1,720,999 research outputs found
Inventer le possible. Une Vidéothèque éphémère Rencontre avec les artistes Wendy Morris et Anxiong Qiu
No full textDans le cadre de l'exposition « Inventer le possible. Une Vidéothèque éphémère », présentée jusqu'au 8 février 2015, le Jeu de Paume organise la projection d’une sélection de court-métrages d’animation réalisés par Wendy Morris et Anxiong Qiu, suivie d'une rencontre avec les artistes et les commissaires Hilde Van Gelder et Marta Ponsa Salvador.
PROGRAMME
FYI (2014, 1') de Wendy Morris
Un message circule d'un moyen de communication à un autre : pigeons et chiens voyageurs, téléphones de campagne, signaux et autres lumières, avant de révéler son contenu.
Perth + 6hrs (2013, 4') de Wendy Morris
Perth + 6hrs est une réflexion personnelle sur le caractère éphémère de la famille et la fugacité de l'enfance. Les objets dans le film, créé à partir d’un seul dessin, ont été faits par le fils de l'artiste.
Off the Record (2008, 5') de Wendy Morris
Cette œuvre explore le traitement différent vécu par les soldats noirs et les soldats blancs sud-africains en Europe pendant la Première Guerre mondiale. Grâce à l'animation, l'artiste cherche à créer des points de convergence entre ces histoires disparates.
The Temptation of the Land (2009, 13’) d’Anxiong Qiu
Cette œuvre prend pour source le magazine illustré The Companion, publié à Shanghai depuis 1926. La sélection d’images illustre la transformation rapide de la Chine. Anxiong Qiu tente de faire prendre conscience à la société chinoise de la perte du sens de son histoire et de ses racines culturelles.
The New Book of Mountains and Seas 2 (2007, 25’)
d’Anxiong Qiu
L’artiste traite d’une vingtaine de sujets d’actualité : du développement urbain au terrorisme, du clonage biologique à la conquête spatiale. Allié à une partition originale puissante, il crée un univers mythologique alternatif habité par des créatures-machines biomorphiques.
Programme sous réserve de modifications.
LES ARTISTES
Wendy Morris
Née à Walvis Bay (Namibie) en 1960. Vit et travaille en Belgique.
Dans son travail, principalement constitué de films d’animation au fusain, Wendy Morris s’interroge sur les différentes formes de représentation du continent africain en Europe. Artiste sud-africaine multidisciplinaire – animation, courts métrages et œuvres sonores –, elle étudie les arts plastiques et l’histoire de l’art dans son pays avant d’obtenir, en 2013, son doctorat d’art à l’université de Louvain avec trois courts métrages, The Salvation Project. Ses films ont été présentés lors de nombreux festivals de court métrage, de documentaire et d’animation du monde entier, dont Clermont-Ferrand, DOK-Leipzig et Annecy.
http://morriswendy.wordpress.com
Anxiong Qiu
Né à Chengdu (Chine) en 1972. Vit et travaille à Shanghai.
Anxiong Qiu a fait ses études à l’académie d’art du Sichuan. Après avoir poursuivi ses études à Kassel (Allemagne), il est revenu en Chine pour s’établir à Shanghai où il enseigne à l’Université. Connu pour ses peintures, animations et installations vidéo, il adopte généralement le lavis traditionnel chinois pour réaliser ses œuvres d’animation. Anxiong Qiu a acquis une renommée internationale en présentant son travail à la Biennale de Shanghai de 2006. Il a aussi participé aux Biennales internationales d’art de Sydney, Thessalonique, Séoul, Sao Paulo, Busan et Nanjing.
http://www.qiuanxiong.net/en
LES COMMISSAIRES
Hilde Van Gelder est professeur en histoire de l’art moderne et contemporain à la KU Leuven et directrice du Lieven Gevaert Centre for Photography.
Marta Ponsa Salvador est responsable des projets artistiques et de l’action culturelle au Jeu de Paume.
À l'auditorium, le vendredi 28 novembre à 18h30.
Entrée libre dans la limite des places disponibles.status: Publishe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
- …
