698 research outputs found

    Essentials of business law / Ewan MacIntyre.

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    Includes bibliographical references and index.xxxiii, 464 pages.

    An interpretation of organic architecture with reference to Frank Lloyd Wright

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    I developed an interest in the subject of this report after becoming familiar with some of the architecture of Wright, Gaudi, and Goff. These architects are commonly grouped under the title of organic. So what does organic mean here? During the four years I have been at the Wellington School of Architecture I have never managed to obtain a definition that fitted varied references and associations that I have come across. This essay attempts to give a definition of organic architecture, focusing on Frank Lloyd Wright who is generally considered to be an organic architect. The report consists of three parts, the first of which outlines organic theory in general, starting with a broad philosophical interpretation and narrowing down to organic theory as it relates to architecture. The second part of the report concentrates on Frank Lloyd Wright, his ideas and theories. Case studies are made of six of his house designs to illustrate the development of his architectural theory and how it relates to the buildings he produced. The third and final section of this report attempts to place Wright into the general definition of organic architecture established in part one

    Learning by design workshop

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    The Learning by Design Workshop Program 2010, a part of the Queensland Government Unlimited: Designing for the Asia Pacific Event Program, was a one-day professional development design thinking workshop run on October 9, 2011 at The Edge, State Library of Queensland for self-selected public and private secondary school teachers from the subject areas of Visual Art, Graphics and Industrial Technology and Design. Participants were drawn from a database of Brisbane and regional Queensland schools from the goDesign and Living City Workshop Programs. It aimed to generate leadership within schools for design-led education and creative thinking and give teachers a rare opportunity to work with professional designers to generate future strategies for design-based learning.\ud \ud Teachers were introduced to the concept of design thinking in education by international keynote speakers CJ Lim (Studio 8 Architects) and Jeb Brugmann (The Next Practice), national speaker Oliver Freeman (NevilleFreeman Agency) and three Queensland speakers, Alexander Loterztain, David Williams and Keith Holledge. Inspired by the Unlimited showcase exhibition Make Change: Design Thinking in Action and ‘Idea Starters’/teaching resources provided, teachers worked with a professional designer (from a discipline of architecture, interior design, industrial design, urban design, graphic design or landscape architecture) in ten random teams, to generate optimistic ideas for the Ideal City of tomorrow, each considering a theme – Food, Water, Transport, Ageing, Growth, Employment, Shelter, Health, Education and Energy. \ud \ud They then discussed how this process could be best activated and expanded on to build interest and knowledge in design thinking in the classroom. Assisted by illustrators, the teams prepared a visual presentation of their ideas and process from art materials provided. The workshop culminated in a video-taped interactive design charette to the larger group, which is intended to be utilised as a toolkit and praxis for teachers as part of the State Library of Queensland Design Minds Website Project

    Generation workshop 2010

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    The Generation Workshop Program 2010, a part of the Queensland Government Unlimited: Designing for the Asia Pacific Event Program, consisted of two one-day intensive design thinking workshops run on October 7-8, 2011 at The Edge, State Library of Queensland, for 100 senior secondary students and 20 secondary teachers self-selected from the subject areas of Visual Art, Graphics and Industrial Technology and Design. Participants were drawn from a database of Brisbane and regional Queensland private and public schools from the goDesign and Living City Workshop Programs. \ud \ud The workshop aimed to facilitate awareness in young people of the role of design in society and the value of design thinking skills in solving complex problems facing the Asia Pacific Region, and to inspire the generation of strategies for our future cities. It also aimed to encourage the collaboration of professional designers with secondary schools to inspire post-secondary pathways and idea generation for education.\ud \ud Inspired by international and national speakers Bunker Roy (Barefoot College) and Hael Kobayashi (Associate Producer on "Happy Feet" film for Australia's Animal Logic), the Unlimited showcase exhibition Make Change: Design Thinking in Action and ‘Idea Starters’/teaching resources provided, students worked with a teacher in ten random teams, to generate optimistic strategies for the Ideal City of tomorrow, each considering a theme – Food, Water, Transport, Ageing, Growth, Employment, Shelter, Health, Education and Energy. \ud \ud Each team of 6 was led by a professional designer (from the discipline of architecture, interior design, industrial design, urban design, graphic design or landscape architecture) who was a catalyst for driving the student creative thinking process. Assisted by illustrators, the teams prepared a visual presentation of their idea from art materials provided. The workshop culminated in a video-taped interactive design chatter to the larger group, which will be utilised as a toolkit and praxis for teachers as part of the State Library of Queensland Design Minds Project. Photos of student design work were published on the Unlimited website

    We carry the light, comprising : i) Writing in lockdown: exploring the impact of the Covid-19 pandemic on writers' creativity, ii) We carry the light, a family novel set in Scotland during the pandemic

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    This paper examines the impact of the Covid-19 pandemic on writers’ practice during the periods that social distancing restrictions were in place. The study focuses on – but is not limited to – the first UK lockdown, which began on 23rd March 2020. Structured interviews were conducted with five writers, with an additional person responding to the questions in writing. This group included writers of fiction and non-fiction, as well as poets. Interviewees were at various points of their careers, ranging from an undergraduate creative writing student to a prize-winning author who has been publishing for over thirty years. Through these interviews, the impact of the pandemic on writing was explored in three main areas: the impact of emotions on the writing process; the effect Covid had on conditions needed for writing; and the ability of writers to find and/or act on inspiration. Incorporating evidence from these interviews – as well as from writing anthologies, newspaper articles, and literature relating to the pandemic – this study demonstrates that the pandemic did have a noticeable impact on writers’ creativity. Although two writers wrote more during lockdown, nearly all described the negative impact emotions had on their ability and/or motivation to write. Where the pandemic disrupted the conditions they need to write, writers wrote nothing, or significantly less than pre-pandemic; writers whose children lived with them during this time were most affected. Some noticed a negative correlation between finding/acting on inspiration and social distancing restrictions. Writers reflected on the impact of the pandemic and were able to identify positive and negative aspects that were a result of the restrictions, such as the benefits in terms of inclusion at literary events. The findings presented in the final section show the importance of learning from and recording the pandemic through writing."This work was supported by the Ewan and Christine Brown Postgraduate Studentship in the Arts and Humanities. I would, therefore, like to express my heartfelt gratitude to Ewan and Christine Brown for the financial support that allowed me to undertake this doctoral research.”--Fundin

    HYDRODYNAMIC FORCE MICROSCOPY

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    Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Downloaded 11-May-2016 03:19:3
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