12,620 research outputs found
Raw Oscilloscope Data for the paper 'Oligonucleotide Selective Detection by Levitated Optomechanics'
This dataset supports the paper, Timothy Wilson, Owen Rackham and Hendrik Ulbricht (2025) 'Oligonucleotide Selective Detection by Levitated Optomechanics'.
Due to the size (4.4GB) , this dataset is available on request from https://library.soton.ac.uk/datarequest
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Wilson, Timothy
Timothy Wilson - Lecturer in Physical Education and Freshman Football Coach.https://digitalcommons.library.umaine.edu/univ_photos/3997/thumbnail.jp
Timothy Wilson
Dr. Wilson joined Embry-Riddle in 2000, following a stint at the University of Memphis. He received his degrees from MIT in Electrical Engineering and Computer Science, where his research focused on modeling the hydrodynamics and signal processing of the mammalian auditory system. At ERAU, his research has concerned the technologies and legalities of Unmanned Aircraft Systems. He, colleagues, and students have conducted a number of surveys of unmanned aircraft technologies in collaboration with researchers at the FAA’s William J. Hughes Technical Center in Atlantic City, New Jersey. Those surveys have led to a number of regulatory gap analyses that identify likely regulatory issues raised by the introduction of unmanned aircraft into the National Airspace System. More recently he has worked with colleagues from the Engineering Fundamentals department on issues regarding adoption of evidence-based instructional practices in engineering education.https://commons.erau.edu/asee-se-bios/1008/thumbnail.jp
Doc Wilson with Timothy Malone
Doc Wilson poses with Timothy Malone at a winery event. Malone oversees production of wine from grape to bottle at J. Christopher Wines in Newberg, Oregon. Wilson is a Portland, Oregon culinary icon who worked as a sommelier at Jake\u27s Famous Crawfish for 32 years.
(left to right): Timothy Malone, Doc Wilsonhttps://digitalcommons.linfield.edu/owha_wilson_photos/1002/thumbnail.jp
Episode 6: Learning in the Library with Lana Wilson
Have you ever wondered how our students use the library? Lana Wilson, Interim Director of the Library, joins Timothy this week to chat about the programs and services that the library offers to the community. Audio Note: Lana\u27s microphone wasn\u27t working and Timothy didn\u27t catch it during the recording so the audio is all from Timothy\u27s microphone. Sorry for the dip in audio quality this week
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
A socio-rhetorical exegesis of 1 Timothy 2:8-15
In this thesis two interralted tasks are undertaken. First, this thesis is an attempt to gain mastery of an interpretive methodology, namely, socio-rhetorical analysis. Second, by looking at a crucial text that has major implications for the contemporary church, I have applied this method of analysis to a particularly Scriptural text, namely, 1 Timothy 2:8-15. In this thesis I demonstrate using socio-rhetorical analysis that the discourse contained in 1 Timothy 2:8-15 constitutes baptised patriarchal cultural practices and traditions from the dominant Greco-Roman culture of the first century. I demonstrate, therefore, that the portrayal of women in the text reflects a cultural imperative, and not a theological imperative, that was co-opted from the ""secular"" Greco-Roman culture of the day and transposed, using Scriptural texts as authentication, into the Christian community at Ephesus. Thus the text is simply re-enforcing normative Greco-Roman cultural values upon Christian women and camouflaging it as a Christian norm in order to persuade women to conform to patriarchal cultural standards. Such persuasion, however, is hardly required unless one has already accepted cultural assumptions about the subordination and silencing (objectification) of women in an androcentric hegemonic culture
Timothy Wilson-Smith, Napoleon and his Artists. Londres, Constable, 1996. 306 p., 112 ill. n. et bl.
Jobert Barthélémy. Timothy Wilson-Smith, Napoleon and his Artists. Londres, Constable, 1996. 306 p., 112 ill. n. et bl.. In: Revue de l'Art, 1998, n°122. p. 116
Money piece by Timothy P. Agnew, chief executive officer of the Finance Author
Money piece by Timothy P. Agnew, chief executive officer of the Finance Authority of Maine, about the increased availability of credit for Maine\u27s small businesses
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