1,720,962 research outputs found
Sobre la ética de lo grupal y cómo crear juntxs : creación escénica en diálogo con registros de proceso
Full text linkFil: Claverié Ruiz, Guillermina. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.Fil: Yurquina, Paulette Alicia. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.Esta investigación surge impulsada por la curiosidad y el deseo. Entendiendo que el teatro
es una experiencia necesariamente colectiva, nos reúne la interpelación por el funcionamiento de la grupalidad en un proceso de creación escénica. Sentimos que “por debajo” de la escena existe una trama grupal que funciona como sostén y condición de existencia de la misma; la pensamos como una configuración singular de vínculos atravesada por dimensiones no sólo poéticas, sino también éticas, políticas y afectivas que se crea sólo a partir de la experiencia de habitar el proceso de creación escénica. De ahí nuestra curiosidad por lo procesual, por el caldero en donde se funden las fuerzas creativas en todas sus dimensiones.
Nos propusimos para nuestro trabajo final crear un grupo en el que participáramos creativamente, buscando experimentar el desarrollo de un proceso de creación colectivo con lógicas de trabajo horizontal. Nuestra intención manifiesta era la de abordar lo político del teatro no temáticamente sino metodológicamente; en la construcción de lo común, de la grupalidad.Fil: Claverié Ruiz, Guillermina. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina.Fil: Yurquina, Paulette Alicia. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Teatro; Argentina
Para um estudo do corpo e do grupo no treinamento de atores no teatro independente da cidade de Córdoba (Argentina)
No full textThis paper will pose some initial questions for the development of my doctoral research process. Starting from the premise that acting in the city of Córdoba (Argentina) is configured in spaces of acting training, through the proposed link between an ethics of being with others and the construction of corporeality. Therefore, this research aims to study the acting training of some independent theater groups in the city of Cordoba, specifically the ideas of acting that underlie these trainings, what skills are sought to develop, what corporealities are built through acting training and how the group dimension operates in the training processes. My interest lies in achieving a characterization of acting training in the independent theater of the city of Córdoba with the purpose of contributing to a situated conception of acting. Thus, in the present paper, I will propose the unfolding of the research problematic and some uncertainties and methodological challenges to address the following questions: Why focus on the body and groupality? In a city where formal and non-formal spaces of acting training coexist, how to delimit a corpus of analysis that can account for this particularity and at the same time specify representative acting poetics of the field? What are the most appropriate procedures to recover or reconstruct experiences of teaching and learning processes? How to generate crossings between different disciplinary fields to address the research problem?En este trabajo se plantearán algunas preguntas iniciales para el desarrollo de nuestro proceso de investigación doctoral. Se parte de la premisa de que la actuación en la ciudad de Córdoba (Argentina) se configura en espacios de formación actoral, mediante el vínculo propuesto entre una ética del estar con otros y la construcción de la corporalidad. Por ello, esta investigación propone estudiar la formación actoral de algunos grupos de teatro independiente de la ciudad de Córdoba, específicamente las ideas de actuación que subyacen en esas formaciones, qué habilidades se buscan desarrollar, qué corporalidades se construyen mediante el entrenamiento actoral y cómo opera la dimensión grupal en los procesos de formación. Nuestro interés reside en lograr una caracterización de la formación actoral del teatro independiente de la ciudad de Córdoba con el propósito de contribuir a una concepción situada de la actuación. Así en el presente trabajo, se propondrá el despliegue de la problemática de investigación y algunas incertidumbres y desafíos metodológicos para abordar las siguientes preguntas: ¿por qué centrarnos en el cuerpo y la grupalidad?, en una ciudad donde conviven espacios formales y no formales de instrucción actoral ¿cómo delimitar un corpus de análisis que pueda dar cuenta de esta particularidad y a su vez precise poéticas actorales representativas del campo?, ¿cuáles son los procedimientos más indicados para recuperar o reconstruir experiencias de procesos de enseñanza y aprendizaje?, ¿cómo generar cruces entre campos disciplinares diversos para abordar la problemática de investigación?Este artigo apresentará algumas questões iniciais para o desenvolvimento de nosso processo de pesquisa de doutorado. Partimos da premissa de que a atuação na cidade de Córdoba (Argentina) se configura nos espaços de treinamento de atores por meio do vínculo proposto entre uma ética de estar com os outros e a construção da corporeidade. A pesquisa que enquadra este trabalho tem como objetivo estudar o treinamento de atuação de alguns grupos de teatro independentes na cidade de Córdoba, especificamente as ideias de atuação subjacentes a esses treinamentos, quais habilidades eles buscam desenvolver, quais corporeidades são construídas por meio do treinamento de atuação e como a dimensão grupal opera nos processos de treinamento. Nosso interesse é chegar a uma caracterização do treinamento de atores no teatro independente da cidade de Córdoba com o objetivo de contribuir para uma concepção situada da atuação. Nessa ocasião, proporemos o desdobramento do problema de pesquisa e algumas incertezas e desafios metodológicos para abordá-lo, a saber: por que focar no corpo e no grupo? Em uma cidade onde coexistem espaços formais e não formais de treinamento de atores, como delimitar um corpus de análise que possa dar conta dessa particularidade e, ao mesmo tempo, especificar poéticas de atuação representativas do campo? Quais são os procedimentos mais adequados para recuperar ou reconstruir experiências de processos de ensino e aprendizagem? Como gerar cruzamentos entre diferentes campos disciplinares para abordar o problema de pesquisa
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
El gesto político afectivo en la experiencia de “Proyecto Rescacho”
No full textIn this article we reflect on the complex framework that involves the development of a group scenic creation process in its multidimensionality. We analyze the link between the political, ethical, poetic and affective dimensions involved in the process of group scenic creation of "Proyecto Rescacho" (2019-2021) framed in the research "On the ethics of the group and how to create together. Scenic creation in dialogue with process registers". We stop to think about where the political manifests itself in the theatrical practice, that is, the particular ways of self-organization and understanding the configuration of the common, and how this favors the construction of a bonding affective plot that tinges the process in all its dimensions. From there we establish connections with the group work\u27s ethics and with the poetic dimension that emerges in the tension between the creative process and the play.En el presente artículo reflexionamos sobre el complejo entramado que supone el desarrollo de un proceso de creación escénica grupal en su multidimensionalidad. Analizamos la vinculación entre las dimensiones política, ética, poética y afectiva que intervienen en el proceso de creación escénica grupal de “Proyecto Rescacho” (2019-2021) enmarcado en la investigación “Sobre la ética de lo grupal y cómo crear juntxs. Creación escénica en diálogo con registros de proceso”. Nos detenemos a pensar dónde se manifiesta lo político en la práctica teatral, es decir, los particulares modos de autorganizarse y de entender la configuración de lo común, y de qué manera esto propicia la construcción de una trama afectiva vincular que tiñe el proceso en todas sus dimensiones. Desde ahí establecemos conexiones con la ética del trabajo grupal y con la dimensión poética que emerge en la tensión entre proceso creativo y obra
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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