29,806 research outputs found
The identified boulders from LCAM DOM image and information of all source craters
No full text<p>This website contains Data Set S1 and Data Set S2, derived from the manuscript '<strong>Oblique impact adjacent to Chang’E-5 sampling site: Fine-scale analysis and implication on the provenance of returned samples</strong>,' authored by Wenhui Wu, Zhaopeng Chen, Xin Ren, Dawei Liu, Xingguo Zeng, Yuan Chen, Wangli Chen, Wei Yan, Bin Liu, Xiaoxia Zhang, and Jianjun Liu, for the Journal of Geophysical Research: Planets.</p>
sj-jpg-1-jba-10.1177_08853282221104287 – Supplemental Material for Genipin-crosslinked decellularized scaffold induces regeneration of defective rat kidneys
No full textSupplemental Material, sj-jpg-1-jba-10.1177_08853282221104287 for Genipin-crosslinked decellularized scaffold induces regeneration of defective rat kidneys by Aoling Du, Dan Liu, Wenhui Zhang, Xinwang Wang and Shenghua Chen in Journal of Biomaterials Applications</p
Liu Kang
No full textLiu Kang: Essays on Art and Culture is a testament to the inexorable passion of an artist who knew no boundaries. This collection of essays, which Liu Kang wrote over 44 years, offers an insight into the artist’s myriad interests as well as his contributions as a first generation Nanyang artist and art educator. Translated into English for this volume, Liu Kang’s essays are accompanied by commentaries and photographs of the artist-author and his subjects
The derived data in manuscript Oblique impact adjacent to Chang'E-5 landing site: Fine-scale analysis and implication on the provenance of returned samples
No full text<p>This website contains the derived data in the <em>manuscript <span>Oblique impact adjacent to Chang’E-5 landing site: </span><span>F</span><span>ine-scale analysis and implication on the provenance of returned samples </span></em>by <span>Wenhui Wu</span><span>, </span><span>Zhaopeng Chen</span><span>, Xin Ren</span><span>, Dawei Liu</span><span>,</span><span> </span><span>Xingguo Zeng, Yuan Chen, Wangli Chen, Wei Yan, Bin Liu,Xiaoxia Zhang, Jianjun Liu</span> for <em><span>Journal of Geophysical Research: Planets</span></em></p>
Data for: Study of thermochemical sulfate reduction of different organic matter: insight from systematic TSR simulation experiments
No full textThe data include the yield and carbon isotope of gaseous product in control treatments and sulfate treatments. In addition, it include the processing of raw data and the drawing process
Research data for lakes on the QTP
No full textThis dataset contains lake area, precipitation, air temperature, evaporation ,glacier and permafrost datas in the endorheic basin on the Qinghai-Tibet Plateau since 200
Research data for lakes on the QTP
No full textThis dataset contains lake area, precipitation, air temperature, evaporation ,glacier and permafrost datas in the endorheic basin on the Qinghai-Tibet Plateau since 200
sj-pdf-1-mdm-10.1177_0272989X221107902 – Supplemental material for PaCAR: COVID-19 Pandemic Control Decision Making via Large-Scale Agent-Based Modeling and Deep Reinforcement Learning
No full textSupplemental material, sj-pdf-1-mdm-10.1177_0272989X221107902 for PaCAR: COVID-19 Pandemic Control Decision Making via Large-Scale Agent-Based Modeling and Deep Reinforcement Learning by Xudong Guo, Peiyu Chen, Shihao Liang, Zengtao Jiao, Linfeng Li, Jun Yan, Yadong Huang, Yi Liu and Wenhui Fan in Medical Decision Making</p
Phoebus 10: A Journal of Art History
No full texttableOfContents: Homage to the Past: The Art of Yin Xiaofeng by Ralph Gabbard and Liu Liu.. pages 5-1
Cultural exploitation in chinese politics: Reinterpreting liu sanjie
No full textLiu Sanjie is a typical Chinese legendary figure, adapted from folk custom and transformed during many historical and political stages. By comparing the musical film Liu Sanjie with the landscape performing art Impression Liu Sanjie, this paper explores how Liu Sanjie is reconstructed in the Impression to be in accord with contemporary demands (shidaixing). In the film, made during the 1960s, Liu Sanjie was promoted as a heroine fighting against the privileged classes, but in the Impression, her class struggle has been erased and only a harmonious and abstract legend remains. Her ethnicity is promoted by Han elites as not exclusive Zhuang, but shared equally with Han, Miao and Dong ethnicity in an imagined community to propagate a sense of ethnic harmony and unified Chineseness. Her transformation from a realistic character, full of a rebelling spirit, to an abstract and disembodied ‘sense of harmony’, is a complete reinterpretation of a Chinese historical legend. Utilizing a term from Wang Ban (1997), ‘the sublime figure of history’, which refers to an ideology aestheticized by the party state for securing its governance, this paper refers to the bold artistic treatment of Liu Sanjie for cultural exploitation as ‘Liu Sanjie’s sublime’. The paper explores the evolutionary progress of Liu Sanjie from class revolution to art revolution in response to political requirements. The author is a stage-trained performing artist, specialized in both Western opera and Chinese classical and folk singing and dance. He is also a critic and art consultant in the Chinese landscape performing arts industry. These professional roles have allowed privileged access to the top people in this industry
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