5,647 research outputs found
1984-1985:"Master Harold" and the boys
No full textFrom left: Charles Michael Wright as Hally and Peter Callender as Willie"Master Harold" and the boys;Grayscal
Michael Rodriguez interviews writer Charles Baxter
No full textCharles Baxter talks about his book "The Feast of Love", the relationship between the landscape of Michigan and the setting of his novels, metaphysics in his novels, his career as both a writer and a college teacher, how a male author writes female characters, and voyeurism in his book. Baxter is interviewed by Michigan State University Librarian Michael Rodriguez. Part of the MSU Libraries' Michigan Writers Series
Review of Facing the Music: Charles Baeyertz and the Triad by Joanna Woods; Apollo in George Street: The Life of David McKee Wright by Michael Sharkey.
Get PDFReview of Facing the Music: Charles Baeyertz and the Triad by Joanna Woods; Apollo in George Street: The Life of David McKee Wright by Michael Sharke
RoMEO Studies 6: Rights metadata for open-archiving
Get PDFThis is the final study in a series of six emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving) which investigated the Intellectual Property Rights (IPR) issues relating to academic author self-archiving of research papers. It reports the results of a survey of 542 academic authors showing the level of protection required for their open-access research papers. It then describes the selection of an appropriate means of expressing those rights through metadata and the resulting choice of Creative Commons licences. Finally it outlines proposals for communicating rights metadata via the Open Archives Initiative’s Protocol for Metadata Harvesting (OAI-PMH)
1984-1985: A Woman Without Means
No full textFrom left: Daniel Mooney as Jasper Hamish Crow; Charles Michael Wright as William Arthur Tisch, "Billy"; James Pickering as Eulogius Tarquin Boggs, "Eulie"; Pamela Woodruff as Larissa Claire Sutphen; and Joan Hotchkis as Eugenia SutphenA Woman Without Means;Grayscal
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Michael Dennis Modern Campus Plan Lecture
No full textArchitectural projects and/or sites mentioned: Louvre (Claude Perrault, 1546) (Paris, France) ; Quartier Palais-Royal (Jacques Lemercier, 1639) (Paris, France) ; Opéra Bastille (Carlos Ott, 1984–1990) (Paris, France) ; Rotunda, University of Virginia (Thomas Jefferson, Robert Mills, Stanford White, 1817-1826) (Charlottesville, Virginia) ; Fralin Museum of Art (Edmund S. Campbell, 1935) (Charlottesville, Virginia) ; Syracuse University, Science/Technology Building (Michael Dennis & Associates) (Syracuse, New York) ; University of California at Santa Barbara, Museum of Art plan (Michael Dennis & Associates, 1983) (Santa Barbara, California) ; John A. Wilson District Building (Cope and Stewardson, 1904–1908) (Washington, D.C.) ; Grady Gammage Memorial Auditorium (Frank Lloyd Wright, 1964) (Tempe, Arizona) ; Arizona State University. University Art Museum (Antonie Predock, 1989) (Tempe, Arizona) ; Taliesin West (Frank Lloyd Wright, 1837) (Scottsdale, Arizona) ; Schenley Park (Edward Manning Bigelow, 1889) (Pittsburgh, Pennsylvania) ; Carnegie Mellon University, East Campus Dormitory & Dining Hall (Michael Dennis & Associates) (Pittsburgh, Pennsylvania) ; Cathedral of Learning (Charles Z. Klauder, 1926) (Pittsburgh, Pennsylvania) ; Margaret Morrison Hall (Henry Hornbostel, 1906) (Pittsburgh, Pennsylvania) ; Cohon University Center (Carnegie-Mellon University) (Michael Dennis & Associates, 1996) (Pittsburgh, Pennsylvania) ; Carnegie Mellon University (Henry Hornbostel, 1904) (Pittsburgh, Pennsylvania)Audio files are EID restricted. Individuals without an EID should send an email request to [email protected] Librarie
'Charles Causley: The Story of a Poet'
No full textBook publication: 'Charles Causley: The Story of a Poet.'
The first work about this important British poet to be published since the 1970's. Steve Braund was project manager and art director of this publication which includes contributions from Dr Rowan Williams, Michael Foreman and Roger McGough.
The book has been designed and illustrated by Falmouth's MA Authorial Illustration alumna Irene Vidal Cal. This publication has been multi-funded, including Arts Council England, Cornwall Council and Literature Works. Publication June 2019 by Atlantic Press
Interview with Charles Sikes (Second Interview)
Get PDFInterview conducted by Michael Van Wagenen at the 2019 POAG Convention, Marriot Riverfront hotel in Savannah. Charles served in the GBI from 1971 to 2001, altogether 30 years, entirely in the coastal region. He simultaneously served in the US Army National Guard, and after retirement as a civilian contractor with the Department of Defense for 5 years. In this interview, Charles discusses his experience as the World Conference Center Venue Commander for the 1996 Atlanta Olympic Games.https://digitalcommons.georgiasouthern.edu/poag-oral-histories/1073/thumbnail.jp
Michael Angelo Buonarroti,
No full textAppendix: "Three dialogues on painting composed by Francisco d'Ollanda, a Portuguese miniature painter who was in Rome in the year 1538. Tr. ... with the help of Mr. A. J. Clift, by Charles Holroyd. The manuscript was published for the first time in Renasçenca portugueza, no. VII, Porto, 1896.""The works of Michael Angelo": p. 281-283."A list of the principal books consulted by the author": p. 285-286.Mode of access: Internet
The "Illimitable Dominion" of Charles Dickens: Transatlantic Print Culture and the Spring of 1842
Get PDFThis article explores Edgar Allan Poe’s May 1842 edition of Graham’s Monthly Magazine in the context of debates about international copyright circulating in the press at the time of Charles Dickens’s famous tour of the US. I offer a reading of Poe’s short story ‘The Masque of the Red Death’, and his review of Hawthorne’s Twice-Told Tales that sees these texts as interventions in transatlantic debates at the forefront of the public imagination in the Spring of 1842. In particular, through an original close reading of ‘The Masque of the Red Death’ I demonstrate how Poe subtly drew upon penny press exposés to inform the short story’s discussion of class, status and rights of access. I also suggest that the argument Poe made in his review of Nathaniel Hawthorne about the importance of ‘invention, creation, imagination [and] originality’ to the ‘prose tale’ is usefully considered in the same context, as an American response to questions of authorship that were also raised by the popular hysteria surrounding Dickens
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