2,680 research outputs found
Wild Waysides: Queer Ecologies and the New Natrual
No full text"Rock on the Shore," Sound and Video Installation, part of Wild Waysides: Queer Ecologies and the New Natrual.
‘Wild Waysides: Queer Ecologies and the New Natrual’ a series of installations at the White Water Gallery North Bay, Ontario, Canada. This exhibition features the work of Mike Wyeld and Charlie Hunter who participated in the inaugural QUEER UP NORTH Artist Residency in Tamagami, Ontario Canada.
Sponsored by the Canada Council for the Arts/Conseil des Arts du Canad
Climate Crimes
No full textClimate Crimes is a large-scale immersive Full Dome video installation that explores the complex relationship between air pollution and the migration of refugees. It illustrates how atmospheric particles originating in the wealthy nations of the global north – Europe, USA, China, and others impact the global south, contributing to desertification and migration. Directed by Adrian Lahoud with Sound Design by Mike Wyeld.
The research builds on an event that took place during the 2009 UN climate change conference, where Sudanese diplomat Lumumba Di-Aping argued that industrialisation in these regions in the global north was contributing to 'climate genocide' in Africa
A Deal With The Universe
No full textA Deal with the Universe follows transgender filmmaker Jason Barker’s incredible story of how he came to give birth to his child. Autobiographical and made entirely from personal archive and home video diaries with additional footage directed by Mike Wyeld, Jason Barker and his partner invite you into their world, sharing their difficult decisions, processes and moments of joy and heartbreak in their journey to become parents.
Filmed over 15 years, A Deal with the Universe delivers a unique and intimate insight into the struggles of becoming a parent and gender identity
“Poor” Sound Design – Guitars as a Gateway to Thinking Sonically
No full textIn Resonant Fields, Mathias Hartmann and sound designer Mike Wyeld explores music-image relationships through sound, photography, drawing, and text. The transformation of sound into visual space receives particular focus. In the works, sound becomes a visual experience associated with touch, notation, or gesture. The meadow serves as the inspiration for electronic sound; psychedelic, noise, and new wave music inspire visualisations of different aspects of sound, such as noise, distortion and delay. The works pursue the idea of the malleability and materiality of sound, creating textures, rhythms, transparencies, and layers. The publication includes a QR code that links to an EP with audio recordings
LOVED: Echoes of masculinity and it's toxicities
No full textWhile myths of beauty and ideas around body shape, fitness, even obesity are hotly debated in mainstream culture, some people have found acceptance in new movements, formed new alliances and set in motion new ideas, they are "LOVED." LOVED is a globally touring gallery collaboration between two artists, visual artist Charlie Hunter and sound designer and filmmaker Mike Wyeld. LOVED is an exploration of (sexual) identity. Hundreds of audio Interviews, composed score, found sound and archive sound has allowed us to build up an important, thoughtful look at masculinity in the 21st Century, from a group of men (including trans-men) who are rarely equivocal about their views on the world. How does the material conjure echoes on masculinity and its toxicities? The problem, of course, is men. How do they sound
Her Name Was Moviola
No full textA cinematic love letter to the Moviola film editing machine, led by Academy Award winning editor Walter Murch, detailing how it dominated English-language filmmaking for most of the 20th century. This research project begun at the University of Hertfordshire, involved research into historic sound methods by Mike Wyeld.
Invented in 1922, the Moviola remained for a long time the dominant machine for editing film in English-language cinema. Mastering it allowed an editor, in tandem with the director and producer, to create a language and rhythm within a film. Her Name Was Moviola sees Academy Award® -winning sound and film editor Walter Murch working with a team to rebuild a Moviola editing suite to take us through the process of how a film was pieced together. Using two scenes from Mike Leigh’s 2014 drama Mr. Turner – reverse-engineered from digital to 35mm prints – Murch and his collaborators take us through the way the Moviola was employed to bring a multitude on individual shots together into one cohesive narrative. It’s a riveting deep-dive into a process that is key to every form of filmmaking
Mike Olszewski Interview, 2009
No full textMike Olszewski is a newscaster for WKSU-FM and a professor of communications at Kent State University and the University of Akron, as well as the author of several books. He was born in Cleveland in 1953. The interview discusses his childhood, racial issues, music, and the media
Mike Olszewski Interview, 2009
No full textMike Olszewski is a newscaster for WKSU-FM and a professor of communications at Kent State University and the University of Akron, as well as the author of several books. He was born in Cleveland in 1953. The interview discusses his childhood, racial issues, music, and the media
Dr. Mike Davison – Faculty Author Interview
No full textDr. Mike Davison, Professor of Music, discusses his documentary film, Cuba: Rhythm in Motion. This dynamic film captures the joy of making music in Cuba, an island that Dr. Davison has visited numerous times with his students. The contrasting yet intertwined histories of Cuban and American music are traced and illustrated with extensive performance footage. A DVD of Cuba: Rhythm in Motion is available in Parsons Music Library
Mike Nichols Oral History
No full textOral histories created by University of Kansas students, staff and faculty as part of the Religion in Kansas Project are archived at http://hdl.handle.net/1808/12524 in KU ScholarWorks, the digital repository of the University of Kansas.Oral history interview with Mike Nichols conducted by Diana Brown at the Latte Land coffee shop in Kansas City, Kansas, on July 6, 2014. Mike is the author of The Witches’ Sabbats, taught classes on Paganism for decades, and owned The Magic Lantern occult book shop in Kansas City in the 1980s; this interview discusses those experiences. This interview was conducted for the Religion in Kansas Project as part of a summer fieldwork internship funded by the Friends of the Department of Religious Studies.Friends of the Department of Religious Studie
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