47,450 research outputs found
Data and code for "Exploring Deep Learning for Metalloporphyrins: Databases, Molecular Representations, and Model Architectures" by An Su, Chengwei Zhang, Yuan-Bin She, and Yun-Fang Yang
No full textData and code for "Exploring Deep Learning for Metalloporphyrins: Databases, Molecular Representations, and Model Architectures" by An Su, Chengwei Zhang, Yuan-Bin She, and Yun-Fang Yang.</p
Hu fu te kan.
No full text書名據封面."官立文商專科學校雲漢劇社演出"."日期: 一九五三年五月廿二, 廿三, 廿四日; 地點: 香港銅鑼灣皇仁書院禮堂; 時間: 每日下午七時半"附《虎符》英文故事簡介.Shu ming ju feng mian."Guan li wen shang zhuan ke xue xiao Yun han ju she yan chu"."Ri qi: yi jiu wu san nian wu yue nian er, nian san, nian si ri; di dian: Xianggang Tongluowan Huang ren shu yuan li tang; shi jian: mei ri xia wu qi shi ban"Fu "Hu fu" Ying wen gu shi jian jie
The Company She Keeps A Novel
No full textA novel in six episodes, this stunning debut by Mary McCarthy follows a young intellectual on her reckless bohemian journey through life and dangerous love in 1930s New York City Margaret Sargent is young and fearless, a deep thinker inspired by the bohemian energy that abounds in New York City in the years leading up to the Second World War. With careless abandon, she destroys her marriage and numerous love affairs as she moves through the social circles of artists and writers, playing at the fringes of political extremism. She is an enigma, often wanton and frivolous, but possessing intelligence and a razor-sharp wit, as well as a troubling core of inner darkness, self-doubt, and puzzling tendencies toward self-destruction. For Margaret, urban life in the 1930s is an ongoing adventure-ever-changing, always surprising, and deeply, profoundly unsatisfying. Mary McCarthy, author of the bestselling American classic The Group, burst boldly onto the literary scene with her provocative debut, The Company She Keeps. A brilliant, stylistically inventive novel, it offers a rich portrait of a truly fascinating protagonist in six revealing episodes. Love her, despise her, or fear for her, you will never forget Margaret Sargent. This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.Intro -- Cover -- Title Page -- Contents -- ONE Cruel and Barbarous Treatment -- TWO Rogue's Gallery -- THREE The Man in the Brooks Brothers Shirt -- FOUR The Genial Host -- FIVE Portrait of the Intellectual as a Yale Man -- SIX Ghostly Father, I Confess -- Acknowledgements -- A Biography of Mary McCarthy -- CopyrightA novel in six episodes, this stunning debut by Mary McCarthy follows a young intellectual on her reckless bohemian journey through life and dangerous love in 1930s New York City Margaret Sargent is young and fearless, a deep thinker inspired by the bohemian energy that abounds in New York City in the years leading up to the Second World War. With careless abandon, she destroys her marriage and numerous love affairs as she moves through the social circles of artists and writers, playing at the fringes of political extremism. She is an enigma, often wanton and frivolous, but possessing intelligence and a razor-sharp wit, as well as a troubling core of inner darkness, self-doubt, and puzzling tendencies toward self-destruction. For Margaret, urban life in the 1930s is an ongoing adventure-ever-changing, always surprising, and deeply, profoundly unsatisfying. Mary McCarthy, author of the bestselling American classic The Group, burst boldly onto the literary scene with her provocative debut, The Company She Keeps. A brilliant, stylistically inventive novel, it offers a rich portrait of a truly fascinating protagonist in six revealing episodes. Love her, despise her, or fear for her, you will never forget Margaret Sargent. This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Episode 3: A Journey of Engaged Public Humanities with Dr. Lisa Yun
No full textIn this episode, Dr. Lisa Yun, Associate Professor, Department of English and Department of Asian and Asian American Studies, shares with us her unique and engaged approach to Public Humanities. She talks about the role that storytelling plays in a classroom as well as outside, in building communities by bringing people together
A study of KANG,YUN-WEI and her novels
No full textAs a Taiwanese female writer in 1960s, Kang Yun-Wei mainly created short novel and prose. Engaged in writing for more than 40 years, she only publishes less than 10 pieces of works. Special life experiences influence themes of her works. She uses unadorned and natural technique to smoothly present ordinary and trivial topics. In spite of limited quantity of works, she still wins many famous masters\ue2 praise due to her distinctive personal style.
This paper aims to conduct comprehensive analysis and investigation of Kang Yun-Wei and her novels, and is composed of six chapters as the following. Chapter 1 is the \ue2Introduction\ue2, which describes motivation, objective, scope and method of the research, review of literatures, and framework of this paper framework. The author determines direction of the present study mainly because there is no academic paper specially investigating Kang Yun-Wei and the female consciousness and marital problems discussed by her have non- negligible significance in Taiwanese women\ue2s novels. Chapter 2 is \ue2Biography and Creation\ue2, which introduces Kang Yun-Wei\ue2s personal experiences and summarizes the background, course and material drawing of her creation. Chapter 3 is \ue2Themes of Novels\ue2, including love, marriage, family, female consciousness raising, friendship, social phenomena and social solicitude. Chapter 4 is \ue2Characters depicted in Novels\ue2, which generalizes different types of female and male characters created in the novels, as well as exquisitely outlines vivid figures from the external to internal. Chapter 5 is \ue2Artistic Techniques of Novels\ue2, which discusses how Kang Yun-Wei skillfully utilizes writing technique to organize source materials and adopts natural, unadorned style to express fine and deep emotion. Chapter 6 is the \ue2Conclusion\ue2, which summarizes research findings and evaluates the value of Kang Yun-Wei and her novels
Si wang wo feng yun.
No full text死亡渦風雲 -- 喋血虛情.徐浪行著.小說.Xu Langxing zhu.Xiao shuo.Si wang wo feng yun -- Die xue xu qing
Sparrows can't sing : East End kith and kinship in the 1960s
No full textSparrows Can’t Sing (1963) was the only feature film directed by
the late and much lamented Joan Littlewood. Set and filmed in
the East End, where she worked for many years, the film deserves
more attention than it has hitherto received. Littlewood’s career
spanned documentary (radio recordings made with Ewan MacColl
in the North of England in the 1930s) to directing for the stage
and the running of the Theatre Royal in London’s Stratford East,
often selecting material which aroused memories in local audiences
(Leach 2006: 142). Many of the actors trained in her Theatre
Workshop subsequently became better known for their appearances
on film and television. Littlewood herself directed hardly any material
for the screen: Sparrows Can’t Sing and a 1964 series of television
commercials for the British Egg Marketing Board, starring Theatre
Workshop’s Avis Bunnage, were rare excursions into an area of practice
which she found constraining and unamenable (Gable 1980: 32).
The hybridity and singularity of Littlewood’s feature may answer,
in some degree, for its subsequent neglect. However, Sparrows Can’t
Sing makes a significant contribution to a group of films made in
Britain in the 1960s which comment generally on changes in the
urban and social fabric. It is especially worthy of consideration,
I shall argue, for the use which Littlewood made of a particular
community’s attitudes – sentimental and critical – to such changes and
for its amalgamation of an attachment to documentary techniques
(recording an aural landscape on location) with a preference for nonnaturalistic
delivery in performance
[Ping Lao She zuo pin]. 3
No full text[陳大鵬].Title and author supplied by cataloguer.Live recording.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.[Chen Dapeng]
A Study of Qing Zhen’sechnique of Writing Ci as Rhapsodies
No full text《清真「以賦為詞」探論》旨在透過「以賦為詞」的議題，來審視《清真詞》在藝術技巧上的繼承與開創，以及清真詞情獨蘊的特質，深入分析「清真詞法」的語言規律、策略與作用。文採取「以賦為詞」作為切入點，在了解「以賦為詞」對《清真詞》的影響之前，首先要釐清兩點。其一是「以賦為詞」所指涉的內涵為何；其二則是宋詞「賦化」的進程概況。經由探討「以賦為詞」之「賦」所具備的各種內涵，並考諸詞體「賦化」的進程，發現慢詞的章法句式受「以賦為詞」的影響深遠。柳永以降諸家，慢詞的形式結構、章法鋪陳、鎔裁成句、追琢語言等各方面的發展都與「賦化」有一定程度的關聯，成就了新的詞法通則，樹立了新的審美規範，然而都只呈現了「賦化」的某些特質而已。到周邦彥時，匯集前人之大成，章法極勾勒頓挫之妙，法度綿密而姿態橫生，在吸收了前人「以賦為詞」的藝術特性後，又重新賦予「以賦為詞」更純熟的創作表現，同時更為全面的發展「以賦為詞」各方面的技巧特質。清真詞法」即是在這些賦化的基礎上，於追摹前人的成就之餘，樹立新的詞法典範，賦予「以賦為詞」新的意義與視野。無論就藝術技巧的層面，或者詞情的特質而言，清真詞之「藝術技巧」與「詞情特質」的呈現都與「以賦為詞」彼此交互作用著，這兩個層面將是本文所著力探討的重心，期望在歸納《清真詞》文學語言的表現方式之餘，盡可能地闡釋語言策略下的表現效果，並分析「以賦為詞」與「清真詞法」之間緊密的相關性，看出《清真詞》如何渾然化用「賦」的特質同時保有詞體本身的美感特質以及語言節奏。究發現，「以賦為詞」是《清真詞》的主要創作特色，「賦」與「詞」是兩個易於相即相融的文體，可以使語言結構變化無窮，增添感官經驗的美感。種種表現適足以說明何以《清真詞》自宋朝以來即被許為「婉約詞宗」，實因《清真詞》一方面融通前人詞法而「集大成」，一方面成就「清真詞法」而成為南宋詞壇創作的圭臬，影響遠及清代。This thesis will use the idea of “writing ci (詞) as rhapsodies (賦)” to discuss the artistic influences on and innovations of the Zhenqing ci (清真詞) as well as the distinct features of this work in order to look at the linguistic patterns and strategies Zhou Bangyan (周邦彥) uses in his ci. efore discussing the influence of this idea on Zhou’s ci, it will be necessary to discuss what is meant by “writing ci as rhapsodies”, and the general trend towards the “rhapsodification” of the ci genre throughout the Song dynasty. We will see that Zhou’s style of ci builds on the trend towards rhapsodification already begun by authors such as Liu Yong (柳永). While Zhou certainly emulates these earlier writers, he also develops his own distinct style of ci, thus giving the notion of “writing ci as rhapsodies” new meaning and a broader perspective. In Zhou’s ci, both artistic technique and aesthetic feel are articulated through this method of “writing ci as rhapsodies”. Having dealt with the historical context, we will move on to focus on these two aspects, technique and feel, of Zhou’s works.e will show that the creative impulse for the rhapsodification of ci in Zhenqing ci stems from the ease with which the genres of rhapsody and ci meld into one another. This allows Zhou to employ the characteristics of the rhapsody while preserving the aesthetic qualities and linguistic rhythms of the ci. All of this goes to show why the Zhenqing ci has been known as the “father of the wanyue ci” (婉約詞宗) since the Song dynasty. Namely, the work incorporates the strengths of previous writers in the genre to complete the a style that dominated the community of ci writers during the Southern Song dynasty and continued to have influence into the Qing dynasty.第壹章 緒論…………………………………………………………………………1一節 「以賦為詞」的研究範圍……………………………………………1 一、「以賦為詞」的涵意………………………………………………..1 二、「以賦為詞」的研究範圍…………………………………………..2二節 清真「以賦為詞」的研究方法………………………………………3、研究的基礎………………………………………………………....4、研究的方向…………………………………………………………5貳章 論「以賦為詞」……………………………………………………………15一節 「賦」義發微………………………………………………………..15、賦比興之「賦」…………………………………………………..16、賦體之「賦」……………………………………………………..19二節 「以賦為詞」的義界與研究概況…………………………………..28、「以賦為詞」的義界………………………………………………28、「以賦為詞」的研究概況…………………………………………32三節 宋詞「賦化」的進程…………………………………………………..39 一、詞體的形式特徵…………………………………………………..39 二、宋詞「賦化」的進程……………………………………………..44參章 清真「以賦為詞」下的藝術技巧與特質………………………………..63一節 「以賦為詞」與「清真詞法」的關係……………………………..64二節 清真「以賦為詞」下的藝術技巧與特質…………………………66、篇章結構…………………………………………………………..67、下字運意皆有法度………………………………………………..89三節 清真詞中的賦家姿態……………………………………………..114、賦家之心：體物而瀏亮…………………………………………114、賦篇之跡：蓄意以成文…………………………………………118、小結………………………………………………………………123肆章 清真「以賦為詞」下的詞情特質………………………………………125一節 清真的情感樣貌與「以賦為詞」之關係………………………..126二節 清真詞情的表現…………………………………………………..128、以景言情………………………………………………………….129、以敘事情節言情………………………………………………….138、以時空的發展變化言情………………………………………….144、以模寫物態言情………………………………………………….153三節 清真「以賦為詞」下的詞情特質與表現效果…………………..160、清真「以賦為詞」下的詞情效果……………………………….160、影響清真詞情特質的原因……………………………………….164、小結……………………………………………………………….168伍章 結論………………………………………………………………………171考書目及論文……………………………………………………………………17
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