3,658 research outputs found

    Public funding of art in the context of state’s neutrality principle – the legal-philosophical approach

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    The aim of the article is to analyze the issue of public funding of art in the context of state’s neutrality principle. In the first part of the paper I present theoretical dimension of the problem of neutral and perfectionist justification for public authorities’ actions. The second part of the article comprises the outline and the critique of a few arguments which justify funding of art from public treasury. I concentrate particularly on Ronald Dworkin’s conception. In summary I present three possible model solutions of the problem of public funding of art.5118719910Filozofia Publiczna i Edukacja Demokratyczn

    Non-textual Elements in Judicial Opinions: Overview

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    The objective of the article is to present the practice of using non-textual elements in judicial opinions, as well as to explain the need for a new term and the way in which it was created. In order to do so, several questions have been addressed. First, the elements actually used in judicial opinions are specified. Next, the reasons why terms such as image or visual material cannot adequately describe the phenomenon in question are presented and reasons are offered for the creation of a new term. What the elements have in common is then outlined and the concept of non-textual elements in judicial opinions is introduced. An examination of whether distinguishing this category means that these elements can be treated as a homogeneous group is then presented. Finally, whether the presence of such elements in judicial opinions is new in legal reality is considered and, if so, what their significance is to the functioning of judicial opinions.Celem artykułu jest przedstawienie praktyki wykorzystywania nietekstualnych elementów w uzasadnieniach sądowych, a także wyjaśnienie potrzeby powstania tego nowego terminu oraz sposobu, w jaki został wyłoniony. Realizuję cel poprzez udzielenie odpowiedzi na kilka pytań. Po pierwsze omawiam, jakie niekonwencjonalne elementy pojawiają się w uzasadnieniach sądowych. Następnie argumentuję dlaczego pojęcia obrazu i wizualności nie są adekwatne dla opisu tego zjawiska i wskazuję na potrzebę sformułowania nowego pojęcia. W następnej kolejności odpowiadam na pytanie, co łączy te nietypowe elementy i na tej podstawie proponuję pojęcie nietekstualnych elementów w uzasadnieniach sądowych. Analizuję także, czy wyróżnienie takiej kategorii oznacza, że może być ona traktowana jako homogeniczna. Na koniec rozważam, czy obecność nietekstualnych elementów w uzasadnieniach sądowych jest czymś nowym w rzeczywistości prawnej, a jeśli tak, to jakie jest jej znaczenie dla procesu stosowania prawa

    Collective Improvisation: The Practice and Vision of Ingemar Lindh

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    Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet för Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle

    From electrophilic to stereospecific SN2 alpha-functionalization reactions of acyclic carboxylic acid derivatives

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    Author Magdalena Piringer, BScMasterarbeit Universität Linz 202

    Conversion and Artistic Creation of Magdalena V.

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    This Bachelor thesis Conversion and Artistic Creation of Magdalena V. deals with the change of artistic expression of the Czech graphic artist Magdalena V., in a close connection to her religious conversion to the Catholic faith. The first part summarizes the theoretical knowledge of the psychology of religion. It introduces basic definitions and concepts of religion in relation to a religious conversion. In the second part, the author deals with the psychological analysis of Magdalena V.'s typical work through her life, which is supported by numerous photographs. Using the approach of rožnovská school, the author attempts to interpret this artwork on a hypothetical level, focusing on the M.V.'s life and artistic paralel before and after her conversion. The author draws on Magdalena V.'s testimonies about her life which bring light on the intention and context in her art. Related to the author's identification with Magdalena V.'s work, which later became apparent, this paper evolved further into identifying these moments and thus the potential risks inherent in author's own therapeutic work

    The Development of Sculpture in the Quito School

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    Magdalena Gallegos de Donoso, Ecuadorian anthropologist and art historian, author of over fifty exhibition catalogues, Director of the Central Bank of Ecuador Museums

    First person – Magdalena Woloszynska

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    ABSTRACT First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Magdalena Woloszynska is the first author on ‘The Elongator complex regulates hypocotyl growth in darkness and during photomorphogenesis’, published in Journal of Cell Science. While completing this work, Magdalena was a postdoctoral fellow in the Chromatin and Growth Control group at the VIB-UGent Center for Plant Systems Biology at Ghent University, Belgium. Her research interests include plant molecular biology, epigenetics, transcriptomics, plant physiology and plant mitochondria.</jats:p

    AC-Verlustcharakterisierung und thermische Modellierung moderner Wicklungstopologien in elektrischen Maschinen

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    Author Magdalena SchaberAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr

    Photochemische Kontrolle der Bildung von Perowskit Partikeln in Polymer-Matrizen

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    Author Magdalena BreitwieserAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Universität Linz 2023Arbeit gesperr
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