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A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852)
No full textYu, Guohua, Hui, Hong, Hou, Mian, Wu, Zhengjun, Rao, Dingqi, Yang, Junxing (2019): A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852). Zootaxa 4711 (2): 275-292, DOI: 10.11646/zootaxa.4711.2.
FIGURE 3 in Extension in distribution of Raorchestes parvulus (Boulenger, 1893) (Anura: Rhacophoridae) to China
No full textFIGURE 3. Dorsal and ventral views of KIZ 20160373 (a, b) and KIZ 20160374 (c, d) in life.Published as part of Yu, Guohua, Liu, Shuo, Hou, Mian, Li, Song & Yang, Junxing, 2019, Extension in distribution of Raorchestes parvulus (Boulenger, 1893) (Anura: Rhacophoridae) to China, pp. 381-391 in Zootaxa 4577 (2) on page 386, DOI: 10.11646/zootaxa.4577.2.10, http://zenodo.org/record/262965
A new species of the Amolops monticola group (Anura: Ranidae) from southwestern Yunnan, China
No full textYu, Guohua, Wu, Zhengjun, Yang, Junxing (2019): A new species of the Amolops monticola group (Anura: Ranidae) from southwestern Yunnan, China. Zootaxa 4577 (3): 548-560, DOI: 10.11646/zootaxa.4577.3.
Figure 1 in Phylogenetic relationships among Rhacophorinae (Rhacophoridae, Anura, Amphibia), with an emphasis on the Chinese species
No full textFigure 1. Collection sites of samples. 1, Hainan; 2, Simao; 3, Menglun; 4, Jingdong; 5, Wenshan; 6, Jinping; 7, Jinxiu; 8, Pingbian; 9, Xichang; 10, Hongya; 11, Yongde; 12, Lvchun; 13, Hekou; 14, Nanjian; 15, Gongshan; 16, Zhaotong; 17, Banna; 18, Longling.Published as part of Yu, Guohua, Rao, Dingqi, Yang, Junxing & Zhang, Mingwang, 2008, Phylogenetic relationships among Rhacophorinae (Rhacophoridae, Anura, Amphibia), with an emphasis on the Chinese species, pp. 733-749 in Zoological Journal of the Linnean Society 153 (4) on page 737, DOI: 10.1111/j.1096-3642.2008.00404.x, http://zenodo.org/record/544630
FIGURE 2 in Extension in distribution of Raorchestes parvulus (Boulenger, 1893) (Anura: Rhacophoridae) to China
No full textFIGURE 2. Bayesian phylogram of partial Raorchestes species inferred from 813 bp of 16S rRNA gene.Published as part of Yu, Guohua, Liu, Shuo, Hou, Mian, Li, Song & Yang, Junxing, 2019, Extension in distribution of Raorchestes parvulus (Boulenger, 1893) (Anura: Rhacophoridae) to China, pp. 381-391 in Zootaxa 4577 (2) on page 384, DOI: 10.11646/zootaxa.4577.2.10, http://zenodo.org/record/262965
FIGURE 3 in A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852)
No full textFIGURE 3. Lateral views of specimens assigned to Zhangixalus pachyproctus sp. nov. (A, KIZ 20160119, collected from Mengla, southern Yunnan; B, KIZ 20160219, collected from Menghai, southern Yunnan; C, KIZ 090124, collected from Puer, southern Yunnan) and Z. smaragdinus (D, KIZ 20160299, collected from Yingjiang, western Yunnan; E, Muotuo, southern Tibet, reproduced from AmphibiaChina 2019; F, MZMU 600, collected from Mizoram, India, reproduced from Lalramdinfeli & Lalremsanga 2017; G, Namdapha Tiger Reserve, northeastern India, reproduced from Deepak et al. 2019; H, BMNH 1940.6.3.14, collected from Kachin, Myanmar, Photo by Jeff Streicher; I, CAS 224706, collected from Kachin, Myanmar, Photo by Eric Ely).Published as part of Yu, Guohua, Hui, Hong, Hou, Mian, Wu, Zhengjun, Rao, Dingqi & Yang, Junxing, 2019, A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852), pp. 275-292 in Zootaxa 4711 (2) on page 279, DOI: 10.11646/zootaxa.4711.2.3, http://zenodo.org/record/357698
FIGURE 1 in A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852)
No full textFIGURE 1. Map showing the collection sites of samples used in this study. Sites are labeled as in Table 1 and are highlighted by red (clade A) and green (clade B). Star indicates the type locality of Zhangixalus pachyproctus sp. nov. The triangle and square indicate the approximate type localities of R. gigas and Z. smaragdinus at the Khasi Hills, Meghalaya and the Naga Hills, Nagaland, respectively. The type locality of the nomen R. maximus probably is also at the Khasi Hills.Published as part of Yu, Guohua, Hui, Hong, Hou, Mian, Wu, Zhengjun, Rao, Dingqi & Yang, Junxing, 2019, A new species of Zhangixalus (Anura: Rhacophoridae), previously confused with Zhangixalus smaragdinus (Blyth, 1852), pp. 275-292 in Zootaxa 4711 (2) on page 276, DOI: 10.11646/zootaxa.4711.2.3, http://zenodo.org/record/357698
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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