25 research outputs found
ATLAS ITk Production Database Usage
No full text1 Kenneth Wraight, on behalf of the ATLAS ITK-General,∗2 (University of Glasgow),3 University Avenue, Glasgow, United Kingdom4 E-mail: [email protected] The ATLAS experiment [1] will undergo major upgrades for operation at the high luminosity LHC. The high pile-up interaction environment (up to 200 interactions per 40MHz bunch crossing) requires a new radiation-hard tracking detector with a fast readout. The ATLAS Upgrade Inner Tracker (ITk)[2] is an international effort to meet this challenge. Building the ITk will involve the large-scale manufacture of components following a complex production flow across institutes around the globe. To maintain the tight production schedule, continuous oversight of collaboration activities is essential. For this purpose, the ITk Production Database (PDB) was developed. A brief overview is given here
ATLAS ITk Production Database usage
No full textThe ATLAS experiment will undergo major upgrades for the high luminosity LHC. The high pile-up interaction environment (up to 200 interactions per 40MHz bunch crossing) requires a new radiation-hard, fast readout tracking detector. The Inner Tracker (ITk) upgrade design includes ~28,000 modules. It is vital to follow the complex global production flow. The ITk production database (PDB) allows monitoring of production quality and speed. After production the information will be kept for 10 years of data-taking. Database tools for interaction and reporting are developed for collaboration users with various skill-sets. Tools include a pythonic API wrapper, upload GUIs, commandline scripts, containerised applications, and CERN hosted resources. This presentation promotes information exchange and collaboration tools which supports detector construction in large-scale experiments. Through examples, the general themes of data management and multi-user global accessibility will be discussed
States, firms, and oil : British policy, 1939-54
No full textNew
evidence
from the records of the Anglo-Iranian Oil Company (now British
Petroleum) and Shell for the period,
1939-45 supplements accounts of British
oil relations
based on state archives. This historical account demonstrates the continuity between the
interwar industry cartel and the Allied
wartime collaboration orchestrated through industry
committees. The
companies made use of their quasi-official position to manage crisis of
prewar arrangements aggravated by the war which presaged the rapid expansion of
postwar Middle East production. The companies then shaped the Anglo-American Oil
Agreements of
1944
and 1945, establishing a
basis for
remaking their position
in the
Middle East, expanding the web of
interfirm
relations. The nationalisation of
Anglo-
Iranian in 1951 threatened the web and the companies were able to embargo nationalised
Iranian oil and thus bankrupt the state. This society of oil majors was constituted by
shared
understandings and interests cultivated by the companies.
Structures of private governance may be quite significant factors for
states allied to them.
The United Kingdom
was more closely tied into the system of private governance that
prevailed in international oil
in the middle
decades of the century than was the United
States and consequently was able to call on more resources to resist
United States
initiatives during this period. British influence persisted in the oil
issue-area, in
spite of
greater
United States resources overall, because of this close working relationship
between state and companies. Close examination of the relationship reveals the extent of
penetration by the companies into both the decision-malting and implementation of
foreign
relations. The `national' interest was thus articulated through an interplay of
Governmental
and corporate agendas, and this supports a general argument that `national' power
is not
exercised solely
by the state, but by the state in
cooperation with other powerful social
institutions. Non-state actors and their archives may enrich the study of foreign relations
al-Misbāh fī al-Nahw By Nāsir al-Dīn al-Mutarrizī al-Nahwī (d. 610/1213) A Critical Edition of the Text with the Life History of the Author
No full textNāsir al-Dīn al-Mutarrizī al-Nahwī (d.610/1213) was one of the most renowned figures in the field of Arabic Grammar. He has left an indelible mark on the world of Arabic language and literature. He is also known as the successor of al-Zamakhsharī.
He wrote a number of books but his al-Misbāh fī al-Nahw gained prominence at a level that no other book in this field could claim to achieve. For this reason, a great number of commentaries have been written in every age, of which the most famous are al-Daw and Khulāsat al-I‘rāb written by Tāj al-Dīn al-Isfrā’īnī and ‘Abd al- Karīm al-Tūsī (better known as Hājjī Bābā) respectively. Moreover, its translation into other languages also demonstrates its value as a useful book.
Although al-Misbāh has been edited on more than one occasion, the published editions do not fulfil the needs and requirements of modern academic research criteria. The basic aim of this thesis is to present this book with a current modern research style so that the students, teachers and ordinary readers of Arabic language and literature may benefit from this work.
This thesis is divided into two parts. The first part deals with the life history of the author and his other works. A brief note of the environment under which he grew up (generally referred to as the ‘Seljuk’ period) is also included in this part.
The second part consists of a text edition that deals with the derivation (Takhrīj) of syntactical issues together with the differing opinions of grammarians on syntactical/grammatical issues. This part also proffers the idiomatic English translation of al-Misbāh
The light of the eye : doctrine, piety and reform in the works of Thomas Sherlock, Hannah More and Jane Austen
No full textBibliography: leaves 376-401.This thesis investigates the ways in which three eighteenth-century writers, Bishop Thomas Sherlock, Hannah More and Jane Austen embody orthodox Anglican doctrine according to their individual perceptions of the enlightening properties of Protestant Christianity. After situating them in their respective gender, literary and ecclesiastical contexts, I examine some of their key doctrines and analyse excerpts from their works. My selection of passages from Sherlock's works is fairly comprehensive, but in the case of More and Austen, where there is already a formidable body of literary criticism, it is more selective. Thus, I focus on doctrine in More's tracts, Strictures on the System of Female Education, An Essay on St Paul and most especially Coelebs in Search of a Wife and in the case of Austen, on her prayers and select passages from Sense and Sensibility and Mansfield Park. I conclude that, although diverse in their particular kind of Anglicanism (High, Evangelical and Median) and in their choice of genre, transparency or obscurity (anonymity and pseudonymity) and the various narratological strategies some of them invoke to circumvent certain taboos, Sherlock, More and Austen champion the same central orthodox doctrines, defend them against current alternatives to orthodoxy such as Latitudinarianism, Deism and various forms of Freethinking, and promote similar moral and ecclesiastical reforms. However, indirectly (through female characters who resist male representation or control) the women writers subject their ostensibly authorially-endorsed male narrators/characters to scrutiny and sometimes (when the males objectify the women) subversion
The Son and the other stars: Christology and cosmology in the imagination of C.S. Lewis
No full textThis dissertation treats the theory and practice of C. S. Lewis's theological imagination,
focussing upon the imaginative use he made of his professional expertise in medieval and
renaissance literature. Its approach is principally expository rather than an evaluative.
Chapter One outlines the centrality of the imagination to a proper understanding of Lewis's
works.
Chapter Two examines Lewis's own theory of imagination and surveys how he practised it
as a literary critic. We compare and contrast Lewis's theory and practice of imagination
with that of his friend, the theologian, Austin Faffer.
Chapter Three looks in more detail at Lewis's imaginative practice, in particular his
fascination with the images supplied by the seven planets of the Ptolemaic cosmos, which
he termed 'spiritual symbols of permanent value'. We analyse what he meant by 'sprit'
and 'symbol'.
Chapter Four introduces the main argument of the dissertation namely that these seven
spiritual symbols structure the works for which Lewis is best known, the seven 'Chronicles
of Narnia'. We claim to have uncovered the governing imaginative blueprint of the septet.
We address Lewis's capacity for and interest in secrecy and consider why this planetary
theme has remained hitherto undetected.
In Chapters Five to Eleven we take the seven planets in turn and trace the use Lewis made
of them through out his writings. We analyse the planetary symbolism undergirding each
Chronicle and conclude each chapter with an exegesis of the Christological message of each
book so understood.
Chapter Twelve examines factors which motivated Lewis to focus his imaginative energies
upon Ptolemaic cosmology and suggests one particular occasioning factor behind the
composition of the Chronicles. In addition, we consider theological and pedagogical reasons
why he kept silent about the planetary theme. We conclude by indicating certain
consequences that our argument has for future readings of these seven works
The eclipse of 'elegant economy': post-war changes in attitudes to personal finance in Britain
No full textPhDIn Britain, almost all survivors of the Second Word War found themselves in a
stronger and more secure financial position than at its outbreak. Simultaneously they
were confronted by a host of intrusive controls, rationing, shortages and ubiquitous
reminders of conflict. Pride in victory was immense, yet there were few perceivable
signs of reward for sacrifice. The resultant widespread disorientation belied pecuniary
fortune and gave rise to many formidable dilemmas demanding financial decisions.
The solution of a majority was thrift and avoidance of money spending, which cleared
the conscience and provided peace of mind. A substantial minority, often equally
disorientated, followed their natural inclinations to spend freely and benefit from or
enjoy their new-found resources. The latter discovered themselves not only severely
restricted by bare-shelved shops and emergency legislation but by social censure of
conspicuous consumption. The remaining options open to them most commonly
involved expenditure on the intangible and the inconspicuous.
Between 1945 and 1957, as austerity waned and greater opportunities returned for
beneficial employment of private funds, attitudes appeared to evolve from despair into
confidence. But austerity culture, embedded in the national mindset,took much longer
to dispel than is popularly supposed and arguably has never been fully eradicated. The
impact on British life of this gradual change is here highlighted by comparing and
contrasting the relevant history of prior and subsequent periods.
This thesis focuses on theoretical, political and practical influences on all forms of
employment of private means without differentiating between the material and
ethereal, including saving and investment as forms of consumption. Reinterpreting
Britain's transformation from austerity to affluence from the perspective of personal
finance demonstratest hat it is an essential but hitherto ignored factor which adds
significantly to the understanding of social history
Erratum: The Cancer Genome Atlas Comprehensive Molecular Characterization of Renal Cell Carcinoma (Cell Reports (2018) 23(1) (313–326.e5) (S2211124718304364) (10.1016/j.celrep.2018.03.075))
No full text(Cell Reports 23, 313–326; April 3, 2018) In the originally published version of this article, the author list contained two errors. Specifically, David J. Kwiatkowski was misspelled as David J. Kwaitkowski, and William Y. Kim was inadvertently written as William T. Kim. Both names have been corrected online. The authors regret this error
‘Opting out’? nation, region and locality
No full textThis thesis considers the extent to which the BBC, arguably the nation’s most important cultural institution, attempted to meet its commitment to regional and local broadcasting in one English region, Yorkshire, between 1945 and 1990. The study focuses specifically on the extent to which a distinctive regional culture can be identified within the BBC in Yorkshire and how this changed over time while also considering how BBC programme makers both engaged with and represented the audience and the extent to which they attempted to foster place-related identity.
The years 1945 to 1990 included the relaunching of English regional broadcasting at the end of World War Two, the arrival of television in the North and a redefinition of the BBC’s non-metropolitan broadcasting at the end of the 1960s with the creation of a new BBC television region based at Leeds and the launch of BBC local radio. Prior to, and then alongside, the establishment of these new services, Leeds-based producers working for the BBC North Region were bringing new voices in drama and entertainment to the attention of the nation. But by 1990 this period of relative regional autonomy and expansion had come to an end and producers of regional programmes had been told they were to focus on news and current affairs. An oral history approach has been employed alongside an analysis of programme material that concentrates on day-to-day local and regional broadcasting - programmes made in the region for the regional audience - going beyond the ‘texts’ to ask why these programmes were made and how they were made. Different aspects of programming are considered (regional television news and features, the early years of local radio) together with BBC cultures and practices
