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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
A Study on the‘Nolbo, sawing a gourd’in Heungbo-ga : mainly in comparison of Yeon-su Kim's and Dong-sin Park's version
No full text‘Nolbo, sawing a gourd’ in Heungbo-ga, one of the 5 parts of Pansori, is a part which takes humor, comedy, and popularity as its major characteristics. The part has been more frequently sung recently, while many singers avoided singing the part regarding it as ‘joking sound’ in the past. Among several versions including this part, in particular, Yeon-su Kim and Dong-jin Park’s have a lot in common in respect to the narrations, since both are composed on the basis of Jae-hyo Shin’s narration. Accordingly, this paper explores ‘Nolbo, sawing a gourd’ part in depth, focusing on the two versions of Yeon-su Kim and Dong-jin Park.
Kim and Park’s versions have 27 and 28 parts respectively. Among them were total 7 parts with common narrations, where the 4 parts are finally selected for the same rhythm: ‘appearance of an old man’, ‘Nolbo, begging to the old man’, ‘appearance of beggars’, ‘beggar’s song (related to marketplaces)’ parts. The key findings through the research on the narrative and musical features of the 4 parts are as below:
First, as for the narration, Kim and Park’s versions both include a number of common narrations. Besides, in ‘appearance of an old man’ part, Park’s version has more extended type of narration while in ‘appearance of beggars’ and ‘beggar’s song (related to marketplaces)’ parts, the narration of Kim’s version is longer than that of Park’s. ‘Nolbo, begging to the old man’ part shows little difference in the length of the narration.
Secondly, looking into the melody, 4 parts are composed 2 musical features(‘Pyeong-jo’, ‘Gyemyeon-jo’). ‘Appearance of an old man’ and ‘Nolbo, begging to the old man’ parts in Park’s version, and ‘appearance of beggars’ part in Kim’s version show wider range of register and more appearing sound respectively. In ‘beggar’s song (related to marketplaces)’, however, both show similar range of register, while Kim uses upper register and Park uses one more appearing sound than their counterpart. Kim prefers to use more Si-gim-sae and Kkeok-neun-eum than Park. Especially, both sounds (Si-gim-sae and Kkeok-neun-eum) more apparently appear in ‘beggar’s song (related to marketplaces)’ part of Kim’s and ‘Nolbo, begging to the old man’ part of Kim and Park’s version. In addition, their common narrations show more vertical progress than horizontal one, while ‘Nolbo, begging to the old man’ part has similar degree of vertical and horizontal progress.
Thirdly, Park introduced more various Butimsae in ‘appearance of an old man’, ‘appearance of beggars’ and ‘beggar’s song (related to marketplaces)’ parts, whereas Kim uses more Butimsae in ‘Nolbo, begging to the old man’ part. And lastly, out of all 4 parts with the same rhythm, these 3 parts - ‘appearance of an old man’, ‘Nolbo, begging to the old man’, ‘appearance of beggars’ – progress faster in Kim’s version, while Park shows faster progress in ‘beggar’s song (related to marketplaces)’ part than Kim. Same narrations with the same Butimsae appear more frequently in order of ‘appearance of beggars’ – ‘appearance of an old man’ –‘Nolbo, begging to the old man’ – ‘beggar’s song (related to marketplaces)’ parts.
I hope the key findings in this study can help better understand both Kim and Pakr’s versions of ‘Nolbo, sawing a gourd’ part.;흥보가는 판소리 5바탕 중 하나로, 흥보가 중 ‘놀보 박타는 대목’은 해학성과 희극성, 민중성의 특징이 두드러지게 나타난다. 과거에는 ‘놀보 박타는 대목’을 ‘재담소리’라 하여 기피하였으나, 최근에는 창자들에 의해 활발히 불리고 있다. ‘놀보 박타는 대목’이 있는 여러 바디 중 김연수와 박동진은 신재효 사설을 토대로 구성하였다는 공통점을 갖는다. 이에 따라 김연수와 박동진의 창을 중심으로 ‘놀보 박타는 대목’에 대한 연구를 하게 되었다.김연수는 ‘놀보 박타는 대목’을 27개 부분으로 구성하고, 박동진은 28개 부분으로 구성하고 있다. 그 중 공통사설인 부분은 총 7개이고, 공통사설과 동일 장단을 갖는 부분은 총 4개로, ‘노인이 나오는 데’ㆍ‘놀보가 비는 데’ㆍ‘걸인이 나오는 데’ㆍ‘장타령’이다.위 4개 부분을 연구 범위로 하여 김연수와 박동진의 사설과 음악적 특징을 살펴본 결과는 다음과 같다.
첫째, 사설을 살펴본 결과 김연수와 박동진이 공통사설을 다수 포함한다. ‘노인이 나오는 데’에서는 박동진의 사설이 김연수의 사설보다 확장된 반면, ‘걸인이 나오는 데’와 ‘장타령’에서는 김연수의 사설이 박동진의 사설보다 확장되었다. ‘놀보가 비는 데’의 사설양은 두 창자가 큰 차이를 보이지 않는다.
둘째, 음악적 특징 중 선율을 살펴본 결과, 두 창자의 ‘놀보가 비는 데’ㆍ박동진의 ‘걸인이 나오는 데’ㆍ김연수의 ‘장타령’은 계면조이고, 나머지 부분은 평조로 구성되어 있다. ‘노인이 나오는 데’와 ‘놀보가 비는 데’는 박동진이 김연수보다 넓은 음역과 많은 출현음을 사용하고, ‘걸인이 나오는 데’는 김연수가 박동진보다 넓은 음역과 많은 출현음을 사용한다. ‘장타령’은 두 창자의 음역 너비는 동일하나, 김연수가 박동진과 비교해 고음역을 사용하고, 박동진은 김연수보다 출현음이 1개 더 나타난다. 시김새 및 꺾는 음은 김연수가 박동진보다 즐겨 사용하고, 두 창자의 ‘놀보가 비는 데’와 김연수의 ‘장타령’에서 사용이 두드러지게 나타난다. 공통사설에서 두 창자 모두 수평적 진행을 위주로 하나, ‘놀보가 비는 데’는 수평적 진행과 수직적 진행이 비슷하게 나타난다.
셋째, 음악적 특징 중 붙임새를 살펴본 결과 ‘노인이 나오는 데’와 ‘걸인이 나오는 데’, ‘장타령’에는 박동진이 김연수보다 붙임새 운용이 다양하게 나타나고, ‘놀보가 비는 데’에는 김연수가 박동진보다 여러 형태의 붙임새를 사용하고 있다. 또, 동일 장단으로 구성된 4개 부분 중 ‘노인이 나오는 데’ㆍ‘놀보가 비는 데’ㆍ‘걸인이 나오는 데’의 3개 부분은 김연수가 박동진보다 빠르게 진행하고, ‘장타령’은 박동진이 김연수보다 빠르게 진행한다. 공통사설에 동일 붙임새를 사용하는 것은 ‘걸인이 나오는 데’, ‘노인이 나오는 데’, ‘놀보가 비는 데’, ‘장타령’ 순으로 높게 나타난다.
이와 같은 본고의 연구 결과를 통해 김연수와 박동진의 ‘놀보 박타는 대목’에 대한 이해도를 높이길 바란다.Ⅰ. 서론 1
A. 문제제기 및 연구목적 1
B. 연구범위 및 방법 4
Ⅱ. 놀보 박타는 대목의 사설 비교 6
A. 노인이 나오는 데 6
B. 놀보가 비는 데 10
C. 걸인이 나오는 데 12
D. 장타령 15
Ⅲ. 놀보 박타는 대목의 음악적 특징 비교 20
A. 선율 20
1. 노인이 나오는 데 20
2. 놀보가 비는 데 33
3. 걸인이 나오는 데 42
4. 장타령 50
B. 붙임새 64
1. 노인이 나오는 데 64
2. 놀보가 비는 데 71
3. 걸인이 나오는 데 77
4. 장타령 84
Ⅳ. 결론 91
참고문헌 93
부록악보 96
ABSTRACT 13
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Fact sheet: Socio-economic barriers to landscape-scale restoration
Full text linkA recent article in Restoration Ecology by three Northern Arizona University scholars - Tong Wu, Yeon-Su Kim, and Matthew Hurteau -- suggests that the full value of restored ponderosa pine ecosystems is not only unappreciated, but unaccounted for by forest policymakers and planners
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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