1,721,154 research outputs found

    Několik poznámek o italském pohledu na středoevropskou kulturu

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    Poznámky o daném tématu komentují konkrétní případ nedavného založení edice, kde budou vycházet v italském překladu klasická díla středoevropských literatur a kde se tedy uplatní určitá představa o tom, která literární díla středoevropský status nejen mají, ale můžou být označeny za středoevropská již dokonce klasicky. Tím lze načrtnout charakter pojmu „Mitteleuropa“ v italském podání; není to pokus o náčrt dějin tohoto pojmu, nýbrž úvaha o jeho zdánlivě jasném a obecně srozumitelném obsahu, související s koncepcí Mitteleuropy, jak ji zformuloval italský germanista Claudio Magris.The paper deals with the Italian idea of "Mitteleuropa", which is different from the idea of Central Europe in the Czech and German context and owes much of its content to Claudio Magris and his Habsburg Myth in Austrian Literature

    Bernard Horst - The connections between life and work

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    This thesis focuses on Bernard Horst, who is introduced, based on the historical background of the period in which he lived as well as literary reviews and the interpretation of his selected novels. The thesis aims to provide a complex overview of findings about this writer and should also - using overviews of the history of the Czech literature and literary dictionaries - partially answer the following question: In what light can the personality of a marginal author address a contemporary reader, through which perspective can this author be seen and, most importantly, how this author can be discussed using the wider literary context

    Karel Poláček, a prose writer, in a contemporary reflection of his novel Men in Offside.

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    Karel Poláček, a prose writer, in a contemporary reflection of his novel Men in Offside is a bachelor thesis which is talking about Karel Poláček in context of his prose writings but this thesis is mostly focused on his literary output Men in Offside which was published in 1931. The first part of this thesis is about a prose writings of this author, second part is talking about the novel Men in Offside and the third major part is focused on contemporary literature criticism to this novel. The aim of this thesis is to introduce this author who wrote Men in Offside and who pictured lives of the football fans in the thirties of the twenty century. It should show the contemporary reaction on this novel. Powered by TCPDF (www.tcpdf.org

    Characters and stories of Prague's underworld as reflected in late 19th and early 20th century fiction

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    The diploma thesis deals with various genres which, at the turn of the century, depicted life of the Prague offscourings, i.e. socially excluded and frequently humiliated inhabitants of Prague. The main objective is to give a characteristic of a homeless character, the man on the street, also known as the "Prague vagabond", a character which regularly appears in literature of the period. The thesis discusses several specific Prague vagabonds whom it subsequently compares to the literary type of vagabond (the author used Daniela Hodrová's theoretical findings about the literary type) and shows the impact the city environment has on him. Besides that, the author follows the way the city itself is described as the vagabond of Prague is closely connected with and to a large extent determined by his home city. Primarily, the thesis works with fiction (although a few plays are included as well) and aims to focus on authors of the period who are not widely known today, e.g. R. J. Kronbauer, K. L. Kukla, V. Plaček, F. L. Šmíd, and J. Hais Týnecký. Keywords Prague, Prague offscourings, vagabond, beggar, social issues, literary character, environmen

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Representation of Japan in the works of Joe Hloucha

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    The thesis analyses the manners of narrative space depiction in selected texts of Josef Hloucha. It focuses on the fundamental motives which recur in the texts. The thesis additionally places focus on a specific depiction of Japan and on the means of depiction through which the author mediates the picture of Japan, Japanese culture, tradition, customs etc., including the analysis of various types of realia which are incorporated by Josef Hloucha in his own texts. Hloucha's stance towards europeanization of Japanese culture is analysed in the end

    The Motifs in Selected Poetistic Works by Karel Schulz, Vladislav Vančura and Karel Konrád

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    The aim of this thesis is to compare motifs in three Poetistic works. The selected works were Dáma u vodotrysku by Karel Schulz, Rinaldino by Karel Konrád, and Dlouhý, Široký, Bystrozraký by Vladislav Vančura. Besides comparation of selected works, the thesis also describes typical characteristics of each work, and the personal style and attitude of each author in relation to programme concepts of the Poetistic art written by Karel Teige and other members of U. S. Devětsil. The work concludes to typical characteristics of Poetistics art and explains why we can classify selected works as Poetistic although there are many differences between them

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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