705 research outputs found
Bischof Siegfried von Regensburg, Kanzler Kaiser Friedrichs II.
No full textDer Rheingrafenabkömmling Siegfried (1188/97 - 1246) tritt nach dem Tod seiner Eltern Wolfram und Guda als Domkantor in die Dienste seines Verwandten, des Mainzer Erzbischofs Siegfried II von Eppstein. Hier begegnet er Kaiser Friedrich II., dessen Freund der Erzbischof ist. Siegfried weilt wenig später in Rom, als Kaiser und Papst nach einem Kandidaten für den Regensburger Bischofsthron Ausschau halten. Zuvor war in Regensburg von Ministerialen und einer Minderheit des Domkapitels der Dompropst Gottfried von Ast inthronisiert worden. Er dankt es seinen Wählern durch Verschleudern von Kirchengütern und -rechten. Als daraufhin die Majorität des Domkapitels und Regensburger Bürger in Rom vorstellig werden, setzt Gregor IX. Gottfried ab und ordnet eine Neuwahl an, aus der Siegfried als neuer Bischof von Regensburg hervorgeht. Über die Kaiserresidenz Melfi und Mainz zieht er nach Regensburg. In Melfi rüstet der Kaiser gerade zu seinem dann unterbliebenen Kreuzzug, was ihm seine erste Bannung einbringt. Siegfried hilft dem Kaiser - zusammen mit anderen Reichsfürsten - sich von der Kirchenstrafe zu lösen, worauf ihn der Kaiser zum Reichskanzler ernennt. Siegfrieds diplomatischem Geschick ist es ferner zu danken, daß sich Friedrich II. auf dem Hoftag zu Cividale (1232) mit seinem ihm entfremdeten Sohn Heinrich (VII.) - vorübergehend - aussöhnt. Bischof Siegfried spricht Recht, dient Kaiser und König bei vielerlei Anlässen als Zeuge und Rekognoszent, fördert Medikantenorden seiner Stadt und hilft Witwen und Armen. Als er sich weigert, die zweite Bannung Friedrichs II. zu verkünden, wird er durch den päpstlichen Legaten Albert Behaim selbst gebannt (1240). Erst als das Anathema Friedrichs auf dem Konzil von Lyon (1245) bestätigt und der Kaiser abgesetzt wird, wechselt auch Siegfried ins päpstliche Lager, stirbt aber schon wenig später und wird als letzter Regensburger Bischof im romanischen Vorgängerdom der heutigen Kathedrale beigesetzt
Proton Spektren in zentralen 32S-32S [SS] Reaktionen bei 200 GeV/ Nukleon / S. Wenig. Gesellschaft für Schwerionenforschung mbH
No full textDeformation Behavior and Damage Modeling of Polypropylene and Polycarbonate
No full textAuthor Philipp Siegfried StelzerKurzfassungen in deutscher und englischer SpracheMasterarbeit Universität Linz 201
Henri Temianka Correspondence; (siegfried)
No full textThis collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/4165/thumbnail.jp
Siegfried Jacoby Family Collection 1880-1960
No full textThis collection contains the papers of members of the Siegfried Jacoby family, depicting the family's private lives as well as their literary work. Most prominent among the papers here are many unpublished manuscripts, family correspondence, and Siegfried Jacoby's herbarium. There is also personal correspondence with others, some professional correspondence, official and personal papers, newspaper clippings, and a few notebooks and family photographs.Siegfried Jacoby was born on February 2, 1877 in Marggrabowa, East Prussia (now Olecko, Poland). He lived in Berlin, where he worked as an advertiser and businessman under the nomme de travail "Fritz Blum." In addition, Siegfried was a prolific author, writing numerous plays, short stories, essays, and poems, as well as writing for several newspapers. Siegfried's chief hobby was botany, in the course of which he assembled many journals of plant pressings and descriptions. On April 10, 1906, Siegfried married Selma (spelled Sellma on the birth certificate) Cohn from Schwerin an der Warthe (now Skwierzyna, Poland). Siegfried and Selma had two children. Their son, Friedrich Walther (Fritz), was born on June 1, 1909. Fritz died in Wernigerode in 1929. The Jacobys' daughter, Ursula Ellen (usually known as Ursel, also called Ulle), was born on October 25, 1907. Ursel was quite well-educated, being fluent in English and French. She followed in her father's literary footsteps as an author and translator. As a child, Ursula won or placed in several youth writing contests. As a young women in the 1920s, she worked as a translator for several regional papers. Between March and May 1927, Ursel went to Paris.In October 1932, Ursel married Max Bunzl, son of the Viennese Kommerzialrat Martin and Margrete (Grete) Bunzl. Max worked for his father's company. Ursel and Max lived in Frankfurt am Main and thereafter in Vienna. In December 1934, Ursula and Max had a son, Tom (Tommy). On October 3, 1937, the Bunzls had another son, Claudi (also known as Clausi or Klausi). The next year, the family left Austria for England. From there, Max went to Palestine (where he had relatives) and Ursula and Claudi went to Argentina (where Claudi became Claudio).In 1939, Selma and Siegfried Jacoby left Germany, travelling like their daughter to London. Later that year, the Jacobys joined their daughter and grandson in Argentina. The Jacoby-Bunzls lived in Buenos Aires, Conesa, and Rio Caballos while in Argentina. Siegfried, or Sigfrido, continued to write in German and Spanish, sometimes using the nomme du plume "Siegfried Jacoby-Wilde" (Sigfried may have been fond of Oscar Wilde). Eventually, Max (or Maximo) joined his family in Argentina.Little information is available about the Jacobys or Bunzls after the war. In 1947, Ursula returned to Europe, although it is unclear where. By the 1960s she had moved to London. The fate of her parents, husband, and child is unclear.digitize
Der Verlust der Identität:Zu den Romanen von Siegfried Lenz
No full textThe article focuses on the topic of identity crises in the novels of German author Siegfried Lenz. He presents no solution of the identity problem, which is reflected both in a private and in a historical dimension, but has a distinct preference for nostalgic ways of life
Differential strain analysis : application to shock induced microfractures
No full textThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Thesis: Ph. D., Massachusetts Institute of Technology, Department of Earth and Planetary Science, 1977Vita.Bibliography : leaves 135-137.By Robert Wayne Siegfried, II.Ph. D.Ph. D. Massachusetts Institute of Technology, Department of Earth and Planetary Scienc
Being and appearing in "siegfried immerselbe atsijaunina" by ignas šeinius.
No full textBeing and Appearing in "Siegfried Immerselbe atsijaunina" by Ignas Šeinius The aim of this paper is to analyse satirical novel Siegfried Immerselbe atsijaunina by the Lithuanian author Ignas Šeinius (1889-1959). The research is based on several theoretical approaches, mainly Yuri Lotman's cultural semiotics assumptions and the ideas expressed in Roland Barthes’ essay Writing Degree Zero. This dissertation focuses on the modalities of being and appearing discussed in Algirdas Julien Greimas’ theory. Paper describes the dialectical structure of the meaning in Šeinius’ text and through it showcases the mechanisms of revealing laughter. The reconstruction of the interwar Lithuanian sociopolitical discourse attempts to show how the historical and universal value systems function in the text, what significance their relationship has to the structure of the meaning
A análise cinematográfica em Siegfried Kracauer
No full textThis piece of work aims to rescue the thought of Siegfried Kracauer in respect of his works of social analysis (which use the cinema as their object of study) produced in a post-First WorldWar world and crisis. For this intent, we will perform a historical digression to contextualize the author in a world facing a crisis of the values from the Belle Époque and the Modernity, seeking to present him as a scholar that thinks the cinema of an age, reflecting a period of derangement of old values - and consequently of social renewal. Thus, regarding the historical context of the author, we'll step into the sociological thought of Kracauer - without the pretension of big theoretical deepening in film analysis or the cultural industry itself - but in the author view of the cinema as an expression of a social reality and redemption of physical materialityEste trabalho intenta revisitar o pensamento de Siegfried Kracauer no que se refere às suas obras de análise social que utilizam como objeto de estudo o cinema e se produz num contexto pós Primeira Guerra Mundial e de crise dos valores burgueses. Para isso, iremos fazer uma digressão histórica para situar o autor numa realidade de crise da Belle Époque e dos valores modernos. Este pano de fundo é de suma importância para compreendê-lo como intelectual que irá pensar o cinema como expressão de um período de decomposição de valores e renovação social e reflexo de uma sociedade que se repensa e se reconstrói após o conflito mundial que inaugura o século XX. Desta forma, iremos adentrar, sem pretensão de grandes aprofundamentos na análise fílmica ou da indústria cultural em si, no pensamento do autor sobre o cinema como meio de expressão de uma realidade social e redenção da realidade físic
Siegfried In The Interpretations Of The German Film Directors Of The Early 20th – Early 21st Century (Fritz Lang's "The Nibelungs" And Uli Edel`S "Ring Of The Nibelungs")
No full textFilm experts and art historians studied German cinema in detail, however, movies based on “The Song of the Nibelungs” as well as on the German and Scandinavian heroic epic have not yet been investigated by means of modern interdisciplinary approaches. The author pays attention to Siegfried, one of the most important heroes of the German and Scandinavian epic, according to Fritz Lang's (1890 – 1976) and Uli Edel`s (1947) interpretations, divided by almost a century (1924 and 2004). The author analyzes various means of expression: visuality, scenery, actor's performance, credits/dialogues. As far as the Lang's movie is concerned, he concludes that one can interpret the figure of Sigfried on two levels of interpretation. The first is the visual one which includes the actor's performance and the work of support staff (e.g. dress makers, set dressers). It describes him as an extraordinary strong hero. The second one is the semantic level which is formed of credits and music. It creates a myth about Siegfried as the national hero. In Edel's movie, the dialogues between heroes and actor's performance are used as the main means of expression. In Lang’s interpretation, Siegfried is described as the neo-romantic superhero, the person possessing a special force. Uli Edel’s Siegfried obtains dialectic nature – he is the prince, the king, and he is also the commoner; courageous soldier, dragon slayer, and obedient vassal, servant; son of Christian parents, pagan's stepson. The author assumes that Fritz Lang and Uli Edel reacted to inquiries of the time. In the 1920s, Germany suffered a difficult period between the two World Wars, the German people were oppressed by military reparations. Powerful Siegfried, as the national hero and embodiment of the German people, was urged to remind Germans of their great heroic past, to return their self-confidence to them. In our era of globalization and multiculturalism, the idea of association, peaceful co-existence of various ideas and religions was embodied in Siegfried.</jats:p
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