1,790 research outputs found
Lucy Yates Seall's elementary school class
No full textTeacher Lucy Yates Seall in her elementary school classroom, ca. 1930-1949. Her students are displaying art projects and puppets
Hexagon Diamonds quilt, by Esther Harriet Yates
No full textImage of Hexagon Diamonds quilt created in1930 by Esther Harriet Yates. Also includes questionnaires describing the quilt completed by Lucy S. Cooper as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Estimated date of fabric in quilt-1930s; Esther made quilts for pleasure; Lucy inherited the quilt from her mother in 193
How to Make the Next Big Global TV Studio Hit
No full textLucy Brown is an award-winning television programme-maker, academic and co-author of The TV Studio Production Handbook. In this session Lucy will reveal insider knowledge on how to make your TV studio show shine and make the next global hit! Lucy and co-author Lyndsay Duthie interviewed leading TV executives from the UK, USA, Australia and China to discover the secrets behind hit international formats across every genre, from reality, to drama to news. The book reading will cover pre-production, casting, scripting and more, and use real life case studies to examine the future of studio and the multiplatform opportunities available for programme makers internationally
Peter Sourian and Lucy Ferris
No full textReading given by Lucy Ferris and Peter Sourian at Bard College, 1985. Introduced by Robert Kelly. The reading contains excerpts from their novel-in-progress, discussing themes of family, relationships, and the human condition. They cover the opening chapters and provide insight into the author\u27s writing process.https://digitalcommons.bard.edu/poetry_at_bard/1230/thumbnail.jp
A Day Off by Lucy Maud Montgomery: Poem and Fact Sheet : Guide
No full textThis resource offers contextual information, a print version of the poem and a fact sheet that covers themes, devices, structure and voice for the analysis and exploration of Lucy Maud Montgomery's 'A Day Off'.This resource offers contextual information, a print version of the poem and a fact sheet that covers themes, devices, structure and voice for the analysis and exploration of Lucy Maud Montgomery's 'A Day Off'.Description based on online resource; title from title screen (Digital Theatre+, viewed July 1, 2022
Lucy Brady Papers - Accession 907 - M415 (466)
No full textLucy Agnes Brady (1899-1995) was a Winthrop graduate of the Class of 1920. The Lucy Brady Papers consist of programs of Winthrop events including the 1919 and 1920 Junior-Senior Receptions, a Banquet in honor of the returning World War I military men, piano recital, Christmas Vespers and the 1923 Annual Winthrop Dinner in Columbia, South Carolina; notes and letters to Miss Brady and a petition from the 1920 Seniors requesting a holiday instead of the usual trip to Magnolia Gardens. Of special note are letters from poet Amy Lowell (1874-1925), author Margaret P. Sherwood (1864-1955) and author, minister and professor of English at Boston University, Dallas Lore Sharp (1870-1929).https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1810/thumbnail.jp
Writers Talk Featuring Lucy Kaplansky & Waddy Thompson
No full textWaddy Thompson, author of The Complete Idiot's Guide to Grant Writing, talks to CSTW instructor Alexis Martina. Also, Lucy Kaplansky of Red Horse, in Columbus on September 23 with Six String Concerts, discusses songwriting.The media can be accessed here: http://streaming.osu.edu/knowledgebank/cstw12/WT_WCRS_09-19-11_WaddyThompson_LucyKaplansky.mp3Ohio State University. Center for the Study and Teaching of Writin
Correspondence from Lucy B. Johnston to Clara MacNaughton
No full textTyped and signed correspondence from Lucy B. Johnston to Clara MacNaughton; first line reads "My dear Mrs. MacNaughton:/ I did not forget to enclose the receipt in the letter, but held the check as I explained to you until I got the directions from you as to what I should do with it." mentions they recieved Clara MacNaughton's letter on the 31st while they were out doing compaign work and have forwarded the check to their treasurer, Mrs. Thurston (Sarah A.Thurston), to add to the books; Lucy Browne Johnston mentions Sarah A. Thurston will send the check to Clara B. Colby and ask for a receipt as proof that it arrived at the Kansas Treasury (Kansas Equal Suffrage Association); mentions they are grateful for Clara MacNaughton's financial help and look forward to Clara B. Colby's work with the Kansas Association; mentions they can send Clara MacNaughton a list of names of women as delegates of Kansas, also writes there are women in Washington who would be interested in attending the Washington hearing before Congress and conference; Kansas Equal Suffrage Association letterhead: Lucy B. Johnston (President), Ella M. Evans (Corresponding Secretary), Stella H. Stubbs (First Vice President), Cora W. Bullard (Second Vice President), Helen N. Eacker (Recording Secretary), Sarah A. Thurston (Treasurer), Sallie Lindsay White (Auditor), Lillian M. Mitchner (Honorary Vice President); Kansas Equal Suffrage Association letterhead. District Presidents: Cora W. Bullard (Tonganoxie), Genevieve H. Chalkley (Lawrence), Magdalen B. Munson (Pittsburg), Mrs. H. C. Wirick (Yates Center), Matie E. Kimball (Manhattan), Lizzie W. Smith (Stockton), Minnie J. Grinstead (Liberal), Minerva C. Barb (Wichita); Kansas Equal Suffrage Association letterhead. Committees: Catherine A. Hoffman (Press ; Chairman, Enterprise), Alberta L. Corbin, PH.D. (Membership ; Chairman, Lawrence), Effie Graham (Education ; Chairman, Topeka), Pansy M. Clark (Finance ; Chairman, Rosedale).Incoming correspondence to Dr. Clara W. MacNaughto
The future of marine spatial planning
No full textThis conclusion presents some closing thoughts on the concepts discussed in the preceding chapters of this book. The book provides how effective marine spatial planning can minimise the negative impacts of offshore-energy developments and realise new opportunities for multi-sector benefits. It highlights some of many challenges that remain for marine spatial planning, and suggests how increased collaboration, more meaningful participation, and more aligned governance structures combined with transparent planning tools can contribute to future successes. The book provides an in-depth assessment of the stakeholder-engagement process and describes that effective participation is essential to successful planning outcomes and that participation needs to each stakeholder to be effective. It examines how the process of stakeholder engagement can be a form of data generation and validation that can work in conjunction with ecosystem service trade-off analysis. The book discusses the marine spatial planning invoking a complex array of disciplines that must be harmonised-from the scientific, socio-economic, legal, political, to the psychological.Corey J. A. Bradshaw, Lucy Greenhill, Katherine L. Yate
Devotion and Identity in the Works of Edmund Yates and Wilkie Collins
No full textThe thesis analyses the sensation novels of Edmund Yates and Wilkie Collins with emphasis on the representation of devotion within the texts. The thesis examines the depictions of four distinct types of character, the wife, the female friend, the disabled male and the servant, and identifies a trend within the novels of Yates and Collins whereby characters defy the conventional power structures of class and gender, obtaining agency via acts of devotion that nevertheless also perform and reinforce conventional social structures. The devotion between characters can therefore be understood as a force that ‘queers’ identity, reconfiguring relationships in ways that unsettle the bounds of heteronormativity. The sensational devotion of Yates and Collins is analysed in the context of the periodical press with which both Yates and Collins were closely involved. By using periodical articles as indicators of contemporary opinion and argument, the thesis explores Yates’s and Collins’s divergence from cultural norms, a divergence that opens up new possibilities for the sensation genre. Via these discussions the thesis seeks to re-assert Yates as a significant member of the sensation canon
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