24,529 research outputs found
Responding to global challenges through data-driven art
Get PDFResearcher and curator Martin Zeilinger discusses a landscape review of AI art and artists in the context of responding to global challenges through data-driven art
Otto Zeilinger ex librise
No full texthttp://www.lib.unideb.huDebreceni Egyetem Egyetemi és Nemzeti KönyvtárA kép címerpajzsot formál, melynek alsó ívét két bőségszaru alkotja. Ezekből haszonnövények (gabona, tök, dinnye, káposzta) türemkednek ki. A pajzs felső részén kétoldalt két kisebb jelvény látható, a bal oldalin öt Dávid-csillag, a jobb oldalin két kard, görögkereszt, alatta két gömb látható. A bal oldali jelvényen arató figurája kaszával, korsóval,a jobb oldalin tiroli (stájer?) öltözetű vadász, vadászkutyával ül. A kompozíció középpontjában alpesi stílusú tanyaépület, melynek homlokzatán a kétfejű sas és az Otto Zeilinger felirat látható. Ex libris felirata: "Ex libris Otto Zeilinger 1920".metszetTheodor Martin
The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere
No full textFriday, May 24 • 1:00pm - 2:30pm
Session 7A: Working Situations II / Situations de travail II
1. Martin Zeilinger (York University), Resisting Intellectual Property in the Live Performance of Electronic Music.
2.Sheena Hyndman (York University), No Money, Mo’ Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music.
3. Durrell Bowman (Independent Scholar),
The Labour Situation of Popular Music Courses in Canada, the US, the UK, and Elsewhere.
Chair / Présidente: Alan Stanbridg
Structures of belonging
Get PDFSo far, many of the things we build on and with blockchains have presented themselves as new types of property enclosures. From cryptocurrencies to NFTs, decentralised ledger technology seems mostly dominated by the asset logic of financialisation. But the landscape of blockchain-enabled digital culture is fantastically diverse and can encode much more than a desire for wealth and ownership. In this short essay, media theory and digital art researcher Martin Zeilinger explores what might become possible – for artists, activists or community organisers – when we reimagine blockchains not as property-oriented infrastructure, but as structures of belonging. Doing so may allow us to develop conceptual frameworks that better account for (dis)continuities between hyper-capitalist tech innovations and their radical alternatives. Decentralised autonomous organisations (DAOs) offer the perfect starting point for thinking about how to mix on- and off-chain technologies in structures of belonging that push beyond fintech legacies and emphasise collaboration, co-ownership and sharing
Structures of belonging
Get PDFSo far, many of the things we build on and with blockchains have presented themselves as new types of property enclosures. From cryptocurrencies to NFTs, decentralised ledger technology seems mostly dominated by the asset logic of financialisation. But the landscape of blockchain-enabled digital culture is fantastically diverse and can encode much more than a desire for wealth and ownership. In this short essay, media theory and digital art researcher Martin Zeilinger explores what might become possible – for artists, activists or community organisers – when we reimagine blockchains not as property-oriented infrastructure, but as structures of belonging. Doing so may allow us to develop conceptual frameworks that better account for (dis)continuities between hyper-capitalist tech innovations and their radical alternatives. Decentralised autonomous organisations (DAOs) offer the perfect starting point for thinking about how to mix on- and off-chain technologies in structures of belonging that push beyond fintech legacies and emphasise collaboration, co-ownership and sharing
Book review: the state of the European Union: fault lines in European integration edited by Stefanie Wöhl, Elisabeth Springler, Martin Pachel and Bernhard Zeilinger
Get PDFIn The State of the European Union: Fault Lines in European Integration, Stefanie Wöhl, Elisabeth Springler, Martin Pachel and Bernhard Zeilinger offer a new collection analysing European integration after the 2008 financial crisis, providing a critique of European economic reforms and insight for progressive European policies. The volume adds new voices and viewpoints to European Studies, enriching and pluralising the debate, writes Vanessa Bilancetti
Book review: the state of the European Union: fault lines in European integration edited by Stefanie Wöhl, Elisabeth Springler, Martin Pachel and Bernhard Zeilinger
No full textIn The State of the European Union: Fault Lines in European Integration, Stefanie Wöhl, Elisabeth Springler, Martin Pachel and Bernhard Zeilinger offer a new collection analysing European integration after the 2008 financial crisis, providing a critique of European economic reforms and insight for progressive European policies. The volume adds new voices and viewpoints to European Studies, enriching and pluralising the debate, writes Vanessa Bilancetti
Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden
No full textThis essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.
Recommended from our members
Letter from Martin Chizzick
No full textCongratulations to Duane Pearsall for receiving the Enterpreneur of the Year award; note on the letter was written by Pearsall and it mentions that Martin, the author of the letter, died in a airplane accident
- …
