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What’s Past is Prologue: A Revolutionary Approach to Adaptations Studies
In this dissertation, I argue that adaptations studies can intersect with more traditional forms of literary theory, and that transformative adaptations are themselves a form of literary criticism. Using a revolutionary approach that interweaves different literary theories – African-American, psychoanalytic, queer, postcolonial, and postmodern – I make an intervention in contemporary scholarship (headed by Linda Hutcheon, Thomas Leitch, Julie Sanders, Cristina Bacchilega, Jack Zipes, and others) about adaptations studies to demonstrate its unlimited intertextual potentialities. Adaptations disrupt canonical hierarchies and create new forms of subjectivity that make possible different forms of empowerment and mastery than is present in their source texts. The transformative process takes place when an author changes a text by adapting it; however, it also occurs between texts, and from author to reader. Transformative indicates the ongoing process of these adaptations. Through revisionism, they affect the fundamental nature of their source text(s) and open authoritative narratives to questioning. The texts addressed in this dissertation are Alice Randall’s The Wind Done Gone; Jorge Luis Borges’ “The House of Asterion”; John Gardner’s Grendel; Malinda Lo’s Ash; Aime Cesaire’s A Tempest; Jean Rhys’s Wide Sargasso Sea; Jamaica Kincaid’s Annie John; and an assortment of parallel novels. These texts enact the transformative process through the rhetorical tools of collaborative originality, intertextual queering, and perspective plurality. They demonstrate the significance of intertextuality and the capabilities of literature as a form of empowerment. Reading the shifting meanings of these texts as adaptations shows the ideological transformations each undergoes and how they encourage an interactive readership. Adaptations that rewrite their source texts in a transformative way create a discursive web that allows for revolutionary approaches to literature and literary analysis
“Beneath it all Something as yet Unnamed was Coming into Focus”: A Queer Reading of Malinda Lo’s Ash
Malinda Lo’s 2009 young adult novel Ash extends the legacy of the “Cinderella” story by transforming the tale through a queer lens. The adaptation’s heroine, Ash, must choose between joining the realm of the fairies or remaining amongst the living, as signified by her interest in Sidhean, a male fairy, and Kaisa, a female huntress. I argue that the novel further intertextually and metatextually queers the “Cinderella” story by including nonheteronormative relationships; depicting the queer time of fairy tales, dreams, and the carnivalesque; and demonstrating how certain gender and sexual identities are privileged
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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