100,673 research outputs found
Alcohol and cognitive impairment: considerations with the older client
ALCOHOL. AND. COGNITIVE. IMPAIRMENT. Considerations. with. the. older.
client. Adrienne. Withall. and. Samaneh. Shafiee. The global population is ageing
. By the year 2030, the total number of older people worldwide is expected to
exceed 1 billion, accounting forone in every eight ... medication interactions and
the high risk of Alcoholand cognitive impairment: considerations with the older
client ..
Maktabat Al Muthanna Baghdad Feb-May 1962
On the same date, Ali Al-Mansouri issued an official financial statement confirming that the Al-Khanji Foundation owed a total of 11.375.أصدر علي المنصوري بيانًا ماليًا رسميًا بتاريخ 25 نيسان 1962 يُفيد بأن مؤسسة الخانجي مدينة بمبلغ إجمالي قدره 11,375
Qilādat al-jawāhir fī dhikr al-Ghawth al-Rifāʻī wa-atbāʻih al-akābir
A book on Sufism on the Rifa'i way, in which the author collects virtues, conditions, dignity, sayings, behavior, method, and the realizations of the truth of Sheikh Ahmed Muhyi al-Din Abu al-Abbas al-Kabeer al-Rifa'i. Furthermore, the user talked about the widespread support he receives from his followers and the key aspects of his method
Ash-Shuo'a" the UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi School
This research treating a study and investigation of the book titled "Ash-Shuo'a" THE UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi school. It contains an Introduction and two chapters, the introduction displays the reasons for choosing the research title, it's important, the previous studies, its objectives, its methodology and the abstract. The first chapter: the theoretical contains two themes. The first identify the author, the second identify the investigated book. The second chapter: the investigation which includes the methodology followed in the investigation of manuscript, the photos and the investigation of the book. Finally, I have showed the most important results and recommendations. Also, I mentioned the index of resources and references used in study and investigation
Musical Instruments in Al-Jahiz
في كتابات الجاحظ، تناول أديب العرب الجاحظ قضايا الموسيقى والطرب والغناء. كان الجاحظ معروفًا بعلمه وأدبه، وكتب العديد من الأعمال التي تسلط الضوء على جوانب الحياة المترفة في المجتمع. كتب كتابًا بعنوان "أخلاق المغنين" وآخر بعنوان "المغنين والغناء والصنعة". في هذه الكتب، دافع الجاحظ عن الغناء كفن فني، ورأى أنه يمتلك قواعد وأسسًا علمية تشابه مع غيره من الفنون والآداب. كان يروج للغناء باعتباره متعة فنية. وعلى الرغم من انتمائه للمعتزلة، إلا أن الجاحظ كان مشجعًا للغناء ومغنين، وكتب عن أخلاقهم وفنونهم. وفي رسالته "القيان"، تناول الجاحظ تأثير بيوت القيان والقيان نفسهن في المجتمع الإسلامي، حيث أشار إلى الفسق والعشق والفجور الذي قد ينتج عن هذا التأثير. بشكل عام، تركت كتابات الجاحظ أثرًا مهمًا في فهمنا لثقافة الموسيقى والطرب والغناء في العصور القديمة.In his writings, the Arab author Al-Jahiz addressed issues related to music, Tarab (a genre of music), and singing. Al-Jahiz was known for his knowledge and literature, and he wrote numerous works that shed light on the luxurious aspects of society. He authored a book titled "Ethics of Singers" and another titled "Singers, Singing, and the Craft." In these books, Al-Jahiz defended singing as an artistic form and believed that it possessed scientific principles and foundations similar to other arts and literature. He promoted singing as a pleasurable art form. Despite his affiliation with the Mu\u27tazila school of thought, Al-Jahiz was a supporter of singing and singers, and he wrote about their ethics and arts. In his treatise "Al-Qiyan," Al-Jahiz discussed the influence of courtesans and their households on Islamic society, pointing to the immorality, passion, and vice that may result from this influence. Overall, Al-Jahiz\u27s writings have had a significant impact on our understanding of music, Tarab, and singing in ancient times
Theoretical Insights of History, Morality, and Society as the Literary Trio of the Author-Reader Relationship.
This paper attempts to examine the relationship between the author and the reader by polarizing history, morality, and society as a selected triad of theoretical interpretation. The study mainly focuses on the theoretical insights of these relationships in order to give proper clues for delving deep into the technical and thematic peculiarities of different literary genres. Therefore, it follows a qualitative approach to some fictional works, particularly novels, to demonstrate how the authorial perspective intersects with the reader’s ability to grasp the latent textual messages projected by authors in the course of the plots. The relationship between the author and the reader will be limited to three related topics, namely, history, morality, and society. As for history, the study sheds light on the postcolonial attributes of literature to reveal the function of liberal humanism in bridging the gap between the colonized people and the colonizers. Morality, on the other hand, will be discussed to explore the relative view of morality by authors and how the reader might conceptualize it according to his/her cultural background. Lastly, the discussion of society will be limited to the social customs and norms approached by authors to deliver a comprehensive depiction of the social reality in which the reader lives his/her true life
Examining the Authorship of Nahj al-Balāgha: Between Ali Ibn Abi Talib, al-Sharif al-Radi, and al-Sharif al-Murtad
"نهج البلاغة" كتاب يُنسَب إلى عليّ بن أبي طالب رضي الله عنه يتضمّن عددًا من الخطب والمواعظ والعهود والرّسائل والحِكَم والوصايا والآداب، توزّعت على 238 خطبة، و 79 رسالة و 489 قولا، يرى الشّيعة في "النّهج" أنّه أحد الكتب المهمّة الّتي يجب على الشّيعي قراءتها والأخذ والتعلّم منها، وقد اختلف الدّارسون والنّقّاد القدامى والمعاصرون في مؤلّـِفه، فمنهم مَن اعتبره لعليّ بن أبي طالب ومنهم من اعتبره للشّريف الرَّضيّ، وفريق ثالث جعله للشّريف المرتضى. تتناول هذه الدراسة بالاستقصاء والتحقّق والتحليل نسبة الكتاب إلى صاحبه أو ما يُزيل الإبهام، هل هو عليّ بن أبي طالب؟ أم الشّريف الرَّضيّ؟ أم الشّريف المرتضى؟ ويحاول أن يرجّح لمن يُنسَب كتاب نهج البلاغة، وما مدى مصداقيـّته؟ وما مدى صحّة نسبة كتاب نهج البلاغة لعليّ، وما رأي الدّارسين والعلماء فيه؟ وما هي أهمّ المطاعن الموجّهة إلى نهج البلاغة؟The book Nahj al-Balagha is a collection of sermons, letters, adages, commandments, and etiquettes, divided into 238 sermons, 79 treatises, and 489 sayings. People following the Shiite sect regard it as a crucial text for teaching and learning, and they attribute it to Ali Ibn Abi Talib. Yet, the book’s real author is still disputed among Sharia scholars. While some attribute it to Ali Ibn Abi Talib, others claim that al-Sharif al-Radi is the book’s actual author, whereas another group attribute it to al-Sharif al-Murtada. This study employs a comprehensive approach to investigate and analyze the book’s authorship. It involves a detailed literary and historical analysis, examining primary sources, scholarly works, and critical literature to explore the real author of the text. It compares the content of the book with other authenticated works belonging to the potential authors in order to identify similarities and differences. By evaluating the style, language, and themes of Nahj al-Balagha, as well as reviewing historical documents and manuscripts, the study aims to trace the text’s origins and transmissions. In doing so, it addresses the significant critiques and controversies surrounding the text, enhancing our understanding of its historical and literary significance. The study further contributes to the ongoing discourse on the book’s authorship, providing more clarity on the topic and promoting additional scholarly research
Kitab fima yahtaju ilayhi al-sani min a'mal al-handasa
page, folios 34 & 35 showing text and geometric figure
al-Musnad al-sạhị̄ḥ
The ninth-century Persian scholar Muslim ibn al-Ḥajjāj assembled hadith and sunnah in his book Sahih Muslim. Along with Sahih al-Bukhari, it is one of the most revered texts in Sunni Islam after the Quran
The Implied Author in the literary works of Muhammad Naffa’
تخوض المقالة مغامرة البحث في معنى المصطلح "كاتب ضمنيّ (Implied Author)، مفهومه وتجلّيه في أدب الكاتب الفلسطينيّ المحليّ محمّد نفّاع (1939). فرغم ما حظي به أدبه من مقالات نقديّة، إلّا أنّ أحدًا لم يتناول هذا الجانب ويبحثه بحثًا جادًّا متعمّقًا. وهي مقالة مُلخّصة لثمرة جهد دام ثلاث سنوات، قمنا خلالها ببحث طوليّ شموليّ تناول كلّ مجموعات نفّاع القصصيّة وعددها ست، ورواية فاطمة الصادرة عن دار راية للنشر عام 2015، والتي نُشرت في حلقات متفرّقة على موقع الجبهة، بالإضافة إلى كلّ ما نُشر من قصص متفرّقة في هذا الموقع الأخير[1] حتى شهر حزيران 2014.
تأتي هذه الدراسة لتؤكّد فكرة التّعالق الجماليّ والفكريّ في أدب نفّاع. فالقاصّ لا يلتقط معلومات عابرة ويُحوّلها إلى نصّ أدبيّ، إنّما نراه يخضع لعوامل تاريخيّة، فكريّة، أيديولوجيّة، فيفارق خلالها سطوح الأشياء ليصل إلى أعماقها، وبهذا يكون مطالبًا بإعادة صياغة المفاهيم والمعلومات ونسجها من جديد. الكاتب الضمنيّ، وهو وليد الكاتب الحقيقيّ وممثّله، بوصفه الأنا الثانية له، هو المرآة التي ستعكس لنا هذا التّعالق الجماليّ مع الفكريّ على وجه التحديد والتخصيص. وحتى يتحقق ذلك يتوجب علينا اقتفاء أثر الكاتب في النّص من خلال متابعتنا لمجالات خمسة: الكاتب وعلاقته بالزّمان، الكاتب وعلاقته بالمكان، الكاتب وعلاقته بالشخصيّات، الكاتب وعلاقته بالحدث، الكاتب وعلاقته بالراوي. فماذا نعني بالكاتب الضمنيّ والكاتب الحقيقيّ (The real author) ما العلاقة بينهما؟ متى ينوب الراوي عن الكاتب الحقيقيّ؟ وكيف يتجلى ذلك في نصوص نفّاع؟ كم من المؤلّف الحقيقيّ في المؤلّف الضمنيّ؟ على هذه الأسئلة البحثيّة ستتم الإجابة من خلال توضيح العلاقة بين الكاتب والمجالات الخمسة الآنف ذكرها، وتفسير كيفيّة انعكاس هذه العلاقة على الوظيفة التي يؤدّيها الكاتب الضمنيّ/ المُضمر في النّص الأدبيّ عند نفّاع.
*This article aims to examine the meaning and the context of the term "Implied Author" and how it is revealed in the literature of the local Palestinian writer Mohammad Naffa' (1939). Despite the vast amount of critical writing on Nafaa's literature, however, none has dealt or looked in depth into this aspect. The present article is accumulative work of a 3- year project in which we carried out a longitudinal holistic research studying all Naffa's story collections, 6 in number, and his novel "Fatima", published by Al-Raya Publishing in 2015, which had been earlier published as a series in Hadash website (Al-Ittihad literature section), in addition to all the randomly published stories in this website up till June 2014.
This study considers the idea of aesthetic and thematic interconnectivity in Nafaa's works, i.e., for the narrator does not simply pick his information randomly; he bides himself to historical and ideological factors where he departs the surface to dive into the depth of things, thus becoming self-demanding. He is obliged to re-construct and re-frame and re-shape the concepts and the information all a new.
The Implied Author is the author's construct and his representative by being his second Ego. He is the mirror that will reflect to us this aesthetic interconnectivity with the thematic one, in particular. In order for that to happen, we, readers, need to follow the traces of the writer in the text examining the following five domains: the writer and his relationship to Time, the writer and Place, the writer and the Characters and finally the writer and the Narrator. What do we then mean by Implied Author and Real Author? What is the relation between the two? When does the narrator represent the real writer? How is this revealed in Naffa's literature? To what extent does the real author exist in the implied author? All these research questions are discussed and answered putting the relationship between the writer and the five previously mentioned domains. Furthermore, the reflection of this relationship on the role done by the Implied Author in Naffa's literary text will be elaborated
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