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    INVENTARISASI TANAMAN OBAT SEBAGAI BAHAN PEMBUATAN JAMU GENDONG TRADISIONAL DI KABUPATEN MESUJI

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    ABSTRAK ii Jamu gendong tradisional ada sejak dahulu kala dan telah diwariskan secara turun temurun dari satu generasi ke generasi lainnya. Jamu Gendong tradisional dimanfaatkan sebagai warisan budaya indonesia, masyarakat memanfaatkan jamu sebagai salah satu pilihan obat yang digunakan untuk menyembuhkan penyakit atau sebagai obat untuk menjaga kesehatan tubuh. Species tanaman obat yang digunakan untuk membuat berbagai jenis jamu tradisional yang dijual di pasar sangat beragam, kunyit, jahe, dan kencur adalah tanaman obat yang banyak dimanfaatkan penjual jamu dalam membuat jamu. Tanaman obat memiliki banyak manfaat bagi manusia, namun belum banyak studi yang dilakukan mengenai pemanfaatan tanaman obat untuk dijadikan jamu tradisional. Tanaman sangat penting sebagai bahan pembuatan jamu gendong, jumlahnya yang melimpah di kabupaten Mesuji dipengaruhi oleh banyaknya hasil panen yang didapat para petani, namun semakin berkurangnya penjual jamu dikabupaten Mesuji menyebabkan kurangnya pemanfaatan tanaman sebagai bahan pembuatan jamu, oleh sebab itu “Inventarisasi Tanaman Obat Sebagai Bahan Pembuatan Jamu Gendong Tradisional di Kabupaten Mesuji” perlu dilakukan sebagai upaya melestarikan budaya turun temurun, berkaitan dengan konservasi sumber daya alam. Tujuan penelitian ini adalah untuk mengetahui jenis tanaman obat yang digunakan sebagai bahan pembuatan jamu tradisional, cara pembuatan jamu tradisional, dan manfaat yang diperoleh dari mengkonsumsi jamu tradisional. Dalam pelaksanaan penelitian, metode analisis data yang dipakai adalah pendekatan deskriptif kualitatif yang mencakup penyusunan tabel mengenai jenis-jenis tanaman yang dijadikan bahan jamu tradisional, komposisi bahan pembuatan jamu, serta manfaat dari setiap jenis jamu tersebut. Sementara itu, untuk analisis data kuantitatif, dilakukan perhitungan menggunakan nilai UV (Use Value) dan ICS (Index of Cultural Significance). Tumbuhan obat yang dimanfaatkan sebagai bahan pembuatan jamu gendong tradisional dibagi menjadi 10 Species yaitu Jahe (Zingiber officinale), Kunyit (Curcuma domestica), Kencur iii (Kaempferia galanga), Temulawak (Curcuma xanthorriza), Brotowali (Tinospora crispa), Sambiloto (Andrographis paniculata), Sirih (Piper betle), Cabe Puyang (Piper retrofractum), Asam jawa (Tamarindus indica), dan beras (Oryza sativa). Jamu tradisional yang dibuat oleh penjual jamu terdiri atas 6 jamu yaitu jamu kunyit asam, jamu beras kencur, jamu temulawak, jamu pahitan, jamu sirih, dan jamu cabe puyang. Jamu tradisional yang dibuat oleh penjual jamu terdiri atas 6 jamu yaitu jamu kunyit asam, jamu beras kencur, jamu temulawak, jamu pahitan, jamu sirih, dan jamu cabe puyang. Kata Kunci : Inventarisasi, Jamu, Mesuji, Obat ABSTRACT iv Traditional herbal medicine has existed since ancient times and has been passed down from one generation to another. Traditional herbal medicine is used as an Indonesian cultural heritage, people use herbal medicine as one of the choices of medicine used to cure diseases or as a medicine to maintain body health. The species of medicinal plants used to make various types of traditional herbal medicine sold in the market are very diverse, turmeric, ginger, and kencur are medicinal plants that are widely used by herbal medicine sellers in making herbal medicine. Medicinal plants have many benefits for humans, but not many studies have been conducted on the use of medicinal plants to make traditional herbal medicine. Plants are very important as ingredients for making herbal medicine, their abundant number in Mesuji district is influenced by the large harvest obtained by farmers, but the decreasing number of herbal medicine sellers in Mesuji district has caused a lack of use of plants as ingredients for making herbal medicine, therefore "Inventory of Medicinal Plants as Ingredients for Making Traditional Herbal Medicine in Mesuji Regency" needs to be done as an effort to preserve hereditary culture, related to the conservation of natural resources. The purpose of this study was to determine the types of medicinal plants used as ingredients for making traditional herbal medicine, how to make traditional herbal medicine, and the benefits obtained from consuming traditional herbal medicine. In conducting the study, the data analysis method used was a qualitative descriptive approach that included the preparation of tables regarding the types of plants used as ingredients for traditional herbal medicine, the composition of herbal medicine ingredients, and the benefits of each type of herbal medicine. Meanwhile, for quantitative data analysis, calculations were carried out using UV (Use Value) and ICS (Index of Cultural Significance) values. Medicinal plants used as ingredients for making traditional herbal medicine are divided into 10 species, namely Ginger (Zingiber officinale), Turmeric (Curcuma domestica), Galanga (Kaempferia galanga), Temulawak (Curcuma xanthorriza), Brotowali v (Tinospora crispa), Sambiloto (Andrographis paniculata), Betel (Piper betle), Cabe Puyang (Piper retrofractum), Tamarind (Tamarindus indica), and rice (Oryza sativa). Traditional herbal medicine made by herbal medicine sellers consists of 6 herbal medicines, namely turmeric and tamarind herbal medicine, rice kencur herbal medicine, temulawak herbal medicine, bitter herbal medicine, betel herbal medicine, and cabe puyang herbal medicine. Traditional herbal medicine made by herbal medicine sellers consists of 6 herbal medicines, namely turmeric and tamarind herbal medicine, rice and kencur herbal medicine, temulawak herbal medicine, bitter herbal medicine, betel leaf herbal medicine, and cayenne pepper herbal medicine. Keywords : Herb, Inventory, Medicine, Mesuji

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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