1,720,954 research outputs found
Retelling Tales: Patience Agbabi\u27s Queering of Chaucer\u27s The Man of Law\u27s Tale
Geoffrey Chaucer’s The Canterbury Tales is recognized as a formative text within the canon of English literature. Because of his widely known status, Chaucer and his writings have become the central focus of many medievalists; this does not simply mean the increased presence of critical writings, but also creative works that are inspired by The Canterbury Tales. Patience Agbabi’s Telling Tales is a contemporary poetic retelling of The Canterbury Tales in which she explores the origins of ideas such as diaspora, colonization, racialized thinking, social hierarchy, and binary thinking, only to question these ideas in her own writing. Author Seth Lerer argues, “Constructing literary systems entails positing not just a present of performance but a past of cultural identity. It necessitates the self-conscious invention of a history to literature and, in turn, a definition of the poet’s self-appointed role in mediating that history to a present reading, commissioning, or judging community” (Lerer 4). Although Lerer is discussing the ratification of Chaucer into the modern canon of English literature, he is creating a clear line of historical foundations for the practice of rewriting. Agbabi is continuing Chaucer’s practice of drawing on his own surroundings to create a tale of the present. Patience Agbabi rewrites “The Man of Law’s Tale” into a queer and transnational tale by extracting points of origin from the Middle Ages and rewriting them from a contemporary point of view
Communication of Values and Morals Through Andrea della Robbia’s Prudence
Created by Andrea della Robbia in 1475, the circular relief of Prudence, executed in tin-glazed terracotta, exemplifies an intrinsic relationship to religion, morals, and virtues in both medium and subject matter, typical of Renaissance Art. From the development of the della Robbia family workshop, to modern conservation efforts, the della Robbia tin-glazed terracotta method elucidates a timeless and extreme dedication to moral values. The inherent humility of the terracotta, a simple clay dug from the earth, had been recognized even before Andrea created Prudence by close followers of the Christian faith. Not only were the basic elements of Prudence high in moralistic value, but this work was also created as a reminder to follow the virtues set in place by Christian doctrine. In this paper, I use formal and iconographic analysis alongside contemporary conservation reports on this work to help us understand the intricate layers and humble meaning literally baked into the terracotta medium, the ethereal and divine sheen of the glaze, and the reverence the figures hold in communicating virtues
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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