1,720,987 research outputs found
Media and Internet Concentration in Canada, 1984 – 2018
No full textPart of a series from the CMCRP. Visit the CMCRP website for project details and background: http://www.cmcrp.orgEvery year the Canadian Media Concentration Research Project puts out two reports on the state of the telecoms, internet, and media industries in Canada. This is the second installment in this year’s series. Whereas the first report in this series examines the growth, development and upheaval that are transforming the media industries in Canada, this report takes a step further by asking a deceptively simple but profoundly important question: have these industries—individually and collectively—become more or less concentrated over time? The report does so by examining the state of competition and concentration in the mobile wireless and wireline telecoms market, broadband internet access, cable, satellite & IPTV services, broadcast television and radio, specialty and pay television services, online video subscription and download services, newspapers, magazines, internet advertising, search engines, social media as well as mobile and desktop operating systems and browsers. This year’s report also adds significantly to our efforts last year to examine the dynamics of advertising spending across all media in Canada, i.e. TV, radio, online, newspapers, magazines and out-of-doors. As we noted in our first report, we have also significantly expanded our coverage by taking some preliminary steps to capture a broader range of audiovisual media services that are delivered over the internet
Growth of the Network Media Economy in Canada, 1984-2017
No full textPart of a series from the CMCRP - visit the CMCRP website for additional background. The workbook and reports were revised in early January 2019 to replace estimated revenue values for the mobile wireless, internet access and internet advertising markets with published final revenue figures from the Canadian Radio-television and Telecommunications Commission (CRTC) on December 21, 2018 and by the Internet Advertising Bureau of Canada on December 10, 2018.The report examines the development of the media economy over the past thirty-three years. We do so by examining a dozen or so of the biggest telecoms, internet and media industries in Canada, based on revenue. These include: mobile wireless and wireline telecoms; internet access; cable, satellite & IPTV; broad- cast, specialty, pay and over-the-top TV; radio; newspapers; magazines; music; and internet advertising. We call the total
of these sectors “the network media economy”. Our method is simple: we begin by collecting, organizing, and making available stand-alone data for each media industry individually. We then group related, comparable industry sectors into three higher level categories: the “network media” (e.g. mobile wireless, internet access, broadcast distribution), the “content media” (e.g. television, newspapers, magazines, etc.) and “internet media” (e.g. internet advertising, search, internet news sources). Ultimately, we combine them all together to get a bird’s-eye view of the network media economy. We call this the scaffolding approach
Media as creative industries : conglomeration and globalization as accumulation strategies in an age of digital media
No full textThis chapter will begin by considering some of the distinctive features of media as creative industries, including their assessment of risk and return on investment, team-based production, the management of creativity, the value chain of production, distribution and circulation, and the significance of intellectual property in their revenue strategies. It will then critically appraise three strategies to capture new markets and revenue streams in the context of the rise of the Internet, digital media and globally networked distribution. The three strategies to be considered are conglomeration, networking and globalization, and the focus will be on the media giants such as News Corporation, Disney and Time-Warner. It will be argued that all three present considerable challenges in their application, and digital media technologies are weakening rather than strengthening their capacity to control the global media environment. The chapter will conclude with consideration of some implications of this analysis for questions of media power
The Political Economies of Media
Get PDFThis book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Some advocates and more than a few critics have misconstrued the political economy of media as a unified field of inquiry. The authors from this volume, by contrast, draw from a more diverse stream of the schools of thought signified by this tradition: Neoclassical Economics, Radical Media Political Economy, Schumpeterian Institutional Political Economy, and the Cultural Industries School. The book as a whole is as alert to developments in our main objects of analysis - media institutions, technologies, markets, uses and society - as it is to changes in the world around us, including current trends in communication and media studies. The contributors show that digital media are disrupting entire media industries, but without erasing the past. Throughout, the impact of the unprecedented wave of media consolidation in the late-1990s and the financial crisis of the past few years loom large. The authors also suggest that there is no 'supra logic' of 'total system integration' that spans the network media, while insisting that one media sector is not the same as the next. Social networking activities often beg, pilfer and borrow 'content' from 'traditional media', but it remains the case that Time Warner, Comcast, the BBC and News Corp. are very different creatures than Apple, Baidu, Facebook or Google. In other words, even in the age of convergence and remix culture, different media continue to display their own distinctive political economies, as the volume's title - The Political Economies of Media - signals
Should ISPs Enforce Copyright? Dwayne Winseck Interviews Robin Mansell
No full textDwayne Winseck, professor at the School of Journalism and Communication at Carleton University in Ottawa, Canada, explains the informal arrangement in Canada related to ISP enfocement of copyrights and interviews LSE’s Robin Mansell about the very different UK situation
Growth and Upheaval in the Network Media Economy, 1984-2018
No full textPart of a series from the CMCRP. Visit the CMCRP website for project details and background: http://www.cmcrp.orgThis report examines the development of the media economy over the past thirtyfour years. Since beginning this project nearly a decade ago, we have focused on as comprehensive as possible selection of the biggest telecoms, internet and media industries (based on revenue), including: mobile wireless and wireline telecoms; internet access; cable, satellite & IPTV; broadcast television, specialty and pay television services and over-the-internet video subscription and download services; radio; newspapers; magazines; music; internet advertising; social media; operating systems; browsers, etc.
This year, we have made some fairly dramatic changes in terms of what we cover, and the breadth of our analysis. For the first time, this report takes some preliminary steps to capture a broader range of audiovisual media services that are delivered over
the internet beyond online video subscription and download services and internet advertising, including: online gaming, app store and music downloads
Growth and Upheaval in the Network Media Economy in Canada, 1984-2021
No full textThe Canadian contribution and data set prepared as part of the Global Media and Internet Concentration (GMIC) project offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries
Global Media and Internet Concentration Project – Canada – Dataset 2022
No full textThe Canadian contribution and data set prepared as part of the Global Media and Internet Concentration (GMIC) project offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries.
Note (22/01/2024):
Small editorial changes were made throughout the report to clean up and improve the text. Small revisions to the estimates of the internet advertising revenue for some Canadian firms were also made to reflect newly available data. Those revisions were small and have no consequences for the analysis. Figures 1, 23, 25, 37, 40 and 41 were revised to reflect these changes
Canadian Media Concentration Research Project Dataset 2019
No full textThe Canadian Media Concentration Research (CMCR) project dataset offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries
Global Media and Internet Concentration Project – Canada – Dataset 2021
No full textThe Canadian contribution and data set prepared as part of the Global Media and Internet Concentration (GMIC) project offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries. Note: The Master GMICP Workbook was revised to remove instances where App Store and advertising revenue for Advertising-based Video-on-Demand (AVOD) services delivered over the Internet had been double counted in the original data set released through Dataverse. The text of the report was also revised to reflect these corrections
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