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    Acting Fragility : Body and Vulnerability in the novels Vattenpass, Vide ung and Födelsenatt by the Working-class writer Inga Lena Larsson

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    This thesis explores the representation of female vulnerability in three working-class novels bythe lesser-known Swedish author Inga Lena Larsson (1907–1987), against the historicalbackground of the emergent Swedish welfare state. Larsson’s career as an author started in the30’s when she got a short story published in a magazine. She wrote her first novel during thelast years of the Second World War. It was published in 1945 and was followed by six morenovels of which the last was released in 1959. This study is focused on the following threenovels from the early 50’s: Vattenpass (1950), Vide ung (1951) and Födelsenatt (1952). Thenovels depict working class women in their everyday struggle to make ends meet and femaleexperiences such as sex, rape, pregnancy, abortion, and childbirth are laid bare. The theoreticalbasis of the thesis is Sara Ahmed’s theory of emotions as actions, Toril Moi’s interpretation ofSimone de Beauvoir’s phenomenological understanding of what it means to be a woman, andBeverly Skeggs’ study of working-class women. Vulnerability is understood as relational andas corporal experiences that shape the depicted women’s understanding of themselves. Theanalyses are thematically structured and address vulnerability through experiences of poverty,sexuality, illness, and mothering. The thesis argues that the novels illustrate vulnerability as amotion that moves between the private and public sector. Vulnerability is depicted as limitedpossibilities and options but also as a source of agency. The women in the novels act, even inexposed situations such as illegal abortion. The novels demonstrate vulnerability as a state ofhelplessness and of productivity. 

    En mor "att lita på" : En analys av moderskap och psykisk sjukdom i Oktoberbarn och Jag vill inte dö, jag vill bara inte leva

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    I den här uppsatsen studeras hur modrande i relation till psykisk sjukdom och kulturella moderskapsideal gestaltas i Linda Boström Knausgårds roman Oktoberbarn samt Ann Heberleins verk Jag vill inte dö, jag vill bara inte leva. Tematiken undersöks med hjälp av feministisk moderskapsforskning som visar hur föreställningar om det ”goda moderskapet” påverkar mödrar i stor grad. Idealen kan tyckas ouppnåeliga och i samband med psykisk sjukdom innebär de en stor press då huvudpersonerna inte bara måste hantera sina egna och andras förväntningar på dem som mödrar, utan även sjukdomens inverkan på sig själva och sin omgivning. Berättarjagen lider av bipolär sjukdom och upplever svår depression, och i berättelserna gestaltas känslor som självhat, dödslängtan och hopplöshet. Att som mor vara drabbad av depression är tabubelagt och psykisk sjukdom innebär i sig en stigmatisering vilket protagonisterna är medvetna om. Skam genomsyrar berättelserna och känslan är knuten till upplevelsen av att vara otillräcklig som mor, men även till hur de erfar att vara ”avvikande” på grund av den psykiska sjukdomen. De litterära gestaltningarna uttrycker en längtan efter ”normalitet” och efter att vara stabila mödrar som de själva och omgivningen kan lita på

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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