1,722,127 research outputs found
TRAUMA DALAM NOVEL YU ZHEN
Full text link《余震》Yu Zhen or After Shock (2006) is a novel written by Zhang Ling, a Chinese woman writer who lives in Canada now. After Shock is a story about the great earthquake happened at Tangshan city, Hebei province, P.R.C in 1976. One interesting point to discuss from this novel is about Wan Xiaodeng’s emotional states and conditions as a main character, as well as an earthquake victim in this novel. Wan Xiaodeng not only suffers from physical trauma, but also suffers from acute psychological trauma.This psychological trauma existed from her childhood to adulthood. By psychological point of view, this writing is going to discuss Wan Xiaodeng’s symptoms of post traumatic stress disorder, and impacts or responses to the surroundings. Keywords:《余震》Yu Zhen, After Shock, Zhang Ling, traumaÂ
Yu Zhen éd., Aomen huigui qianhou de wcentiyu duice (Macao au moment de la rétrocession : problèmes et solutions)
No full textCabestan Jean-Pierre. Yu Zhen éd., Aomen huigui qianhou de wcentiyu duice (Macao au moment de la rétrocession : problèmes et solutions). In: Perspectives chinoises, n°55, 1999. pp. 95-96
Three new and two known free-living marine nematode species of the family Ironidae from the East China Sea
No full textChen, Yu Zhen, Guo, Yu Qing (2015): Three new and two known free-living marine nematode species of the family Ironidae from the East China Sea. Zootaxa 4018 (2): 151-175, DOI: 10.11646/zootaxa.4018.2.
Figure 2 in A new species of the genus Paralycus from Fujian, China
No full textFigure 2 Paralycus nortoni sp. nov. (adult female). A – ventral view of gnathosoma; B – genitalanal region.Published as part of Xu, Yun, Zhu, Yu-Zhen, Wu, Jie-Qin & Zhang, Fei-Ping, 2020, A new species of the genus Paralycus from Fujian, China, pp. 481-487 in Acarologia 60 (2) on page 484, DOI: 10.24349/acarologia/20204377, http://zenodo.org/record/539674
FIGURE 3 in Morphological ontogeny in Tenuipalpus orilloi Rimando (Acari: Tenuipalpidae)
No full textFIGURE 3. Tenuipalpus orilloi (adult male emerging from deutonymphal skin). Dorsal view of idiosoma.Published as part of Xu, Yun, Zhu, Yu-Zhen, Wu, Jie-Qin & Zhang, Fei-Ping, 2019, Morphological ontogeny in Tenuipalpus orilloi Rimando (Acari: Tenuipalpidae), pp. 185-205 in Zootaxa 4717 (1) on page 189, DOI: 10.11646/zootaxa.4717.1.11, http://zenodo.org/record/360195
FIGURE 2 in Morphological ontogeny in Tenuipalpus orilloi Rimando (Acari: Tenuipalpidae)
No full textFIGURE 2. Tenuipalpus orilloi (adult female). Ventral view of idiosoma.Published as part of Xu, Yun, Zhu, Yu-Zhen, Wu, Jie-Qin & Zhang, Fei-Ping, 2019, Morphological ontogeny in Tenuipalpus orilloi Rimando (Acari: Tenuipalpidae), pp. 185-205 in Zootaxa 4717 (1) on page 188, DOI: 10.11646/zootaxa.4717.1.11, http://zenodo.org/record/360195
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
