsody on a Westward Journey" (Xi-zheng Fu), which is full of historical contents, has been categorized for Xing-lü fu 行旅賦 (travel) or ji-xing fu 紀行賦 (relating travel). It is generally known that xing-lüfu is one of the important subgenre of the lyricization of the fu in the Latter Han dynasty. And the pieces of this genre is rich in descriptive details and full of comments on historical figures and places. Certainly, Xi-zheng Fu is also a travelogue from Luoyang 洛陽 to Chang'an 長安 and takes over several elements of the xing-lü fu. However, in regard of this piece, as some scholars already have pointed out, it has the "epical" tendency. But, of course, this "epical" tendency is different from what we generally recognize as the epic. Here, this term includes a sense of pu-chen 鋪陳, which is peculiar to the Chinese Rhyme-Prose 辭賦. In detail, when Pan talks about the journey from Luoyang to Chang'an and wandering around Chang'an, he entirely describes the sights of them not by visible landscapes and views, but by invisible historical episodes. Xi-zheng Fu is mainly composed of the series of these historical contents. Moreover, Pan Yue's self-consciousness unites those various units. Although such sentence structure which the poet himself talks about his own travelogue as a narrator appears to be similar to the xing-lü fu in the Latter Han dynasty, the way of describing himself is clearly different from them. Pan sometimes confesses that he has a shabby substance of meager talent (菲薄之陋質). Because of this humbling himself here, the narrator itself only works as the function to be impressed by historical places and contents. Needless to say, such narrative system is greatly important to this historical narration. I have called this system "eyes for the past" 過去への眼差し. Because all historical narration are based on such self-consciousness, this piece has been able to be the grandest travel poem
Introduction to 'Chong su Aodaliya di fang zheng fu: cai zheng, zhi li yu gai ge [Reshaping Australian local government: finance, governance and reform]'
No full textScholars have invested a vast amount of effort into the theoretical and empirical analysis of government in representative democracies. Despite this impressive literature, local government can nevertheless justly be described as the poor cousin of its more exalted state and federal relatives in terms of the attention it has drawn from the research community. At least three factors may explain the existence and persistence of this unfortunate state of affairs. In the first place, in many advanced economies expenditure by local government often comprises a relatively small proportion of total public sector outlays and thus it may have been construed as somewhat less deserving of scholarly inquiry than relatively larger provincial and central governments. This certainly is appears to have been the case in Australia where around 730 municipalities outlay $13 billion, representing some five percent of total government expenditure or about 1.6 per cent of gross domestic product (NOLG 2001)
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ji nian Zhao Yuanren dan chen yi bai zhou nian bao gao hui
No full text[Rulan Chao Pian].Live recording.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Pian Rulan Chao presented with her husband and all her sisters.Organized by: 中國社會科學院, 常州市政府.Recorded on 3th November 1992.Spoken and sung in Chinese.[Rulan Chao Pian].Organized by: Zhongguo she hui ke xue yuan, Changzhou Shi zheng fu
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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