1,285 research outputs found
You Move Me
No full textYou Move Me is an audio-visual installation made by three artists of different disciplines in collaboration with the people in two different European towns; Žagarė, Lithuania, and Northampton, UK.
In each town, people were invited to take part in workshops with the artists, exploring ideas of every day, gestural movements. Together they have created a new choreography, which has been performed and recorded in each participant’s own domestic setting. You Move Me is a meditation on gestural movement, portraiture and what it means to move together as a group. It is a celebration of people living in different geographical locations and how they are connected through movement. The work explores collective and individual identities, our quotidian actions and how we occupy our domestic spaces. It brings private identities into the public realm. The work is an inquiry into the idea of similarities and difference and the concept of synecdoche, which makes visible our idiosyncrasies by bringing similar elements together. Something unique and mesmerising happens when individuals move in unison; our attention is brought to the unique and distinctive nature of each person.
You Move Me extends from a wider body of work developed since 2013 by Laura Murphy and Gemma Riggs, whose collaborative research explores the framing of the moving body. The core artist team for You Move Me is formed of video artist Gemma Riggs, choreographer Laura Murphy and theatre-maker and sound artist Melanie Wilson. They have been joined by a number of interdisciplinary collaborators including experimental psychologist Jorina Von Zimmerman who has helped them explore the concept of social synchrony and its implications from a behavioural perspective. Also contributing to the project are artist and writer Mary Paterson, artist and activist Susan Ryland as well as projection designer Richard Moores.
This publication features the the artists plus invited contributors to write original work that expands the themes of the artwork itself
sj-docx-1-jag-10.1177_07334648221091236 – Supplemental material for What Role Does Geragogy Play in the Delivery of Digital Skills Programs for Middle and Older Age Adults? A Systematic Narrative Review
No full textSupplemental material, sj-docx-1-jag-10.1177_07334648221091236 for What Role Does Geragogy Play in the Delivery of Digital Skills Programs for Middle and Older Age Adults? A Systematic Narrative Review by Jessica R. Gates and Gemma Wilson-Menzfeld in Journal of Applied Gerontology</p
sj-docx-2-jag-10.1177_07334648221091236 – Supplemental material for What Role Does Geragogy Play in the Delivery of Digital Skills Programs for Middle and Older Age Adults? A Systematic Narrative Review
No full textSupplemental material, sj-docx-2-jag-10.1177_07334648221091236 for What Role Does Geragogy Play in the Delivery of Digital Skills Programs for Middle and Older Age Adults? A Systematic Narrative Review by Jessica R. Gates and Gemma Wilson-Menzfeld in Journal of Applied Gerontology</p
You Move Me
No full textYou Move Me is an audio-visual installation made by three artists of different disciplines in collaboration with the people in two different European towns; Žagarė, Lithuania, and Northampton, UK. In each town, people were invited to take part in workshops with the artists, exploring ideas of everyday, gestural movements. Together they have created a new choreography, which has been performed and recorded in each participant’s own domestic setting.
You Move Me is a meditation on gestural movement, portraiture and what it means to move together as a group. It is a celebration of people living in different geographical locations and how they are connected through movement.
The work explores collective and individual identities, our quotidian actions and how we occupy our domestic spaces. It brings hidden identities into the public realm.
The work is an inquiry into the idea of similarities and difference and the concept of synecdoche, which makes visible our idiosyncrasies by bringing similar elements together. Something unique and mesmerising happens when individuals move in unison; our attention is brought to the unique and distinctive nature of each person.
You Move Me extends from a wider body of work developed since 2013 by Laura Murphy and Gemma Riggs, whose collaborative research explores the framing of the moving body.
The core artist team for You Move Me is formed of video artist Gemma Riggs, choreographer Laura Murphy and theatre maker and sound artist Melanie Wilson. They have been joined by a number of interdisciplinary collaborators including experimental psychologist Jorina Von Zimmerman who has helped them explore the concept of social synchrony and its implications from a behavioural perspective. Also contributing to the project are artist and writer Mary Paterson, artist and activist Susan Ryland as well as projection designer Richard Moores
sj-pdf-1-tra-10.1177_14604086221104934 – Supplemental Material for Psychological and psychosocial aspects of major trauma care in the United Kingdom: A scoping review of primary research
No full textSupplemental Material, sj-pdf-1-tra-10.1177_14604086221104934 for Psychological and psychosocial aspects of major trauma care in the United Kingdom: A scoping review of primary research by Philippa Olive, Lucy Hives, Neil Wilson, Amy Ashton, Marie Claire O’Brien, Gemma Mercer, Raeesa Jassat and Catherine Harris in Trauma</p
What does the word ‘Europe’ make you think of? Conceptualisations of Europe in a local context
No full textThe present article investigates the construction of the sense of belonging toward Europe in the public sphere, employing a case-study conducted in Italy. The author argues that different conceptualisations of Europe are related to diverse “uses” of the media, familiarity with international cultural resources and participation in the transnational public sphere and civil society. These variables affect the construction of Europeans' sense of belonging
Correction: Yagüe, P., et al. Goals and Challenges in Bacterial Phosphoproteomics. Int. J. Mol. Sci. 2019, 20, 5678
No full textThe authors wish to make the following corrections to this paper [1]:The author name “Gemma Fernánez-García” should be “Gemma Fernández-García” [...
Petrarca e Osberno di Gloucester
No full textSi presenta l'edizione commentata delle note autografe di Petrarca contenute nel Par. Lat. 7492, testimonianza della lettura e dell’utilizzo delle Derivationes di Osberno di Gloucester, altrimenti mai esplicitamente menzionate altrove da Petrarca (il titolo e l’autore rimasero a lungo ignoti). In esse Petrarca indica accordi e discordanze con le Derivationes di Uguccione da Pisa.It presents the annotated edition of Petrarch's autograph notes contained in Para Lat. 7492, evidence of reading and the use of Derivationes Osberno of Gloucester, otherwise never explicitly mentioned elsewhere by Petrarch (the title and the author remained unknown for a long time). In them Petrarca indicates agreements and disagreements with the Derivationes of Huguccio
Le opere storiche di Antonio Ivani da Sarzana
No full textSi forniscono alcune osservazioni e contributi al volume Antonio Ivani da Sarzana, 'Opere storiche' in cui sono pubblicate le principali opere storiche di questo illustre umanista, scrittore prolifico impegnato attivamente nella vita civile e politica del tempo. Interessanti spunti di riflessione offre la tradizione manoscritta, in particolare per la presenza di numerosi autografi rivisti dall’autore.We provide some comments and contributions to the volume Antonio Ivani from Sarzana, 'Historical works' which are published in major historical works of this illustrious humanist, prolific writer actively involved in civic and political life of the time. Offers interesting insights into the manuscript tradition, in particular the presence of numerous autographs revised by the author
R v Evans (Gemma) [2009] EWCA Crim 650, Court of Appeal
No full textEssential Cases: Criminal Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in R v Evans (Gemma) [2009] EWCA Crim 650, Court of Appeal. The document also included supporting commentary from author Jonathan Herring.</p
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