11,035 research outputs found

    Whitehead, Anne

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    Anne as Pagan, Anne as Queer

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    ‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa

    Affecting feminism: Questions of feeling in feminist theory

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    This special issue engages with the relationship between feminist theory and ‘the affective turn’. Through their analyses of a range of affective states, spheres and sites, the authors in this volume pose critical questions regarding feminist theoretical engagements with affect, emotion and feeling. They ask whether it is necessarily a positive move to put affect theory and feminist theory together, or whether there are inherent risks, for example of depoliticisation, or of an over-privileging of the individual; whether feminist theorists have made, or can make, distinctive contributions to conceptualising affect; and what particular insights feminist theory can bring to bear. In different ways, the authors featured here consider how we can understand the complex implications of the turn to affect in and for feminist theory, and how we might examine its potentialities for theoretical, political and social transformation

    Introduction

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    Patagonian Sojourn. "Bluestocking in Patagonia" by Anne Whitehead. [review]

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    In "Paradise Mislaid", Anne Whitehead captivated readers with a nicely judged blend of elements. Here was a documentary that interwove two travellers' tales, each with the resonance of quest narratives. Those 'peculiar people' who went off to Paraguay as part of William Lane's experimental Utopian settlement were seeking a just community where the labourer would not only be worthy of his hire, but actually receive it; while Whitehead was pursuing the historian’s endless quest to bring back into present memory the always receding reality of the past. "Bluestocking in Patagonia" adds a much stronger and more focused biographical element, enabling its Australian distributor, Allen & Unwin, to advertise it as 'The true story of Australian national icon, Dame Mary Gilmore’s adventures in South America'. The core of Whitehead’s narrative consists in following the steps of the Gilmore family from Paraguay southwards into Patagonia, but each step, either through location or event, allows a branching out into Argentina's past history and its present condition. At one level, Whitehead's book has the engagingly tangential quality of lively gossip (including family photographs), but its layering of material and the quality of research and observation make it something more complex and significant.Australia Council, La Trobe University, National Library of Australia, Holding Redlich, Arts Victori

    Interview with Anne Russell

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    Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History

    Zollicoffer W. Whitehead House

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    Queen Anne style house built for Zollicoffer W. Whitehead (1862-1923); and wife, Mary Warren Smith (1867-1951). He was owner and editor of the Southern Truckers Journal and the Southern Lumber Journal; president of the NC Press Association; and president of the Wilmington, Brunswick and Southern Railroad

    A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)

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    This thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture

    Editor's inscription in Valentine Duval : an autobiography of the last century

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    Editor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
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