891,002 research outputs found

    Wiley A. Atkinson to James C. Furman

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    A three page letter and envelope from Wiley A. Atkinson to James C. Furma

    Wiley A. Atkinson to James C. Furman

    No full text
    A three page letter and envelope from Wiley A. Atkinson to James C. Furma

    Wiley A. Atkinson to James C. Furman

    No full text
    A three page letter and envelope from Wiley A. Atkinson to James C. Furma

    Wiley A. Atkinson to James C. Furman

    No full text
    A three page letter and envelope from Wiley A. Atkinson to James C. Furma

    Wiley A. Atkinson to James C. Furman

    No full text
    A three page letter and envelope from Wiley A. Atkinson to James C. Furma

    Writing Artists’ Lives Across Nations and Cultures: Biography, Biofiction and Transnationality

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    As an introduction to the volume, this chapter explores recent developments relating to the study and practice of biography across nations and cultures, discussing key issues in the humanities that have significant implications for writing the lives of writers, musicians and visual artists. These include the resurgence in scholarly interest in artists’ biographies; the rise of biofiction and the ways in which this mode of writing is distinguished from biography; the death and return of the Author; and the prominence that transnationality has assumed in studies of life writing, challenging the traditional framework of the nation-state. It also outlines the aims and scope of the volume, and concludes with a one-paragraph summary of each of its chapters in turn

    Wiley College and the Literacy Project

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    In the years after the Civil War until the 1930s, blacks in America undertook a literacy project -- a vast effort, long-lived, undertaken not by the power, authority, or bureaucracy of government, but instead by blacks acting on their own, unaware of similar efforts in a thousand other places. In the project, Wiley College in Marshall, Texas, a Historically Black College, assumed the obligation to develop leaders, equip teachers, and contribute in any way possible to Negro literacy. Scholars of black colleges have lumped all black colleges together and assumed that what was true about one college was true of all. While this paper does not argue that Wiley College is a representative case study, its story is so different from widely accepted narratives about black colleges that the paper supports the need for historians to take a fresh look at accepted narratives. Commonly held narratives state that the two crucial elements of Negro college success were overall direction by northern church denominations in the 1800s and financial support from northern foundations in the early decades of the twentieth century; they deny agency to leaders and supporters of HBCs like Wiley College. The narrative I trace shows people of Wiley, its President, Matthew W. Dogan, and the blacks of East Texas in charge of the college and engaged in the literacy project.M.A.Includes bibliographical referencesby James C. Batte

    Don C. Wiley

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