2,653 research outputs found
The Bibliographic Concept of Work in Cataloguing and its Issues
No full textThis report explores the IFLA’s document Functional Requirements for Bibliographic Records (FRBR). It discusses the notion of work in cataloguing as it was built since the 1950s, inasmuch this notion constitutes the conceptual framework for the proposal. Also, the entity-relationship database modeling (ERDM) system is described as far as such model provides to FRBR the operative elements that make it functional. ERDM gives to FRBR a user-centered approach as well. In its third chapter, the report tests the FRBR model through its application to a set of items belonging to the novel Rayuela, by Julio Cortázar, held at the Benson Latin American Collection of the University of Texas at Austin. Finally, some critical issues are raised along with general conclusions regarding the functionality of the mode
Norma Coverdale, B.A.: the treatment of women in selected works of Henry de Montherlant
No full textThe aim of this thesis is to determine how women are treated in selectedworks of Henry de Montherlant. This is explored by examining their relationshipswith other women as well as with men. Inevitably, this leads to an analysis ofthe multifaceted area of love. Part I researches Montherlant's prose work and included in this section is the investigation of the importance of 'l'ordre male' to the author and the influence this exerts over his early prose work in the areas of tauromachy, war and sport, and where the male adherence to this concept leaves women. The 'syncretisme et alternance' which is central to Montherlant's thinking is explored in this section.Part 2 is concerned with Montherlant's theatre in which the psychological development of the main characters is of great importance. It is in this section that a comparative study is made of the influence of Mme. Elisabeth Zehrfuss' written contribution to La Reine morte. Her unpublished notes are set out in full in the Appendix. The thesis also draws on the unpublished correspondence between Henry de Montherlant and Elisabeth Zehrfuss between the years 1934 and 1945. An investigation is made as to whether or not there are any differences between the way women are treated in Montherlant's prose and in his theatre and the conclusion is drawn that there are
Representative Bureaucracy and the Willingness to Coproduce: An Experimental Study
No full textRelying on the theory of representative bureaucracy—specifically, the notion of symbolic representation—this article examines whether varying the number of female public officials overseeing a local recycling program influences citizens’ (especially women's) willingness to cooperate with the government by recycling, thus coproducing important policy outcomes. Using a survey experiment in which the first names of public officials are manipulated, the authors find a clear pattern of increasing willingness on the part of women to coproduce when female names are more represented in the agency responsible for recycling, particularly with respect to the more difficult task of composting food waste. Overall, men in the experiment were less willing to coproduce across all measures and less responsive to the gender balance of names. These findings have important implications for the theory of representative bureaucracy and for efforts to promote the coproduction of public services.This is the peer reviewed version of the following article: Riccucci, Norma M., Van Ryzin, Gregg G. & Li, Huafang. (2015). Representative Bureaucracy and the Willingness to Coproduce: An Experimental Study. Public Administration Review, which has been published in final form at http://dx.doi.org/10.1111/puar.12401. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving.Peer reviewe
Concessionirtes Theater in Düsseldorf / Norma : heute Freitag den 4. Dezember 1840 ; große Oper in 3 Akten
No full textvon Felix Romani. Musik von Vincenz Bellini. Personen: Herr Nork, Herr Hinze, Norma - Dem. Froitzheim als erste Gastrolle, Dem. Clement, Mad. Braun, Herr Braun, Dem. Thissen, Dem. Dreßler, Mad. Amberg, Dem. Reußler, Dem. Breuer, Mad. Vasen, Mad. Euling, Mad. Thomala, Mad. Weiß, Mad. Derossi jun., Herr Wimmer, Herr Amberg, Herr Weiß, Herr Otto, Herr Rossi, Herr J. Derossi, Herr C. Derossi ...In Fraktu
Concessionirtes Theater in Düsseldorf / Norma : heute Sonntag den 28. März 1841 ; große Oper in 3 Akten
No full textvon Felix Romani. Musik von Vincenz Bellini. Personen: Herr Nork, Herr Hinze, Mad. Eschborn die Norma als Gast, Dem. Clement, Dem. Thissen, Herr Braun, Dem. Cizewsky, Mad. Amberg, Dem. Reußler, Dem. Breuer, Mad. Euling, Mad. Thomala, Mad. Weiß, Mad. Derossi jr., Herr Wimmer, Herr Amberg, Herr Weiß, Herr Otto, Herr Rossi, Herr C. Derossi, Herr Fischer, Herr ThissenIn Fraktu
Concessionirtes Theater in Düsseldorf / Norma : heute Freitag den 19. März 1841 ; große Oper in 3 Akten
No full textvon Felix Romani. Musik von Vincenz Bellini. Personen: Herr Nork, Herr Hinze, Norma - Mad. Eschborn als Gast, Dem. B. Clement, Dem. Thissen, Herr Braun, Dem. Cizewsky, Mad. Amberg, Dem. Reußler, Dem. Breuer, Mad. Euling, Mad. Thomala, Mad. Weiß, Mad. Derossi jr., Herr Wimmer, Herr Amberg, Herr Weiß, Herr Otto, Herr Rossi, Herr C. Derossi, Herr H. Fischer, Herr ThissenAuf beigefügtem Zettel: Wegen plötzlicher Heiserkeit des Herrn Nork wird statt der angekündigten Oper "Norma" die Oper "Der Freischütz" aufgeführt. Madame Eschborn hat die Gefälligkeit, die Parthie der Agathe zu übernehmen. Düsseldorf, den 19. März 1841. Die TheaterdirektionIn Fraktu
La Sainte et le monstre: une lecture de Gilles et Jeanne de Michel Tournier
No full textIn Michel Tournier’s "Gilles et Jeanne" (1983) the author revisits the history of Joan of Arc through its dark side, the character Gilles de Rais. This paper approaches mathers related to the representation of this character taking into account the process of literary creation.
Keywords: Gilles de Rais. Joan of Arc. Michel Tournier.Dans Gilles et Jeanne, Michel Tournier reprend l’histoire de Jeanne d’Arc et nous la présente au moyen de la représentation de son envers, le personnage Gilles de Rais. Réfl échir sur le procédé de création de ce personnage aussi bien que faire des considérations sur les effets littéraires qui en résultent constitue l’objectif de cet article.
Mots-Clés: Gilles de Rais. Jeanne d’Arc. Michel Tournier
A Guerra do Paraguai conforme Roa Bastos
No full textThis paper analyzes texts on the Paraguayan War (1864) written by Roa Bastos, Alexandro Maciel, Omar Prego Gadeia, Eric Nepomuceno, published in the book O livro da Guerra Grande (2002), translated from the Spanish Los Conjurados del Quilombo del Gran Chaco (2001).Este trabalho discute textos sobre a guerra do Paraguai da autoria de Roa Bastos, Alexandro Maciel, Omar Prego Gadeia, Eric Nepomuceno, todos inseridos no volume intitulado O livro da Guerra Grande (2002) traduzido do espanhol Los Conjurados del Quilombo del Gran Chaco (2001).Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Letras Modernas, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, Sao Jose do Rio Preto, Rua Cristovão Colombo, 2265, Jardim Nazareth, CEP 15054-000, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Letras Modernas, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, Sao Jose do Rio Preto, Rua Cristovão Colombo, 2265, Jardim Nazareth, CEP 15054-000, SP, Brasi
Autofictional expressions in D'après une histoire vraie, by Delphine de Vigan, and Divócio, de Ricardo Lísias
No full textEste trabalho tem como objetivo o estudo dos narradores das obras D’après une histoire vraie (2015), da autora francesa Delphine de Vigan, e Divórcio (2013), do escritor brasileiro Ricardo Lísias, a partir da concepção estética de autoficção de Diana Klinger (2012). Para ela, o que interessa nos textos autoficcionais não é a relação de identificação entre a obra e os acontecimentos da vida do autor empírico, mas sim a criação do que ela chama o mito do escritor. A conjugação entre os processos de simulação da escrita e a inserção, nas obras, de operadores de identificação, que estabelecem o vínculo das informações biográficas do narrador às do autor, resulta na visão da autoficção como uma performance do autor do texto, caracterizada como a representação teatral do autor por meio de sua escrita. O emprego dessa técnica em Vigan leva ao questionamento da “verdade” e de sua possibilidade nos textos em primeira pessoa e demais produtos culturais. Em Lísias, a suspensão entre as concepções de real e de ficcional, de autor e de narrador, conduz a críticas sociais a determinadas práticas jornalísticas e a estruturas de poder brasileiras.This work aims to study the narrators of the works D'après une histoire vraie (2015), by the French author Delphine de Vigan, and Divórcio (2013), by the Brazilian writer Ricardo Lísias, from the aesthetic conception of autofiction by Diana Klinger (2012). For her, what interests autofictional texts is not the relationship of identification between the work and the events of the empirical author's life, but rather the creation of what she calls the myth of the writer. The conjugation between the processes of simulation of writing and the insertion, in the works, of identification operators, who establish the link between the narrator's biographical information and the author's, results in the view of autofiction as a performance of the author of the text, characterized as the theatrical representation of the author through his writing. Vigan's use of this technique leads to the questioning of "truth" and its possibility in first-person texts and other cultural products. In Lísias, the suspension between the conceptions of real and fictional, of author and narrator, leads to social criticism of certain journalistic practices and Brazilian power structures.Cet ouvrage vise à étudier les narrateurs des œuvres D’après une histoire vraie (2015), de l’auteure française Delphine de Vigan, et Divórcio (2013), de l’écrivain brésilien Ricardo Lísias, à partir de la conception esthétique de l’autofiction de Diana Klinger (2012). Pour elle, ce qui intéresse les textes autofictionnels ce n’est pas le rapport d’identification entre l’œuvre et les événements de la vie de l’auteur empirique, mais plutôt la création de ce qu’elle appelle le mythe de l’écrivain. La conjugaison entre les processus de simulation de l’écriture et l’insertion, dans les œuvres, d’opérateurs d’identification, qui établissent le lien entre les informations biographiques du narrateur et celles de l’auteur, aboutit à considérer l’autofiction comme une performance de l’auteur du texte, caractérisée comme la représentation théâtrale de l’auteur à travers son écriture. L’utilisation de cette technique par Vigan conduit à la remise en question de la « vérité » et de sa possibilité dans les textes à la première personne et d’autres produits culturels. Dans Lísias, la suspension entre les conceptions du réel et de la fiction, de l’auteur et du narrateur, conduit à une critique sociale de certaines pratiques journalistiques et des structures de pouvoir brésiliennes.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)CAPES: 88887610958/2021-00CAPES: 88887.817813/2023-0
Norma Denver
No full textNorma Denver was honored for being a Girl Scout hero. Norma is a dedicated teacher for 25 years for the Uintah School District. She has worked with the Ute Tribe and is the co-author of the Ute History Book, "An Historical Study of the Utes." She is an officer in the Roosevel BPW Club. She serves on a committee to help start an archives and museum for the Ute Indian Tribe
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