1,721,123 research outputs found
Relation et rationalité. Actualité de Brøndal
No full textZilberberg Claude. Relation et rationalité. Actualité de Brøndal. In: Langages, 22ᵉ année, n°86, 1987. A l'occasion d'un centenaire : Actualité de Brøndal. pp. 59-77
Esquisse d'une grammaire du sublime chez Longin
No full textThe study has three objectives:
(i) to reinforce the still fledgling hypothesis of the schematism of tension. This hypothesis proposes to accentuate the orientation of the interval which is considered to be more dynamic than opposition; the sublime according to Longinus' description is characterized by suddenness, hence speed, by which he forces the enunciatee to bridge the semantic gap;
(ii) establish that the principal distinctions of rhetoric, in this case restricted if one relates it to the works of Aristotle, are already those that tensive semiotics is labouring to specify; (iii) finally, from the perspective of future generalization, the point of view adopted here is indirect as it is not presented as the ordinary relation of a commenting texte [D2] to a commented text [Dl], but as a commentary [D3] of a commentary [D2], such that the point of view has for its formula: [D3 - D2 - Dl]. The possibility of grammaticality, that is , the constraining recurrence of certain semantic categories , is related to the stabilization of the relation [D3 - D2].Zilberberg Claude. Esquisse d'une grammaire du sublime chez Longin. In: Langages, 34ᵉ année, n°137, 2000. Sémiotique du discours et tensions rhétoriques, sous la direction de Jean-François Bordron et Jacques Fontanille. pp. 102-121
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Elements de grammaire tensive, de Claude Zilberberg
No full textZILBERBERG, Claude. Elements de grammaire tensive. Limoges: PULIM, 2006. 244 pages.ZILBERBERG, Claude. Elements de grammaire tensive. Limoges: PULIM, 2006. 244 páginas
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Elements de grammaire tensive, de Claude Zilberberg
No full textZILBERBERG, Claude. Elements de grammaire tensive. Limoges: PULIM, 2006. 244 pages.ZILBERBERG, Claude. Elements de grammaire tensive. Limoges: PULIM, 2006. 244 páginas
La poétique de l’image selon Bachelard
No full textBy proposing an interpretation of Gaston Bachelard's The Poetics of Space (1957), Claude Zilberberg discusses the philosopher's widely-known book to review some of the core concepts of tensive semiotics in its latest phase, with special emphasis on the so-called semiotic modes: the mode of efficiency (occurrence vs. achievement), the mode of existence (apprehension vs. intent) and the mode of junction (concession vs. implication). The author also tackles the theory of subvalences – tonicity, tempo, spatiality and temporality – as well as the role played by the 'syntax styles' when it comes to the choices made by the subject of enunciation in a given utterance.Ce travail propose une interprétation de la Poétique de l’espace (1957) de Gaston Bachelard. Dans sa discussion de l’ouvrage du philosophe, Claude Zilberberg met à contribution des concepts fondamentaux de la sémiotique tensive dans ses développements de la toute dernière phase, dont notamment les « modes sémiotiques », à savoir le mode d’efficience (survenir vs. parvenir), le mode d’existence (saisie vs. visée) et le mode de jonction (concession vs. implication). L’auteur évoque en outre les subvalences de la tonicité, du tempo, de la temporalité et de la spatialité, de même que le rôle joué par les « styles syntaxiques » dans les choix opérés par les sujets de l’énonciation
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