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    Zhao, Linlin

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    Optimal ALOHA-like random access with heterogeneous QoS guarantees for multi-packet reception aided visible light communications

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    There is a paucity of random access protocols designed for alleviating collisions in visible light communication (VLC) systems where carrier sensing is hard to be achieved due to the directionality of light. To resolve the problem of collisions, we adopt the successive interference cancellation (SIC) algorithm to enable the coordinator to simultaneously communicate with multiple devices, which is referred to as the multi-packet reception (MPR) capability. However, the MPR capability could be fully utilized only when random access algorithms are accordingly designed. Considering the characteristics of the random access VLC system with SIC, we propose a novel effective capacity (EC)-based ALOHA-like random access algorithm for MPR-aided uplink VLC systems having heterogeneous quality-of-service (QoS) guarantees. Firstly, we model the VLC network as a conflict graph and derive the EC for each device. Then, we formulate the VLC QoS-driven random access problem as a saturation throughput maximization problem subject to multiple statistical QoS constraints. Finally, the resultant non-concave optimization problem (OP) is solved by a memetic search algorithm relying on invasive weed optimization and differential evolution (IWO-DE). We demonstrate that our derived EC expression matches the Monte Carlo simulation results accurately, and the performance of our proposed algorithm is competitive

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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