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Antike Quellen zur Geschichte der Germanen. T. 2, Von den Anfägen bis zur Niederlage der Timbern und Teutonen
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
De Isocratis quae feruntur epistulis quaestiones selectae
No full textVita.Inaug.-Diss.--Leipzig.Mode of access: Internet
De Isocratis quae feruntur epistulis quaestiones selectae [microform] /
No full textFilmed with: Némethy, G. / De libris Amorum Ovidianis -- Sakellarios, A. / Untersuchung des Textes der Athenaion politeia des Aristoteles -- Thomas, G. S. / De particulae os usu Herodoteo -- Thomas, P. / Poete Stace -- Vogl, F. / Beiträge zur Verständigung über Zahlensymmetrie und Responsion im sophokleischen Drama -- Muzik, H. / Lesearten zweier Wiener Handschriften zu Cicero's De inventione -- Waiss, M. / Westliche Europa und der Norden bei Sophokles und bei Euripides -- Wecklein, N. / Curae criticae -- Thiersch, H. / "Tyrrenische Amphoren -- Seibel, M. / Zu Aristoteles' Peri poietikes -- Cristofolini, C. / Appunti critici al testo delle "Trachinie" -- Volpis, L. / Sallustio, storico partigiano -- Volkmann, W. / Untersuchungen zu Schriftstellern des klassischen Altertums -- Voigt, R. / De quarto Propertii libro -- Witte, J. F. / Commentatio de Liv. XXIII, 48 fin. -- Wessely, C. / Wie haben die alten Römer geschrieben -- Wesener, P. / Zu Euripides -- Zachl, T. / De tmesi quae vulgo dicitur in Iliade et Odyssea Homeri -- Wurm, P. S. / Kapharnaum -- Spyropoulos, G. / Kata ti mimeitai agathias Herodoton kai Prokopion -- Mueller, W. / De Caesaris quod fertur Belli Africi recensione -- Müller, L. / Horaz Jubiläum -- Müller, L. / Orthographiae et prosodiae Latinae summarium -- Moltzer, M. N. J. / De Apollonii Rhodii et Valerii Flacci Argonauticis -- Sandgathe, F. / Wahrheit der Kriterien Epikurs -- Perthes, H. F. / Lateinisch-deutsch vergleichende Wortkunde im Anschluss an Caesar's Bellum Gallicum -- Noren, E. E. / De contractione verborum in [eo] exeuntium apud Herodotum -- Möller, J. / Benutzung antiker Münzen als Anschauungsmaterial im Unterricht -- Newark Museum Association / Habitations of man -- Newhall, B. / Dramatic and mimetic features of the Gorgias of Plato -- Marx, A. / Hülfsbüchlein für die Aussprache der lateinischen Vokale in positionslangen Silben -- Neumann, H. / De Plinii dubii sermonis libris Charisii et Prisciani fontibus -- Apollonius, of Perga / Fünfte Buch der Conica des Apollonius von Perga -- Oeri, A. / De Herodoti fonte Delphico.Vita.Inaug.-Diss.--Leipzig.Includes bibliographical references.Microfilm.Mode of access: Internet
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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