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西醫略論 : [3卷] = Xi yi lue lun : [3 juan] v.5
No full textCaption titleOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
西醫略論 : [3卷] = Xi yi lue lun : [3 juan] v.6
No full textCaption titleOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
博物新編 = Bo wu xin bian
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
婦嬰新說 = Fu ying xin shuo [v.4]
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoCaption titleThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
博物新編 = Bo wu xin bian
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
書名據
No full textOn double leaves, oriental style西醫五種包括 : 全體新論, 博物新編, 西醫略論, 婦嬰新說, 內科新說 = Xi yi wu zhong bao kuo : Quan ti xin lun, Bo wu xin bian, Xi yi lue lun, Fu ying xin shuo, Nei ke xin shuoThomas Chong Collection. Gift of Dr Dorothy Chong and family, 199
洄溪醫案 = Hui xi yi an
No full text文玉樓藏板 -- 見書名頁 = Wen yu lou cang ban -- on title page嶺南小嫏嬛閣藏板 -- 書名頁後頁 = Lingnan Xiao lang huan cang ban -- title page verso[v.6-9] 蘭臺軌範 : 8卷 -- [v.10] 愼疾芻言 --t洄溪醫案 = [v.6-9] Lan tai gui fan : 8 juan -- [v.10] Shen ji chu yan -- Hui xi yi anThomas Chong Collection. Gift of Dr Dorothy Chong and family, 1994On double leaves, oriental styl
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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