1,720,955 research outputs found
ALISHER NAVOI\u27S POEMS ARE IN KARAKALPAK LANGUAGE
No full textLiterary translation is one of the types of creativity that plays an important role in the literary environment of any nation. It is also an important link of international friendship and literary connection. In the history of world literature, there is no literature without translation. Uzbek-Karakalpak literary relations have a long history. These two literatures have always evolved from each other\u27s experiences. In this process, mutual literary translation played a major role in strengthening the ties between the two literatures. Poetic and prose works translated from Uzbek literature into Karakalpak and from Karakalpak literature into Uzbek enriched these two literatures. Translation serves as a school of skill for artists. The number of translated works in both Karakalpak and Uzbek literature is growing. If we make the list now, there will definitely be a few pages. The proliferation of translated works in both literatures is good and worthy of support. But what is the level of translations? Does it meet today’s student demand? Unfortunately, it is always difficult to find positive answers to these questions. It is very difficult and difficult to translate the works of the great poet Alisher Navoi, especially his ghazals, into another language, say, a Turkic language. The translator who has taken up this work must have a great scientific and creative talent, poetic ability, a delicate taste and talent that feels and understands Navoi\u27s poetry. Although the translator does not have a unique artistic level at the level of Navoi\u27s genius, a sharp figurative observation, he must have a good knowledge of classical literature: the ability to choose and use words in different senses, to master the secrets of the poet\u27s ghazals. . Only then will he be able to sound the works of such a unique poet as Navoi in his native language. The translations show that the artistic skill and poetic delicacy of Navoi\u27s ghazals have been greatly weakened, the colorful philosophical meanings in the verses have been simplified and, most importantly, the ghazals have not been translated with high poetic taste and thoughtfulness. The translations of Navoi\u27s ghazals lack poetic observation, artistic and aesthetic elegance. A serious shortcoming of the translation is that the translator has gone from word to word, letter to letter, oversimplifying the figurative interpretation in some verses, turning it into simple, soulful lines. In translations, the reader cannot feel the poetic beauty of Navoi. The arts used by Navoi, the nuances of word meanings, colors, charm, figurative features in ghazals did not work well in translations. Here are a few examples so that our opinion is not unfounded. If we look at the translation of the ghazal, which describes Navoi\u27s famous eighteen-year-old wonder. The ghazal was translated into Karakalpak by Davlet Aitmuratov. The ghazal, which consists of a total of 7 bytes, is reduced to 6 bytes in translation. In the ghazal\u27s mat and the second verse, philosophical views about the world are put forward, and in the verses of the third verse, the ideas come to life
ALISHER NAVOI'S POEMS ARE IN KARAKALPAK LANGUAGE
No full textLiterary translation is one of the types of creativity that plays an important role in the literary environment of any nation. It is also an important link of international friendship and literary connection. In the history of world literature, there is no literature without translation. Uzbek-Karakalpak literary relations have a long history. These two literatures have always evolved from each other's experiences. In this process, mutual literary translation played a major role in strengthening the ties between the two literatures. Poetic and prose works translated from Uzbek literature into Karakalpak and from Karakalpak literature into Uzbek enriched these two literatures. Translation serves as a school of skill for artists. The number of translated works in both Karakalpak and Uzbek literature is growing. If we make the list now, there will definitely be a few pages. The proliferation of translated works in both literatures is good and worthy of support. But what is the level of translations? Does it meet today’s student demand? Unfortunately, it is always difficult to find positive answers to these questions. It is very difficult and difficult to translate the works of the great poet Alisher Navoi, especially his ghazals, into another language, say, a Turkic language. The translator who has taken up this work must have a great scientific and creative talent, poetic ability, a delicate taste and talent that feels and understands Navoi's poetry. Although the translator does not have a unique artistic level at the level of Navoi's genius, a sharp figurative observation, he must have a good knowledge of classical literature: the ability to choose and use words in different senses, to master the secrets of the poet's ghazals. . Only then will he be able to sound the works of such a unique poet as Navoi in his native language. The translations show that the artistic skill and poetic delicacy of Navoi's ghazals have been greatly weakened, the colorful philosophical meanings in the verses have been simplified and, most importantly, the ghazals have not been translated with high poetic taste and thoughtfulness. The translations of Navoi's ghazals lack poetic observation, artistic and aesthetic elegance. A serious shortcoming of the translation is that the translator has gone from word to word, letter to letter, oversimplifying the figurative interpretation in some verses, turning it into simple, soulful lines. In translations, the reader cannot feel the poetic beauty of Navoi. The arts used by Navoi, the nuances of word meanings, colors, charm, figurative features in ghazals did not work well in translations. Here are a few examples so that our opinion is not unfounded. If we look at the translation of the ghazal, which describes Navoi's famous eighteen-year-old wonder. The ghazal was translated into Karakalpak by Davlet Aitmuratov. The ghazal, which consists of a total of 7 bytes, is reduced to 6 bytes in translation. In the ghazal's mat and the second verse, philosophical views about the world are put forward, and in the verses of the third verse, the ideas come to life
TRANSLATIONS OF ALISHER NAVOIS WORKS INTO KARAKALPAK LANGUAGE
No full textToday, serious and complex changes are taking place in all spheres of society. In particular, a number of scientific works on translation and artistic, scientific changes are being made on artistic creation. Organizing and analyzing the spiritual values of every nation, wherever humanity is, the sense of artistic mastery is inextricably linked with this basic art of translation
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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