1,721,031 research outputs found

    Supplemental Material, Duet_score_1 - Negotiating a Shared Interpretation During Piano Duo Performance

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    Supplemental Material, Duet_score_1 for Negotiating a Shared Interpretation During Piano Duo Performance by Laura Bishop and Werner Goebl in Music & Science</p

    Supplemental Material, Solo_score - Negotiating a Shared Interpretation During Piano Duo Performance

    No full text
    Supplemental Material, Solo_score for Negotiating a Shared Interpretation During Piano Duo Performance by Laura Bishop and Werner Goebl in Music & Science</p

    Designing on subjective tolerance to approximated piano reproductions

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    Results from three experiments are presented, showing that the perceived acoustic and vibrotactile quality of a reproduced piano does not require models simulating every aspect of the original instrument with great accuracy. It was found that high-quality loudspeaker array passive listening at the pianist's position admits distortions of the sound field. Furthermore, pianists during playing seem to compensate for errors in the auditory scene description. Finally, they are particularly sensitive to the existence of vibrotactile feedback on their fingers meanwhile tolerant about the precision with which this feedback is reproduced. Based on these results we are currently working on a lightweight portable physics-based digital piano design, that should improve upon the experience a pianist with no keyboards at hand makes when interacting with a touch-screen piano software running on smartphones and laptops

    Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas”

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    This text comments on Ohriner's (2014) paper and undertakes a brief quantitative re-analysis of Ohriner's tapping data generously provided by the author. The aim here is to briefly test two hypotheses brought forward in the original paper in a quantitative way by proposing an alternative way of data processing and analysis. Future extensions of this promising stream of work are discussed

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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