112,161 research outputs found

    The Complex Relationship Between Basic Science, Education, & Public Policy

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    Begun in 1988, the E. Pauline Riall Lecture Series brings to the University and community outstanding national lecturers in the field of education. The series was established by the late Miss Riall, long-time principal and teacher of the former Salisbury University's Campus School. A generous bequest was provided by Miss Riall's will to fund this special program. Daniel Willingham, a leading cognitive psychologist at the University of Virginia, will speak. He is the author of two best-selling books, Why don't Students Like School? and When Can You Trust the Experts?”https://www.youtube.com/watch?v=9-wwOkhjoH

    The Florida Mouse

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    WEC-362, a 3-page illustrated fact sheet by Hannah H. Willingham, Emma V. Willcox, and William M. Giuliano, describes this brownish to tawny colored rodent that lives in fire-maintained upland habitats in Florida — identification, habitat, distribution, behavior, conservation status, and habitat management. Includes references. Published by the UF Department of Wildlife Ecology and Conservation, September 2009. WEC362/UW307: The Florida Mouse (ufl.edu

    The Florida Mouse

    No full text
    WEC-362, a 3-page illustrated fact sheet by Hannah H. Willingham, Emma V. Willcox, and William M. Giuliano, describes this brownish to tawny colored rodent that lives in fire-maintained upland habitats in Florida — identification, habitat, distribution, behavior, conservation status, and habitat management. Includes references. Published by the UF Department of Wildlife Ecology and Conservation, September 2009. WEC362/UW307: The Florida Mouse (ufl.edu

    Fables: Legends in Exile

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    This 2012 publication is the first volume of the collected FABLES comic book series. It reprints the first five monthly issues of FABLES in their entirety. I will quote from Wikipedia: "Fables is an American comic book series created and written by Bill Willingham, published by DC Comics' Vertigo. Willingham served as sole writer for its entirety, with Mark Buckingham penciling more than 110 issues. The series featured various other pencillers over the years, most notably Lan Medina and Steve Leialoha. Fables was launched in July 2002 and concluded in July 2015. The series features various characters from fairy tales and folklore ÔÇô referring to themselves as "Fables" ÔÇô who formed a clandestine community centuries ago within New York City known as Fabletown, after their Homelands have been conquered by a mysterious and deadly enemy known as "The Adversary". It is set in the modern day and follows several of Fabletown's legal representatives, such as sheriff Bigby Wolf, deputy mayor Snow White, her sister Rose Red, Prince Charming, and Boy Blue, as they deal with troublesome Fables and try to solve conflicts in both Fabletown and "the Farm", a hidden town in upstate New York for Fables unable to blend in with human society. The series also deals with such other matters as the main characters' personal lives, their attempts to hide the Fables' true nature from regular humans (or "Mundies"), and, later, the return of the Adversary." I include this to give fable researchers of the future a sense of the series, even though it has little to do with the sort of stories associated with Aesop's name.Fifth printingBill Willingha

    Fables: Animal Farm

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    This 2012 publication is the second volume of the collected FABLES comic book series. It reprints the second five monthly issues of FABLES in their entirety. The back cover summarizes: "Ever since they were driven from their homelands by the Adversary, the non-human Fables have been living on the Farm ÔÇô a vast property in upstate New Yok that keeps them hidden from the prying eyes of the mundane world. But now, after hundreds of years of isolation, the Farm is seething with revolution, fanned by the inflammatory rhetoric of Goldilocks and the three Little Pigs. And when Snow White and her sister Rose Red stumble upon their plan to liberate the Homelands, the commissars of the Farm are ready to silence them ÔÇô by any means necessary!" This volume includes a special sketchbook section of preliminary artwork from Willingham, Buckingham, and cover artist James Jean.Tenth printingBill Willingha

    author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct

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    Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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