1,731,746 research outputs found
Nonlinear sculpturing of optical spectra
We present the experimental demonstration of a technique for the nonlinear generation of tailored broadband optical spectra. Our technique relies on the capability to precisely shape short optical pulses at the input of a highly nonlinear fibre. The precise pulse shape that needs to be fed to the nonlinear fibre is calculated from the spectral shape we wish to generate through inverse propagation calculations. A programmable optical filter is then used to transform the pulses of a short-pulse laser to the calculated waveform. An automated evolutionary algorithm is employed to monitor and optimise the filter characteristics. As an application example, we present the generation of a 10GHz ultra-flat (less than 1dB power fluctuations), broadband (>30nm) optical spectrum, starting from a 2ps mode-locked laser
The influence of spectral truncation on the shape of short optical pulses
This paper studies the influence of spectral truncation on the shape of short optical pulses. As an application example, the case of third-order (m=3) transform-limited super-Gaussian pulses is considered through both simulations and experiments. This work can be used to optimize pulse shaping procedures in the frequency domain
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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