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"So-called schizophrenia" and the unnamable
No full textEl análisis de la relación que se establece entre la llamada esquizofrenia y lo innombrable extrapola los límites del presente artículo. Sin embargo, trataremos de ubicar una serie de elementos en los cuales lo innombrable se deja entrever. Un breve paso por la historia pone en evidencia el equívoco que hace del término esquizofrenia un punto de constante tensión. Del análisis de la obra freudiana se desprenden distintas perspectivas con respecto a la dirección de la cura ante el dicho esquizofrénico. Por un lado, el privilegio concedido al factor paranoide, es decir, explicar la parte paranoica de la demencia precoz. Por otro, una posible perspectiva forjada por las investigaciones en las cuales se basa el presente artículo, que busca revitalizar las palabras de Freud desde su intuición clínica. El desarrollo con respecto al narcisismo y lo inconciente conducen a Freud a leer en la alucinación, en la sobre investidura de la representación palabra y en el lenguaje de órgano, intentos de restitución, de curación, de la llamada esquizofrenia. Entendemos que para dar lugar a lo particular y singular del dicho esquizofrénico hace falta correrse del lugar de déficit de la psicosis con relación a la neurosis y de la llamada esquizofrenia con relación a la paranoia. PalabrasAnalysis of the relation established between “so-called schizophrenia” and the unnamable extrapolates the boundaries of the present article. However, we will try to locate a series of elements in which the unnamable can be glimpsed at. A brief historical review brings to light the misunderstanding which turns the term "schizophrenia" into a point of constant tension. From the analysis of Freud's works, different perspectives can be drawn regarding the direction of treatment in the face of "schizophrenic speech". On the one hand, the privilege granted to the “paranoid factor", i.e. to "explaining the paranoid element in premature dementia". On the other hand, a possible perspective, which --shaped by the research studies this article is based on, seeks to revitalize Freud's words from their "clinical intuition". Development of the concepts of narcissism and the unconscious leads Freud to read in hallucination, hypercathexis of word representation and organ language, attempts at restitution, at healing, of "so-called schizophrenia". We understand that, in order to make way for the peculiar and unique in "schizophrenic speech", we must move away from a position of deficit of psychosis respect of neurosis and of "so-called schizophrenia" respect of paranoia.Fil: Zanchettin, Joceline Fatima. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Psicología. Instituto de Investigaciones; ArgentinaFil: Zanon Moschen, Simone. Universidade Federal do Rio Grande do Sul; Brasi
A imagem em Bruno Schulz como resistência e existência: infância, memória, ausência e apagamento
Get PDFThis work aims to highlight the relationship between the narrative of Polish writer Bruno Schulz and the audiovisual production Finding Pictures (2012), made from his life and work in terms of the relationships established between childhood, memory, absence and erasure. To this end, it seeks support in the theory of Walter Benjamin and also in the psychoanalytic theory of Freud and Lacan. Bruno Schulz is part of a list of writers, among them Ítalo Svevo, Robert Walser, Joseph Roth, Sándor Márai, Robert Musil and Walter Benjamin, who were born in Europe at the end of the 19th century and experienced, in their youths or at the end of their lives, the horror of the First World War, with some of them even going through the Second World War. When the Germans surrounded Drohobycz in 1941, Schulz, afraid of losing his work, packed it up and handed it over to non-Jewish friends for safekeeping. Most of it was lost. In November 1942 Bruno Schulz was assassinated by a Gestapo officer with a shot in the back. Before he died, he had made drawings, on the order of the German officer who protected him for a certain time, on the wall of his children’s room. The documentary Finding Pictures portrays the search made for these drawings by a film crew forty years after his death. We highlight the moment in real time in which the filmmakers find drawings below layers of paint. In this work, we talk about the search process, both in writing and in the documentary, which is a kind of memory game against oblivion, as Walter Benjamin reminds us, when saying that the search, even in vain, is as important as the happy finding. O objetivo deste trabalho é salientar a relação existente entre a narrativa do escritor polonês Bruno Schulz e a produção audiovisual Finding Pictures(2012), realizada a partir de sua vida e obra no que tangem às relações que se estabelecem entre infância, memória, ausência e apagamento. Para tanto, busca suporte na teoria de Walter Benjamin e também na teoria psicanalítica de Freud e Lacan. Bruno Schulz faz parte de um rol de escritores dentre eles Ítalo Svevo, Robert Walser, Joseph Roth, Sándor Márai, Robert Musil e Walter Benjamin, que nasceram no na Europa no final do século XIX e vivenciaram na juventude, ou já no final da vida, o horror da Primeira Guerra Mundial, tendo alguns deles ainda atravessado a Segunda Guerra Mundial. Quando os alemães cercaram Drohobycz em 1941, Schulz com medo de perder sua obra, empacotou-a a entregou para que amigos não-judeus a guardassem. De tudo, perdeu-se a maior parte. Em novembro de 1942 Bruno Schulz foi assassinado por um oficial da gestapo com um tiro nas costas. Antes de morrer, havia feito, por encomenda do oficial alemão que o protegeu por determinado tempo, desenhos na parede do quarto de seus filhos. O documentário Finding Pictures retrata a busca feita por estes desenhos por uma equipe de filmagem quarenta anos após a sua morte. Destacamos o momento em tempo real no qual os documentaristas encontram os desenhos abaixo de camadas de tinta. Neste trabalho, falamos do processo de busca, tanto na escrita quanto no documentário, que é uma espécie de jogo da memória contra o esquecimento, tal qual nos lembra Walter Benjamin, ao dizer que a busca, mesmo que em vão, é tão importante quanto o achado feliz
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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