25,939 research outputs found

    Yao xing zong yi

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    [吳儀洛撰].綫裝 .框20.1x14.6公分, 10行24字. 白口, 左右雙邊, 單黑魚尾. 版心上鐫題名, 中鐫小題, 下鐫葉次, 卷次及部次. 眉端有墨筆批語.內封背頁牌記刻"同治庚午孟冬瓶花書屋校刊"《中國中醫古籍總目》(02570)著錄有道光二十六年瓶花書屋刻同治九年[1870]重印本.卷前附: 藥性總義.鈐"莊兆祥印", "莊兆祥".Xian zhuang .Kuang 20.1 x 14.6 gong fen, 10 hang 24 zi. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan xiao ti, xia juan ye ci, juan ci ji bu ci. Mei duan you mo bi pi yu.Detailed notes in vernacular field only.Detailed notes in vernacular field only.[Wu Yiluo zhuan].Juan qian fu: Yao xing zong yi.Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang"

    Basic documentation of Ping Yao dwelling courtyards

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    This dissertation focuses on basic documentation within an idiographic circumstance. The documenting object is dwelling courtyards in Ancient City of Ping Yao (ACPY). It explores the former similar documentation efforts and introduces the author’s own proposed documentation methodology, and follows up the later application of the methodology, and finally assesses itself. This process provided a meaningful reference sample to other practical documentation work. To better introduce the documentation methodology, the dissertation also talks about Ping Yao dwelling courtyards in detail. If the reader is interested in local residential architectures, this dissertation will be helpful. Besides referring significance of documentation method exploring, the documentation also involves deeply into ACPY’s conservation affairs, which is mainly concluded in appendix. To introduce the factors influencing this event of conservation career, this dissertation can be a record to ACPY’s conservation development in the transferring times, which can lead people who are interested to have a better understanding what is going on at the implementation level.published_or_final_versionConservationMasterMaster of Science in Conservatio

    Yao, Zhong Ping

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    Opening ceremony

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    Opening Ceremony Moderator: Huang Ping (Executive Vice President, Chinese Institute of Hong Kong) Welcome Speech Speaker: YAO Xin (Vice President, Lingnan University

    Yao Passport Ping Huang Chuan Tieh (II) : Focused on the Ban Ho (a dog) lengend and their migration routes

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    In Part I , We talked about the history and distribution of the Yao tribe with Yao Passport Ping Huang Chuan Tieh as a background. In Part II We studied Ban Ho legend which has been handed down in one of the subgroups of the Yao tribe, focusing on three points such as its forming process, characteristics and later changes and analyzed the legend by using historical materials of the Chinese history books. According to Ban Ho legend the ancestor of the Yao tribe is a dog called "Ban Ho". Because the dog saved the emperor at a crisis, he was given the emperor's daughter as his wife and had 12 sons and daughters. The legend tells these 12 children are the ancestors of the Yao tribe. Ban Ho legend occupies the central position in Ping Huang Chuan Tieh. As the Yao tribe owned this document, they were regarded as the tribe connected to the emperor, though in the world of mythology, and obtained the living rights, for example they were guaranteed their living in the mountains of the various parts of the country.4KJ00004724512論文Articledepartmental bulletin pape

    Yao Passport Ping Huang Chuan Tieh (IV) : Focused on the Ban ho (a dog) lengend and their migration routes

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    Ping Huang Chuan Tieh is a passport document, which belongs to Yao, written in Chinese. Some of the documents which have been found in the northern part of Thailand are illustrated before and after the sentences; however, the pictures are poorly-drawn. In this study, by analyzing these pictures We try to search the faith in Gods or the worldviews of the Yao which are put into them. With that, We try to find clues to illuminate the Yao's own identity which cannot be fully understood simply from the sentences. As a result, We reaffirmed that the Yao had profound faith in the Passport.4KJ00005220752論文Articledepartmental bulletin pape

    Kai meng yao xun 開 蒙 要 訓 [par Ma Ren shou 馬 仁 壽].

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    Kai meng yao xun 開 蒙 要 訓. Ma Ren shou 馬 仁 壽. Ouvrages de pédagogie et de morale populaireContient : Xia nü fu ci 下 女 夫 詞Numérisation effectuée à partir d'un document original.En 1 j. fin manque, Quelques variantes par rapport au Pelliot chinois 2578, éd, in THTS , n° 76, fasc. 3, pp. 305-311. Écr. kai. Encre foncée. 1 car. ajouté (col. 3) ; car. taboué min 民 col. 8, ye 葉) ; 1 trait épais à la col. 3. Quelques ratures. 30 col. en tout (f. 1 : 10 col.), 14 à 18 car. par col. Marges sup. et inf. 0,1 cm

    Competing Voices in the Shangshu : An Analysis of "Gao Yao mo" and "Yao dian

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    While a long commentarial tradition has aimed to stress the coherence of classical and canonical Chinese literature, the "composite nature" of early Chinese texts has by now become widely acknowledged. This means that structural analyses rather than unifying commentaries of these texts would seem to be called for. This article examines the text-ual integrity of two Shangshu chapters, "Yao dian" and "Gao Yao mo." Based on an analysis of linguistic usage, it argues that both chapters consist of at least two conflicting parts that appear to be in outright opposition to one another. Simply put, one part seems to represent the perspective of bureaucratic government, while the other one Yao represents charismatic rulership. While these two chapters show very similar patterns of layering, the same cannot be said for other parts of the Shangshu. An analysis of "Lü xing" shows that, while also containing competing voices, its ideological and linguistic fault lines are different from those in "Yao dian" and "Gao Yao mo." The structure of the Shangshu is not easily reduced to a few editors who added recurring layers throughout the entire collection. Rather, it appears that the "composite nature" differs for almost every chapter of the Shangshu : they will all have to be analyzed individually

    The politics of fashion: perceptions of power in female clothing and ornamentation as reflected in the sixteenth-century Chinese novel Jin Ping Mei

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    This thesis examines issues of female power and influence in sixteenth-century China focusing on how women and their roles were perceived in the changing social environment of the mid-late Ming dynasty. Using aspects of a New Historicist approach, information from contemporary literary and historical sources are analysed alongside each other. With its emphasis on the lives of women and preoccupation with the description of material objects, the late Ming novel Jin Ping Mei forms an important element in the thesis. China in the sixteenth century saw expanding urbanisation, the emergence of a new wealthy merchant class, increasing visibility of women and a questioning of traditional morality. Fashion consciousness, as one of the most conspicuous aspects of the new material culture, is a possible indicator of these trends. Traditional Western theories contend that fashion began in the particular context of Renaissance Europe. However, this study argues that a similar fashion awareness existed in China too, and was manifested in a competitive striving for social status, in this case specifically among women. In contrast to previous studies which downplayed the impact women had on defining traditional Chinese culture, this thesis demonstrates how women and their sartorial choices began to redefine the boundaries of material culture, influencing literati discourse which, in turn, re- influenced female behaviour
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