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A Study of Reader Response of Wu Wen-ying's Ci Poetry
Wu Wen-ying is not only an undoubtedly important figure in the history of ci poetry, but also a controversial ci poet. Since the late song dynasty, reviewers have been having different opinions about Wu Wen-ying's ci poetry, praising or criticizing. It is a special phenomenon in the history of ci criticism. This issue is worthy of further exploring both in the work itself, reader response, etc. Therefore, in this dissertation the author uses Wolfgang Iser\ue2s \ue2artistic\ue2 and \ue2aesthetic\ue2 concepts to discuss text and the reader response, researching in the art form of Wu Wen-ying's ci poetry and the reviewers\ue2 criticism. Since the latter involves the reader responses in different times, this dissertation further elaborates through Hans Robert Jauss\ue2 concepts of \ue2horizon of expectation\ue2 and \ue2reception history.\ue2 As for the art form, this dissertation discusses two parts in Wu Wen-ying's ci poetry, \ue2the organization of writing\ue2 and the \ue2diction,\ue2 in order to explore the nature of its art form. The structure and composition of \ue2the organization of writing\ue2 and the \ue2diction\ue2 are relevant to the overall organization and each word in the text; Therefore, in \ue2the organization of writing\ue2, it will research in the \ue2design of time and space\ue2 and the \ue2arrangement of fiction and reality.\ue2 As for the \ue2diction\ue2 is concerned, the creative approach is analyzed by the \ue2image,\ue2 \ue2allusion,\ue2 \ue2substitute word,\ue2 and so on, and their possible impacts on reading. Moreover, regarding the history of ci criticism, this dissertation shows the criticism of Wu Wen-ying's ci poetry by ci poetry schools and ci poet groups in different times, through \ue2synchronic\ue2 and \ue2diachronic\ue2 approach and Hans Robert Jauss\ue2 concept of \ue2reception history.\ue2 After discussing ci poets\ue2 criticism, the other chapter of this dissertation will further examine on why Wu Wen-ying's ci poetry is so controversial. Each ci poetry school has different aesthetic orientation and horizon of expectation which affect its criticism. Thus, in this chapter there is further discussion about the reasons through \ue2review standards\ue2 and \ue2reading mode.\ue2 Finally, the conclusion summarizes the preceding three parts, the art form, reviewers\ue2 criticism on Wu Wen-ying's ci poetry, and the reason why Wu Wen-ying's ci poetry is controversial
Leptotrombidium (Leptotrombidium) wenense Wu, Wen, Yang and Wu 1982
Leptotrombidium (Leptotrombidium) wenense Wu, Wen, Yang and Wu, 1982: PAL Leptotrombidium wenense, Stekolnikov 2013 [tenjini group] Syn.: Leptotrombidium (Leptotrombidium) kaohuensis Yang, Wu and Wu, 1959 Leptotrombidium (Leptotrombidium) kaohuense Li, Wang and Chen, 1997Published as part of Nielsen, David H., Robbins, Richard G. & Rueda, Leopoldo M., 2021, Annotated world checklist of the Trombiculidae and Leeuwenhoekiidae (1758 - 2021) (Acari: Trombiculoidea), with notes on nomenclature, taxonomy, and distribution, pp. 1-243 in Zootaxa 4967 (1) on page 143, DOI: 10.11646/zootaxa.4967.1.1, http://zenodo.org/record/474551
Rhythm analysis of significance in Wu wen-ying’s homemade song
自度曲是通曉音律的詞人自己譜寫新的詞調,不僅是詞體生命力的象徵,也是詞人獨創性的極致表現,兩宋通曉音律者柳永、周邦彥、姜夔、吳文英等詞人都有自度曲創作。明代毛晉所刻《夢窗詞甲稿》〈西子妝慢〉以及下面連續八調,目前確定為夢窗自度曲。萬樹云「今雖音理失傳,而詞格具在」,因此本文即以這九調夢窗自度曲為研究對象,分析其詞格韻律,首先分析其韻位、換頭增韻、韻部的用韻方式;其次分析其律拗變化、四聲用字之字律組合;最後分析其句組領字、對偶之特殊句律。藉此歸納出夢窗詞自度曲韻律特色,一窺詞人文藝創新之堂奧。
The “homemade song” means the new tonal patterns and rhyme schemes of Ci poetry that created by
the poet who acquainted with temperament. It’s not only a symbol of vitality of Ci poetry, but also
represents the ultimate expression of Ci poet’s originality. During the two Song Dynasties, many Ci poets such as Liu Yong, Zhou Bang-yan, Jiang Kui and Wu wen-ying wrote down their own home made songs. The ‘Hsi-tzu-chuang-man” and the following eight Ci tonal patterns included in the “Mengchuang Ci Chia Kao” edited by Mao Jin in Ming Dynasty were identified as Wu wen-ying’s homemade song. Wanshu had said, “Although the soundology was lost, but the Ci patterns is still there.” This is why this article
will focus on these nine Wu wen-ying’s homemade songs, to analyze their tonal patterns and rhyme
schemes such as the position of rhyme, the skill of using rhyme, the diversification between rules and
exceptions. Finally, I want to sum up the conclusion of the rhythm features of Mengchuang Ci’s homemade songs, to revel the characteristic of his literary innovation.補正完畢TW
A Study of Some Factors Influencing Vasopressin Release
Sudden unexplained cardiac arrest in the absence of cardiac pathology is one of the most serious complications that may occur during the course of surgical anesthesia. While the incidence is low, cardiac arrest carries a mortality of 50 per cent. | A review of this subject by Stephenson, 1958 (1), suggests the possibility that such factors as emotional stress, hypoxia, hypercapnia and vagal stimulation may be involved in the cause of this condition. Recently Kramar, McCarthy, Grinnell and Dietz (2) demonstrated the presence of increased blood levels of vasopressin in patients suffering cardiac arrest. Experimental evidence has shown that strong emotional stress, hypercapnia and hypoxia are all capable of eliciting an increased blood level of vasopressin (3). With the realization that vasopressin is a powerful coronary vasoconstrictor, it seemed feasible that this action, combined with hypoxia and increased vagotonia, might be the principal factor involved in the phenomenon of cardiac arrest. Preliminary experiments on rats have shown emotional stress to be an effective method of causing vasopressin release. Therefore, it was suggested that one might use this laboratory approach to study the ability of certain drugs to inhibit pituitary release or antagonize the effects of vasopressin.ProQuest Traditional Publishing Optio
Replication Data for "Association between Median Household Income, State Medicaid Expansion Status, and COVID-19 Outcomes Across US Counties"
Data is in txt or CSV format
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A new species of the genus Discolaimus Cobb, 1913 (Nematoda: Dorylaimida: Qudsianematidae) from Qinghai, China
Wu, Wen-Jia, Yan, Lin, Xu, Chun-Ling, Wang, Ke, Jin, Sheng-Ying, Xie, Hui (2016): A new species of the genus Discolaimus Cobb, 1913 (Nematoda: Dorylaimida: Qudsianematidae) from Qinghai, China. Zootaxa 4088 (1): 129-138, DOI: 10.11646/zootaxa.4088.1.
Wu Zhengjun lian yang shi chao / Wu Wen zhu ; Su Eryi, Liu Zhi can ding. 991046481129706532
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