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    Cross-Examining Bigotry: Using Toulmin\u27s Argument Model and Huckin\u27s CDA to Interrogate Overt and Covert Racist Arguments

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    Thomas Rickert warns of the dangers of “pedagogies that seek the disruption and politicization of hierarchies of power and privilege, especially in terms of race, class, and gender” because they can “nevertheless produce new forms of power and privilege that in turn produce new resistances, further alienate already cynical students, and (re)produce the possibility of violence” (165). However, for those students who are not in the majority, interrogations of people’s attitudes about race, class, and gender can prove empowering and can, to borrow from Rickert’s own argument, generate jouissance. Moreover, critical thinking is fundamental to good writing, and the ability to decenter one’s perspective and therefore understand one\u27s opposition is central to sound argumentation. In this article, the author shares a unit in which composition students are taught the analysis protocols developed by Stephen Toulmin (the Toulmin Argument Model) and Thomas Huckin (Critical Discourse Analysis) in order to expose the logical fallacies, invalid warrants, and authorial manipulations found in various racist texts, including Anne Moody\u27s _Coming of Age in Mississippi_

    The writing center as bodega: Making a third space in academia for global Englishes and alternative discourses

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    This item is available only to currently enrolled UTSA students, faculty or staff. To download, navigate to Log In in the top right-hand corner of this screen, then select Log in with my UTSA ID.Because global communication demands greater rhetorical/linguistic flexibility than the monocultural and monolingual academic writing model ("Standard" Edited American English and "standard" discourses) supplies, and because the <italic>testimonios<italic> of authors such as Gloria Anzaldúa, Victor Villanueva, and Keith Gilyard reveal the scarring that occurs when an individual's home language is denigrated, this dissertation argues that university writing centers must take the lead in encouraging the academy to recognize and value global Englishes and alternative discourses as valid rhetorical alternatives. Notably, writing center theorists such as Nancy Grimm, Elizabeth Boquet, and Rebecca Jackson have begun re-imagining the writing center as a counter-hegemonic space via counter-narratives. However, in addition to modifying internal writing center operations (e.g. tutor training and tutorial protocols), writing centers must re-imagine external writing center relationships with faculty, replacing the academy's top-down, interpellation model with collaboration among the university's writing partners. The metaphor of the writing center as a bodega in the ecological landscape of the university provides a meaningful and local way of conceptualizing this new paradigm for writing centers (and ultimately the university as a whole) as a panethnic, heteroglossic, communal, and transgressive third space--both a part of a larger system but apart from it. By shifting academic focus from the production of one hegemonic (big-box) product to the acquisition of (meta)knowledge of "standard" and global Englishes, alternative rhetorics, and linguistic, visual, and oral literacies, not only will the U.S. academy be accommodating a global world but also rejecting its legacy of linguistic imperialism.Englis

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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