1,720,952 research outputs found
Service design research of the creative park with the theme of ICH. Taking Shanghai Shangzhifang creative park as an example
LAUREA MAGISTRALEL'eredità di ICH ha una lunga strada da percorrere. Ci sono molte difficoltà e sfide di fronte all'ICH. Le industrie culturali e creative sono diventate la forza trainante per lo sviluppo economico della Cina. I parchi creativi sono diventati i principali vettori e metodi per l'accumulo di industrie culturali e creative. La cultura ICH è caratterizzata dalla sua ricchezza e diversità e offre nuove opportunità per l'ereditarietà dell'ICH che richiede lo sviluppo di una cultura della sordità. Pertanto, l'attracco scientifico tra la cultura ICH e il parco creativo ha un grande valore pratico nell'eredità della cultura non-heritage. In questo articolo, l'autore ha studiato i principi e i metodi rilevanti della progettazione del servizio, portando il parco creativo di Shanghai Shangzhifang come un esempio per costruire un sistema di servizi di parchi creativi non creativi. Connetti l'esperienza e le sensazioni dell'utente nel processo di front-end del parco creativo non creativo con il modello di business e il flusso di servizi del parco creativo back-end. In questo articolo, l'autore combina organicamente modelli di progettazione del servizio con modelli di business, quindi esplora gli schemi concreti e la profondità della fattibilità della connessione tra parchi creativi e culture ereditarie.
In primo luogo, nella ricerca l'autore ha introdotto il principio di progettazione e la metodologia del design del servizio e ha sintetizzato e sintetizzato la situazione attuale dell'aumento e dello sviluppo delle culture di eredità e dei parchi creativi. Allo stesso tempo, combina casi studio rilevanti di ICH. La funzione, il metodo di generazione e le parti interessate del concetto di parco creativo ICH sono stati pettinati e le idee di progettazione del servizio e il contenuto del parco creativo non storico sono stati elaborati in dettaglio. In secondo luogo, attraverso la ricerca sullo status quo dello Shangzhifang Creative Park, l'autore ha scoperto il contatto di servizio di Shangzhifang per sviluppare il parco creativo ICH.
In secondo luogo, l'autore investiga sulla situazione attuale del parco creativo di Shangzhifang e scopre i punti di contatto del servizio dello sviluppo di ICH Park di Shangzhifang. Attraverso la classificazione degli utenti, sono stati condotti questionari e interviste approfondite sugli eredi e turisti dell'ICH. Con l'aiuto della classificazione del gruppo target dell'utente, l'autore ha suddiviso i file utente dello Shangzhifang Creative Park in tre categorie: appassionati di cultura, interazione familiare e impiegati ordinari. Questi tre file coprono fondamentalmente le esigenze e le tendenze stilistiche degli utenti del parco creativo di ICH che potrebbero essere coinvolti.
Nell'applicazione di progettazione del servizio del parco creativo di Shangzhifang, questo articolo applicava il processo standard del concetto di servizio, visione e scenario del servizio, analizzando il soggetto interessato, la mappa dell'offerta di servizi, la mappa del sistema di servizio, il piano di servizio e lo storyboard per stabilire la piattaforma di servizi, lo spazio, il marchio e la pianificazione degli eventi di Shangzhifang e mostra i risultati finali del progetto di servizio. Allo stesso tempo, è stata proposta anche una strategia di esperienza utente multi-livello per il campus: esperienza sensoriale, esperienza narrativa, esperienza immersiva, esperienza di co-creazione ed esperienza di pensiero. La trasmissione efficace di ICH è lo scopo. I parchi creativi sono i media. Il service design è un mezzo e un nuovo motore per l'ereditarietà e l'innovazione di ICH.The inheritance of ICH has a long way to go. There are many difficulties and challenges facing the ICH. Cultural and creative industries have become the supporting force for China's economic development. Creative parks have become the main carriers and methods for the accumulation of cultural and creative industries. The ICH culture is characterized by its richness and diversity, and it brings new opportunities for the inheritance of the ICH requires the development of a culture of deafness. Therefore, the scientific docking between the ICH culture and the creative park has great practical value in the inheritance of non-heritage culture. In this paper, the author studied the relevant principles and methods of service design, taking Shanghai Shangzhifang creative park as an example to build a non-creative creative park service system. Connect the user's experience and feelings in the front-end process of the non-creative creative park with the business model and service flow of the back-end creative park. In this article, the author organically combines service design patterns with business models then explore the concrete schemes and depth of the feasibility of the connection between creative parks and inheritance cultures.
Firstly, in the research the author introduced the design principle and methodology of service design and combed and summarized the current situation of the rise and development of the inheritance cultures and creative parks. At the same time, it combines relevant case studies of ICH. The function, generation method and stakeholders of the concept of ICH creative park were combed, and the service design ideas and content of the non-heritage creative park were elaborated in detail. Secondly, through the research on the status quo of Shangzhifang Creative Park, the author have found out the service contact of Shangzhifang to develop the ICH creative park.
Secondly, the author investigate the current situation of the creative park of Shangzhifang and find out the service touchpoints of Shangzhifang’s development of ICH Park. Through user classification, questionnaires and in-depth interviews were conducted on the ICH inheritors and tourists. With the help of the classification of the user's target group, the author divided the user files of the Shangzhifang Creative Park into three categories: cultural enthusiasts, family interaction, and ordinary office workers. These three files basically cover the needs and style tendencies of ICH creative park users that may be involved.
In the service design application of the Shangzhifang creative park, this article applied the standard process of service design’s concept, vision and scenario of the service, analyzing the relevant stakeholder, service offering map, service system map, service blueprint and storyboard in order to establish the Shangzhifang’s service platform, space, brand and event planning, and showing the final service design results. At the same time, a multi-level user experience strategy for the campus was also proposed: sensory experience, storytelling experience, immersive experience, co-creation experience and thinking experience. The effective transmission of ICH is the purpose. Creative parks are the media. Service design is a means and a new engine for inheritance and innovation of ICH
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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