6,312,980 research outputs found
Scruffy the dog at the CRIO cottage, Australian National University, Canberra 2007 [picture] /cWilliam Yang.
No full textTitle devised by cataloguer based on information from inscription.; Part of the collection: Breathing the rarefied air of Canberra, 2007.; Inscriptions: "Katie and Ursula would sometimes bring Scruffy into work as he didn't like being left at home, especially during a thunder storm, He'd bolt"--In ink upper left on image. 'Scruffy. CRIO cottage. ANU. From series, 'Breathing the rarefied air of Canberra'. William Yang 2007. 1/20"--In ink on sheet below photograph.; Condition: Left edge roughly cut.; Photographer's stamp lower left.; Also available in electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4398935; Purchased from Helen Maxwell Gallery, 2008.Scruff
Yang-Chen-JGR2021
No full textModel data and plotting programs for Yang and Chen 2021, Journal of Geophysical Researc
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Special issue: Process safety in times of a pandemic
No full textGreen Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Safety and Security Scienc
Break up, Saturday school, Darwin, 1990 [picture] /
No full textCondition: Good.; Part of the collection of photographs of the Chinese community living in Australia by William Yang.; "2/10"--Inscription below title.; Photograph signed by artist
The era of Hanson, Sydney, 1997 [picture] /
No full textCondition: Good.; Part of the collection of photographs of the Chinese community living in Australia by William Yang.; Photographer's stamp on photograph.; Title devised by cataloguer based on information from acquisition file number 204/26/00003
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
"Burning Towers", Beechworth, 1995 [picture] /
No full textCondition: Good.; Part of the collection of photographs of the Chinese community living in Australia by William Yang.; Photographer's stamp on photograph.; Photograph signed by artist.; "3/10"--Inscription below title
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