1,721,147 research outputs found

    Effects of college experiences on male and female student leadership capacity in Taiwan 

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    [[abstract]]This study examined how college experiences affect student leadership capacity in the general college population, as well as in male versus female populations. The data were drawn from a longitudinal sample of students across 156 colleges in Taiwan. Results of this study indicated that student leadership capacity increased after college entry. After controlling for pre-college experiences and structural characteristics, various college experiences of curricular learning, cocurricular learning, and interpersonal interaction persisted as significant factors affecting student leadership capacity across genders. College experiences of class skipping and campus residence demonstrated different effects than those found in the Western literature. Comparative results of male and female students in various contexts detected using a statistical method and criteria demonstrated that, in the case of Taiwanese college students, both genders were similarly affected by their college experiences as far as leadership capacity is concerned.[[note]]SSC

    A Comparison of the Effects of University Learning Experiences on Student Leadership at Taiwanese General and Technical Universities

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    [[abstract]]This study investigated student leadership at general and technical universities and analyzed how student leadership at the two types of institutions was affected by their university learning experiences. The study was based on longitudinal data drawn from a national survey administered across 156 universities in Taiwan. To avoid overfitting the data, a split-sample design was used. Results indicated that general university students perceived superior leadership over technical university students. Teaching approaches within the two types of institutions had a wide range of effects on student leadership, including negative, nil, and positive effects. Active learning and co-curricular learning across both institutional types showed positive effect on student leadership. Active learning played a particularly important role in enhancing student leadership. Passive learning, by contrast, showed negative or nil effect on student leadership.[[note]]SSC

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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