1,721,200 research outputs found
Freedom Ride: A KSMoCA collaboration between Hank Willis Thomas, For Freedoms, and students from Dr. Martin Luther King Jr. School and Harriet Tubman Middle School
Get PDFFreedom Ride: A KSMoCA collaboration between Hank Willis Thomas, For Freedoms, and students from Dr. Martin Luther King Jr. School and Harriet Tubman Middle School
Freedom Ride is a Hank Willis Thomas collaboration with kids on exhibitions at KSMoCA and Portland Art Museum. The exhibition at KSMoCA includes artworks by Hank Willis Thomas, For Freedoms, and students at Dr. Martin Luther King Jr. School and features two bodies of work—political advocacy button slogans and the For Freedoms Digital Quilt. Freedom Ride ran concurrently with Hank Willis Thomas: All Things Being Equal... at Portland Art Museum where elementary students and participants from Harriet Tubman Middle School Center for Expanded Curatorial Practice worked with Hank Willis Thomas and PAM curators and staff. This publication documents the students\u27 many contributions to these exhibitions both as coauthors of Freedom Ride at KSMoCA and as participants in All Things Being Equal... at PAM.https://pdxscholar.library.pdx.edu/ksmoca/1011/thumbnail.jp
Land Grant Application- Willis, Thomas (St. George)
Get PDFLand grant application submitted to the Maine Land Office on behalf of Thomas Willis for service in the Revolutionary War, by their widow Joanna.https://digitalmaine.com/revolutionary_war_me_land_office/1980/thumbnail.jp
Early morning from Caroline Bridge, Bridges National Monument, UT
No full textPhoto shows a view of Caroline Bridge with Dan Perkins on horseback, Natural Bridges National Monument, Utah. Taken by Willis Thomas Lee. Photograph from Herbert E. Gregory Book 9: Utah, California, 1924-1928
McElmo Canyon near its western extremity, showing McElmo formations on LaPlata sandstone
No full textPhoto shows a view of McElmo Canyon near its western extremity, showing McElmo formations on La Plata sandstone, taken by Willis Thomas Lee in 1925. Photograph from Herbert E. Gregory Book 9: Utah, California, 1924-1928
Detail of Church Rock in Dry Valley showing the red middle La Plata. W.W. Boyer is standing on the lower La Plata as described by Whitman Cross
No full textA detailed view of Church Rock in Dry Valley, showing the red middle La Plata. W.W. Boyer is standing on the lower La Plata as described by Whitman Cross. Taken by Willis Thomas Lee, 1925. Photograph from Herbert E. Gregory Book 9: Utah, California, 1924-1928
Church Rock in Dry Valley north of Monticello, UT, composed of La Plata sandstone. Near the base is red, shaly sandstone, middle La Plata, 42 feet thick, Lee, 1925
No full textPhoto shows a Church Rock in Dry Valley, north of Monticello, Utah, composed of La Plata sandstone. Near the base is red, shaly sandstone, middle La Plata, 42 feet thick, taken by Willis Thomas Lee in 1925. Photograph from Herbert E. Gregory Book 9: Utah, California, 1924-1928
Bluff on the Moab road about 43 miles north of Monticello, Utah, showing LaPlata sandstone and McElmo formation. The upper La plata is about 200 feet thick and the lower La plata, the top of which is seen here, is about 300 feet, these sandstones are separated by red, shaly crinkled material. Lee, 1925.
No full textView of Moab road with Bluff, about 43 miles north of Monticello, Utah, showing LaPlata sandstone and McElmo formation. The upper La plata is about 200 feet thick and the lower La plata, the top of which is seen here, is about 300 feet, these sand-stones are separated by red, shaly crinkled material. Taken by Willis Thomas Lee, 1925. Photograph from Herbert E. Gregory Book 9: Utah, California, 1924-1928
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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