1,721,094 research outputs found
Digital reconstruction: a critical examination of the history and adaptation of Ku Klux Klan websites
No full textIn response to the data revolution, academic research and media attention have increasingly focused on the technological adaptation and innovation displayed by the far right. The greatest attention is paid to social media and how groups and organizations are utilizing technological advancement and growth in virtual networks to increase recruitment and advance radicalization on a global scale. As with most social and political endeavors, certain technologies are in vogue and thus draw the attention of users and regulators and service providers. This creates a technological blind spot within which extremist groups frequently operate older and less well regarded technologies without the oversight that one might expect. This article examines the less well-studied traditional and official websites of the Ku Klux Klan, the most established and iconic of American far-right organizations. By incorporating non-participant observation of online spaces and thematic analysis, this research analyzes the evolution of 26 websites, from their emergence in the early 1990s to the present day. We examine the ways in which traditional printed communications and other ephemera have progressed with advances in technology, focusing on the following central elements of Klan political activism and community formation: Klan identity, organizational history, aims and objectives; technology and outreach, including online merchandise and event organization; and the constructions of whiteness and racism. The results add value and insight to comparable work by offering a unique historical insight into the ways in which the Klan have developed and made use of Web 1.0, Web 2.0, and Web3 technologies
American terror:from Oklahoma City to 9/11 and after
Full text linkThroughout American history, both terrorism and extremism have been constructed, evoked or ignored strategically by the state, media and public at different points, in order to disown and demonize political movements whenever their ideologies and objectives become problematic or inconvenient – because they overlap with, and thus compromise, the legitimacy of the dominant ideology and democratic credentials of the state, because they conflict with the dominant ideology or hegemonic order, because they offend the general (voting) public, or because they expose the fallacies of national unity and bi-polar opposition in the face of foreign enemies or international conflicts, such as the war on terror. This chapter looks at how domestic extreme right terrorism has been constructed, represented, evoked or ignored in the American political imagination in the post-civil rights era, with a particular focus on its changing status following the Oklahoma City bombing and 9/11
Uncommon Sense (The Sociological Review Podcast) Season 4, Episode 4: Free Speech, with Aaron Winter
No full textThe Sociological Review Podcast: Uncommon Sense Free Speech, with Aaron Winter Aaron Winter, Rosie Hancock and Alexis Hieu Truong 27th June 2025 About How is the notion of “free speech” abused and misunderstood? What’s wrong with “debate me” culture – and with the value placed on appearing to be “controversial”? And what happens when people who are actually pretty powerful claim they “can’t say anything anymore”? Sociologist Aaron Winter, an expert on racism and the far right, joins Uncommon Sense to discuss all this and more. Showing what sociology has to offer to discussions of “freedom” often found in politics, Aaron describes how “free speech” has been invoked through the decades in North America and Europe, including in the victimisation narratives found in far-right discourse today. Plus, we reflect on the importance of no-platforming, and the need for critical thought when we hear that certain ideas are simply the “voice of the people”. Featuring discussion of Aaron’s work with Aurelien Mondon on “Reactionary Democracy”. Also: celebration of influential American sociologist Eduardo Bonilla-Silva, author of “Racism without Racists”, and the UK band The Specials
Hawking the historical method in organised crime and terrorism studies
Full text linkThis introductory chapter evaluates the similarities and differences between terrorism and organized crime from an historical perspective. It then discusses the usefulness of historical research for understanding and responding to contemporary threats and phenomena. The chapter concludes by drawing out some of the key ‘lessons learned’, from individual chapters, which stood out to the editors
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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