1,720,993 research outputs found
Syntax is not independent of semantics in Mandarin speech production: an eye-tracking study
No full textContributors: Minhui Zhang; Zhenghua Zhang; Qingfang Zhan
Tracking the time course of segmental and tonal encoding in Chinese spoken production: an event-related potential study
No full textPhonology is not accessed earlier than orthography in Chinese written production: evidence for the orthography autonomy hypothesis
No full textThe contribution of orthographic and phonological codes to written production remains controversial. We report results using a picture word interference task in which participants were asked to write (Experiments 1 and 2) or to speak (Experiment 3) the names of pictures while trying to ignore visual distractors, and the interval between the target and distractor onset was varied. Distractors were orthographically plus phonologically related, orthographically related, phonologically related, or unrelated to picture names. For written production, we found an exclusive orthographic effect at an early stage, reflecting a fast and direct link between meaning and graphemic lexicon, and we demonstrated that orthographic codes can be accessed directly from meaning in healthy adults. We also found orthographic and phonological effects at a later stage, reflecting a slow and indirect link between meaning and graphemic lexicon via phonology. Furthermore, the absence of an interaction effect of orthographic and phonological facilitation on written latencies suggests that the two effects are additive in general and that they might occur independently in written production in Chinese. For spoken production, we found that orthographic and phonological effects occur simultaneously in spoken production and that the two effects are additive at an early stage but interactive at a later stage. The temporal courses and their interplay of orthographic and phonological effects are dissociative in written and spoken production. Our findings thus support the orthography autonomy hypothesis, rather than the obligatory phonological mediation hypothesis, in written production in Chinese (as a non-alphabetic script)
Phonological Codes Constrain Output of Orthographic Codes via Sublexical and Lexical Routes in Chinese Written Production
No full textTo what extent do phonological codes constrain orthographic output in handwritten production? We investigated how phonological codes constrain the selection of orthographic codes via sublexical and lexical routes in Chinese written production. Participants wrote down picture names in a picture-naming task in Experiment 1or response words in a symbol-word associative writing task in Experiment 2. A sublexical phonological property of picture names (phonetic regularity: regular vs. irregular) in Experiment 1and a lexical phonological property of response words (homophone density: dense vs. sparse) in Experiment 2, as well as word frequency of the targets in both experiments, were manipulated. A facilitatory effect of word frequency was found in both experiments, in which words with high frequency were produced faster than those with low frequency. More importantly, we observed an inhibitory phonetic regularity effect, in which low-frequency picture names with regular first characters were slower to write than those with irregular ones, and an inhibitory homophone density effect, in which characters with dense homophone density were produced more slowly than those with sparse homophone density. Results suggested that phonological codes constrained handwritten production via lexical and sublexical routes
The Interaction between Central and Peripheral Processing in Chinese Hand written Production: Evidence from the Effect of Lexicality and Radical Complexity
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The interaction between central and peripheral processing in written word production remains controversial. This study aims to investigate whether the effects of radical complexity and lexicality in central processing cascade into peripheral processing in Chinese written word production. The participants were asked to write characters and non-characters (lexicality) with different radical complexity (few-and many-strokes). The findings indicated that regardless of the lexicality, the writing latencies were longer for characters with higher complexity (the many-strokes condition) than for characters with lower complexity (the few-strokes condition). The participants slowed down their writing execution at the radicals' boundary strokes, which indicated a radical boundary effect in peripheral processing. Interestingly, the lexicality and the radical complexity affected the pattern of shift velocity and writing velocity during the execution of writing. Lexical processing cascades into peripheral processing but only at the beginning of Chinese characters. In contrast, the radical complexity influenced the execution of handwriting movement throughout the entire character, and the pattern of the effect interacted with the character frequency. These results suggest that the processes of the lexicality and the radical complexity function during the execution of handwritten word production, which suggests that central processing cascades over peripheral processing during Chinese characters handwriting.</p
Seriality of semantic and phonological processes during overt speech in Mandarin as revealed by event-related brain potentials
No full textHow is information transmitted across semantic and phonological levels in spoken word production? Recent evidence from speakers of Western languages such as English and Dutch suggests non-discrete transmission, but it is not clear whether this view can be generalized to other languages such as Mandarin, given potential differences in phonological encoding across languages. The present study used Mandarin speakers and combined a behavioral picture-word interference task with event-related potentials. The design factorially crossed semantic and phonological relatedness. Results showed semantic and phonological effects both in behavioral and electrophysiological measurements, with statistical additivity in latencies, and discrete time signatures (250-450 ms and 450-600 ms after picture onset for the semantic and phonological condition, respectively). Overall, results suggest that in Mandarin spoken production, information is transmitted from semantic to phonological levels in a sequential fashion. Hence, temporal signatures associated with spoken word production might differ depending on target language. (C) 2015 Elsevier Inc. All rights reserved
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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