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    Between a rock and a hard place: Racist, xenophobic, and materialist 1920s America struggling for home and identity

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    Immigration, urbanization, crime, racketeering, and bootlegging are only a few of the many crises that befell America in 1920s. These predicaments, however, were not without consequences. According to the novellas as well as the non-literary texts under discussion, immigration brought with it alien and anti-puritan (derived from Puritanism or more precisely “Reformed Protestantism.” See Humanitas (88)) values that went hand in hand with promiscuity, bacchanalia, fox-trotting, and jazz. Thus, antagonism toward foreigners (new-timers) by native-born Americans (old-timers) is expressed in various forms, particularly racism and xenophobia. In addition, foreigners are held responsible for boosting materialism and immorality in ways that shake the texture of the social order and the foundations of the American family and hence the American identity. Therefore, materialism and mass production are also denounced for making the annihilation of these entities possible by the competitive ambiance they create, the ruthlessness they entail, and the brainwashing of the masses they practice. The writers’ prejudice is sometimes ambivalent. Covert or overt, it is conveyed by their protagonists and by their extra-literary utterances. Although they censure foreigners, the authors also criticize Americans who renounce their ideals and values for the sake of gold, being enslaved to capitalism, turning into nodding sycophants, mere puppets

    The collapse of the American upper-class collective identity: Capitalism and the nouveaux riches in Edith Wharton’s The House of Mirth

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    This paper examines the American upper-class collective identity in terms of clannishness and capitalism in Edith Wharton’s novel The House of Mirth (1905). It also demonstrates that the changes this class known as the vieux riches undergoes trigger its annihilation. Therefore, the survival of such class is probated by maintaining the tenets of capital and lineage; otherwise it will be consumed by the less prestigious and newly emerging class recognized as the nouveaux riches or nouveaux arrives. In the novel, both classes are illustrated as contrasting forces separated by imaginary boundaries that are by no means static but rather dynamic. The changes in question are yet traceable in the salient modification of particular pronouns. That is, the first-person plural (we) embodied by Lily Bart and her set, and the third- person (he, they) exemplified by Simon Rosedale and his ilk, lose their distinctness towards the end of the novel. All in all, the class boundaries become nebulous as soon as the foreign heterogeneous lineages assimilate into the blood-based American genteel class. The assimilation is made possible on account of the capitalist competitive system symbolized by Rosedale. This system is illustrated as one that conduces to the obliteration of the upper-class collective identity allegorized by Lily’s fall. To this end, the validity of Thorstein Veblen’s theory regarding class “predatory test,” premised on Darwinian and Spencerian principles of evolution, will be applied to Wharton’s novel to enhance the proposed arguments and because Wharton’s thematic tropes align with Veblen’s philosophy

    Sinclair Lewis Society Newsletter, Vol. 24, No. 1

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    “Death, Home, and House in 1920s Materialistic America,” by Wisam Chaleila, KU Leuven, Belgium “Sinclair Lewis Center Closes: Museum Artifacts Now Scattered throughout Town,” by Dave Simpkins, Sauk Centre Herald “George Babbitt and Almus Pickerbaugh as Representatives of Standardized Society,” by Narine Zakaryan and Ann Yeganyan, Yerevan State University, Armenia “Picturing the Story: A Review of Magazine Illustrators of Sinclair Lewis’s Short Fiction: A Case History of Early 20th Century Popular Art,” by Bob Ruggierohttps://ir.library.illinoisstate.edu/slsn/1011/thumbnail.jp

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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